Uploaded July 2026 | Updated September 2026, 14 hours ago
If you write for media and own hardware synths, here's a workflow that's saved me countless times.
Record the synth, but record the MIDI performance too. I love committing sounds, and tracking real hardware often leads to more inspiring performances and better decisions. But revisions are part of the job. If someone asks for a different sound, a different filter setting, or a different synth altogether, the MIDI means you don't have to play the part from scratch.
If you write for media and own hardware synths, here's a workflow that's saved me countless times.
Record the synth, but record the MIDI performance too. I love committing sounds, and tracking real hardware often leads to more inspiring performances and better decisions. But revisions are part of the job. If someone asks for a different sound, a different filter setting, or a different synth altogether, the MIDI means you don't have to play the part from scratch.
