Uploaded May 2023 | Updated September 2026, 3 weeks ago
How does Kehinde Wiley depict Black women in his exhibition An Archaeology of Silence? Dr. Akilah Cadet answers this question and talks about rest as a form of resistance in the first episode of our digital series Beyond the Frame.
How does Kehinde Wiley depict Black women in his exhibition An Archaeology of Silence? Dr. Akilah Cadet answers this question and talks about rest as a form of resistance in the first episode of our digital series Beyond the Frame.
![[Day 2] Bridges: Social Engagement in Artists’ Books/ 2021 Reva and David Logan Symposium](https://i.ytimg.com/vi/__Kti0abfM8/mqdefault.jpg "[Day 2] Bridges: Social Engagement in Artists’ Books/ 2021 Reva and David Logan Symposium
As potent tools for understanding, books can bridge disparate cultures. This year’s Logan Symposium brings together six powerful and courageous voices, artists who have traveled the world, and traveled within themselves, to bring back visual and poetic testimony
About the Speakers:
Laura Anderson Barbata: Book Making in the Amazon Rain Forest: Preserving a Culture
Laura Anderson Barbata, a transdisciplinary artist with studios in New York and Mexico City, produces work that, in her words, is “intended to connect various cultures . . . by engaging creative practices that promote dignity, shared values, diversity, and collaboration through reciprocal exchange of knowledge.” Her work with the Yanomami of southern Venezuela led to the production of handmade paper and an award-winning book that preserves the belief systems of their culture. The project became a tool for advocacy, social justice, self-determination, and environmental protection. (lauraandersonbarbata.com)
Clifton Meador: This Is Not Tibet
Clifton Meador combines writing, photography, printmaking, and design to make printed works that explore how the narratives of culture, history, and place are the basis for identity. For a 2006–2007 research project in Tibet, he produced detailed photo documentation of the production of printed sutras at a Tibetan temple. He later created a series of artist’s books inspired by the experience. Meador has worked as a pressman at several commercial, literary, and small–press production facilities. He is a professor in the Department of Art at Appalachian State University. (clifton-meador.com)")
