Uploaded June 2024 | Updated September 2026, 1 week ago
Chaz Bojórquez and artist collective Tlacolulokos
In conversation with curator Amanda de la Garza
With the likes of Diego Rivera and José Clemente Orozco, Mexico has a long tradition of politically engaged public art which has often depicted—with varying degrees of accuracy—the country’s indigenous population. Two gifted young artists from the collective Tlacolulokos have been commissioned to create a new artwork in the Central Library’s Rotunda in juxtaposition to the 1933 historic Cornwell murals. They will discuss their new work as well as their street-level actions in their hometown of Tlacolula, Oaxaca, with the godfather of Cholo writing, Chaz Bojórquez and project curator Amanda De La Garza. What is the role of clandestine art actions as a form of political dissent? How effective is it? What are the parallels and differences between how street art is used in Mexico and the United States?
Spanish/English interpretation was provided by Antena Los Ángeles
Chaz Bojórquez and artist collective Tlacolulokos
In conversation with curator Amanda de la Garza
With the likes of Diego Rivera and José Clemente Orozco, Mexico has a long tradition of politically engaged public art which has often depicted—with varying degrees of accuracy—the country’s indigenous population. Two gifted young artists from the collective Tlacolulokos have been commissioned to create a new artwork in the Central Library’s Rotunda in juxtaposition to the 1933 historic Cornwell murals. They will discuss their new work as well as their street-level actions in their hometown of Tlacolula, Oaxaca, with the godfather of Cholo writing, Chaz Bojórquez and project curator Amanda De La Garza. What is the role of clandestine art actions as a form of political dissent? How effective is it? What are the parallels and differences between how street art is used in Mexico and the United States?
Spanish/English interpretation was provided by Antena Los Ángeles
