Uploaded June 2021 | Updated September 2026, 3 weeks ago
Marcel Beekman, Jeanine de Bique, Cyril Auvity, Marc Mauillon, Edwin Crossley-Mercer, Arnold Schoenberg Chor
Les Arts Florissants, conducted by William Christie
staged by Robert Carsen
Jean-Jacques Rousseau hailed “Platée” as “the best musical play ever to be heard in our theatres.” In Robert Carsen’s production, the mythological events take place in the world of Parisian haute couture and Jupiter is portrayed as the fashion god Karl Lagerfeld (1933-2019) – who has now really been transferred up to Olympus. This ingeniously apt transposition of this satirical opera into the modern day has long been a hit! The renowned specialist in baroque music, William Christie, conducts his Les Arts Florissants, the Arnold Schoenberg Chor and a fantastic cast. “A candy-coloured baroque dream” (Salzburger Nachrichten) // “A must-see - and not only for fashion freaks!” (Bühne)
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Marcel Beekman, Jeanine de Bique, Cyril Auvity, Marc Mauillon, Edwin Crossley-Mercer, Arnold Schoenberg Chor
Les Arts Florissants, conducted by William Christie
staged by Robert Carsen
Jean-Jacques Rousseau hailed “Platée” as “the best musical play ever to be heard in our theatres.” In Robert Carsen’s production, the mythological events take place in the world of Parisian haute couture and Jupiter is portrayed as the fashion god Karl Lagerfeld (1933-2019) – who has now really been transferred up to Olympus. This ingeniously apt transposition of this satirical opera into the modern day has long been a hit! The renowned specialist in baroque music, William Christie, conducts his Les Arts Florissants, the Arnold Schoenberg Chor and a fantastic cast. “A candy-coloured baroque dream” (Salzburger Nachrichten) // “A must-see - and not only for fashion freaks!” (Bühne)
Facebook: facebook.com/CmajorEntertainment
Twitter: twitter.com/CmajorEnt1
Cmajor Shop: shop.cmajor-entertainment.com










![Mozart: Cosi fan tutte - Nikolaus Harnoncourt
“He was out to to create something ‘unheard-of’,” observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we “had never before heard like this” (Kurier). Nikolaus Harnoncourt, “master” of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his “original-sound orchestra” Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research – an “enthusiastically acclaimed cycle!” (news.at). During an intensive phase of rehearsal and preparation, he was in search of a Mozart hermeneutic resting on historical sources and yet anchored in our own time, in order to stage the whole Da Ponte “trilogy” – Le nozze di Figaro, Don Giovanni and Così fan tutte – in a matter of a mere six weeks. “The culmination of Harnoncourt’s involvement with [Mozart’s Da Ponte operas] – „A Mozart drawn from historical sources and yet anchored in our own time.” (Die Presse)
PART III: Cosi fan tutte + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Cosi fan tutte)
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