Uploaded August 2026 | Updated September 2026, 1 hour ago
Republic of Singapore Navy March
Composed by CPT Alan Teo Chwee Lye
Score: https://go.gov.sg/sg-regimentalmarches
Audio: youtube.com/watch?v=5CVPP8pkGXc
All rights reserved by the SAF Band
Republic of Singapore Navy March
Composed by CPT Alan Teo Chwee Lye
Score: https://go.gov.sg/sg-regimentalmarches
Audio: youtube.com/watch?v=5CVPP8pkGXc
All rights reserved by the SAF Band
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For enquiries, please contact Dr. Kelly Tang at ymktang@gmail.com @Kelly.Tang-Composer
Music published by Retsel Mil Publications https://retselmil.com/
Live archival audio recordings courtesy of Singapore Symphony Group (SSG)
Audio: https://www.youtube.com/watch?v=jFC5lrN7Q-s
Singapore Symphony Orchestra
Leonard Tan, conductor")
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Audio: https://www.youtube.com/playlist?list=PLXpQCRhZw2lb8M84agqWAYP6HNehk1rtJ
Joanne Lunn, soprano
Roderick Williams, baritone
Cantate Youth Choir
City of London Sinfonia
John Rutter, conductor
0:00 1. Kyrie
7:27 2. Gloria
14:56 3. Sanctus
17:54 - Benedictus
22:08 4. Agnus Dei
28:07 5. Finale")
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Score: https://www.fabermusic.com/music/oiseaux-tristes
BBC Philharmonic
Nicholas Collon, conductor")
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Audio: https://www.youtube.com/playlist?list=OLAK5uy_n70ei9k2n_Oy-ic4giYozEluQwvb17iw8
Ostrobothnian Chamber Orchestra
Juha Kangas, conductor
The pieces are free fantasies based on dances written by a Finnish 18th century fiddler, Samuel Rinda-Nickola.
0:00 I. Närböläisten braa speli (The Närbö Villagers in Fine Fettle)
The famous fiddlers from Närbö arrive, in a procession full of colour and rustic pomp...
1:48 II. Kopsin Jonas (Mr. Jonas Kopsi)
In the strange light of the Nordic midsummernight Kopsin Jonas plays for the forest, for himself...
3:48 III. Klockar Samuel Dikström (Bellringer Samuel Dikström)
Samuel the village organist improvising at a lonely moment of inspiration: he fills the little church with reminiscences of his daily Bach, of wedding tunes heard long ago...
4:55 IV. Pirun polska (Devils Schottische)
A melancholy devil sits on his rock, listening to the dark, mysterious Finnish forest...
6:31 V. Hypyt (Jumps)
In a stamping, jumping dance they whirl, their broad faces are solemn as in the church, but a strange excitement lurks in their huge legs and hands...")
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Audio: https://www.youtube.com/watch?v=U2QJcgevlYM
BBC National Orchestra of Wales
Rumon Gamba, conductor")
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Score: https://imslp.org/wiki/Iberia_%28Albéniz%2C_Isaac%29
Audio: https://www.youtube.com/playlist?list=OLAK5uy_lvd3GCc7DTAMadXMsedcTtNxIysBJXV88
0:00 I. Evocación (Book 1, No. 1)
5:37 II. La Fête Dieu à Seville/El Corpus en Sevilla (Book 1, No. 3)
14:23 III. Triana (Book 2, No. 6)
18:58 IV. El Puerto (Book 1, No. 2)
23:25 V. El Albaicin (Book 3, No. 7)")
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Score: https://vmirror.imslp.org/files/imglnks/usimg/a/ad/IMSLP719907-PMLP68282-Rimsky-Massacre-Kerzhents Conductor_Score.pdf
Audio: https://www.youtube.com/watch?v=hzOpOLjKNVA
CSR Symphony Orchestra (Bratislava)
Ondrej Lenard, conductor")
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BBC Philharmonic
Nicholas Collon, conductor")
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Score: https://www.fabermusic.com/music/symphony-in-b-minor-finale-6280
Audio: https://www.youtube.com/watch?v=8oqo4130laQ
Orchestre Philharmonique de Radio France
Mikko Franck, conductor
In 1880 Debussy spent the first of three summers teaching and playing the piano in the household of Tchaikovsky’s patron Nadezhda von Meck, travelling with the family throughout Europe. He had attended the Paris Conservatoire since 1872, but had not shown any great aptitude for composition up to this point. The discovery in Moscow in 1925 of a manuscript of a four-hand piano work with Debussy’s signature entitled ’Symphonie en Si’ reveals one of his earliest surviving works, and, although hardly a pointer to the future composer, is surprisingly accomplished. It was published for the first time in 1933.
A letter from Mme von Meck to Debussy indicates that the symphony was dedicated to her, and sent to her early in 1881, but quite what she received remains open to debate. The surviving manuscript, has the titles of three movements - _Andante, Air de ballet, Final_ - but the music is in one movement headed _Allegro ben marcato,_ and although attempts have been made to establish that the three movements are incorporated within this movement, or that it is the first movement, the musical evidence indicates that it is the Finale. In particular the rather grandiose coda could surely only come at the end of a symphony. The more recent discovery of an E major _Andante cantabile,_ also for four hands and composed in 1881, might perhaps be the second movement.
It is impossible to establish whether or not Debussy intended to - or indeed did - orchestrate it, but it seems more likely that it was an exercise in writing for piano duet: Mme von Meck had shown Debussy the four hand transcription of Tchaikovsky’s recently completed Fourth Symphony. Stylistically the music owes something to Tchaikovsky, along with touches of Franck and Massenet, but with only a very few foreshadowings of Debussy himself. The work falls into three sections before the coda - two sonata like developments separated by a gentle dance-like interlude. In orchestrating it I have not tried to look forward in any way to Debussy’s later style, and the only score I have referred to is his 1889 _Fantaisie_ for piano and orchestra. - Colin Matthews")
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from The Singapore Series
Audio: https://www.youtube.com/watch?v=MPHBxUwOnPg
MacPherson Philharmonic Orchestra
Lester Kong, conductor
For enquiries, please contact the composer at linwei1803@gmail.com https://www.instagram.com/linwei_official/ @Linwei_official")
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Score: https://www.presser.com/116-40529-american-concerto.html
Audio: https://www.youtube.com/watch?v=SZwGjHJF9SI
Philip Smith, trumpet
New York Philharmonic
Bramwell Tovey, conductor")
