Uploaded December 2023 | Updated September 2026, 3 weeks ago
Thanks for watching! 🙏Please LIKE, SUBSCRIBE and leave a comment!
Color management in DaVinci Resolve can be overwhelming, or maybe you don't even know yet what color management is.
Well, in this video, I'm going to give you a proper understanding of how to set up color management in DaVinci Resolve for your V-log footage, what to do when you need to work with mixed footage, and how to handle plugins like Dehancer. But I'm no expert in this field, so I called in some help. So with me in this video is Daria Fissoun.
You may have seen her around on YouTube and events like ResolveCon. She's a colorist, compositor, and a certified DaVinci Resolve trainer. She's also the author of the Colorist Guide to DaVinci Resolve. So I think it's fair to say that she knows a thing or two about color and DaVinci Resolve.
Let's talk about it!
Daria's YouTube channel: youtube.com/@DaVinciMasterKey
Colorist Guide to DaVinci Resolve 👇
documents.blackmagicdesign.com/UserManuals/DaVinci-Resolve-18-Colorist-Guide.pdf?_v=1679295612000
DEHANCER giveaway is CLOSED
Get DEHANCER with 10% OFF! bit.ly/3FCcetv Use code REDFRAMETECH
Panasonic white paper 👇
pro-av.panasonic.net/en/cinema_camera_varicam_eva/support/pdf/VARICAM_V-Log_V-Gamut.pdf
ACES 👇
acescentral.com/review-on-aces-colour-spaces
Support me on Patreon 🙏 patreon.com/redframetech
MPB: best place to buy and sell used gear 👇
US 🇺🇸 https://prf.hn/click/camref:1100luXgF
UK 🇬🇧 https://prf.hn/click/camref:1101luXW5
EU 🇪🇺 https://prf.hn/click/camref:1101luXW4
I use Epidemic Sound for my music. Sign up for a free trial here! bit.ly/3O359nr
👉Making a purchase through my affiliate links helps me out a LOT! And doesn't cost you extra! Thanks! 🙏
🔻Selection of gear I use🔻
🎥CAMERAS & LENSES
———Lumix GH6———
🇺🇸 amzn.to/3Lxwts8
🇬🇧 amzn.to/3MKZOAI
🇩🇪 amzn.to/3PvOc6x
———Lumix G9———
🇺🇸 amzn.to/3NtxPFE
🇬🇧 amzn.to/3wvFIVu
🇩🇪 amzn.to/3G2bAnQ
———Panasonic Leica 12-60mm f2.8-4.0———
🇺🇸 amzn.to/3yPHiTZ
🇬🇧 amzn.to/3MC90HC
🇩🇪 amzn.to/3Nsip4y
———DZOfilm 20-70 CineZoom———
🇺🇸 amzn.to/3XritHC
———DZOfilm 10-24 CineZoom———
🇺🇸 amzn.to/3TXtT2U
———Panasonic Leica 100-400 f4.0-5.6———
🇺🇸 amzn.to/3G6nbCg
🇬🇧 amzn.to/3MufsR0
🇩🇪 amzn.to/38GJ2nB
———Zhongyi Mitakon Speedmaster 17mm T1.0 Cine Lens———
🔗 bit.ly/3qMXsex
Amazon:
🇩🇪 amzn.to/3PcwdEu
🇬🇧 amzn.to/3N699o9
🖥️MONITOR/RECORDER
———Atomos Ninja V———
🇺🇸 amzn.to/3wvgwyl
🇬🇧 amzn.to/3Ls7gzj
🇩🇪 amzn.to/39HBcKQ
▶️GIMBAL
———Moza Aircross 2———
🇺🇸 amzn.to/3ww2psC
🇬🇧 amzn.to/3Ptd6UB
🇩🇪 amzn.to/3MsGI2l
▶️AUDIO & TIMECODE
———Fulaim X5 Wireless kit———
🔗 Order directly from FULAIM with 10% OFF 👉 bit.ly/419FHTX use code: RedFrameTech
🇺🇸 amzn.to/428tsH2
———Deity D4 mini———
🇺🇸 amzn.to/39HjZ4c
🇬🇧 amzn.to/3wvs2tC
🇩🇪 amzn.to/3yPsDrH
———Sennheiser MKE600———
🇺🇸 amzn.to/3IIHmc0
🇬🇧 amzn.to/3osaBt2
🇩🇪 amzn.to/3C1rUnD
———Tentacle Sync EM2———
🇺🇸 amzn.to/3NvResF
🇬🇧
🇩🇪 amzn.to/46hPb2O
———Tentacle Sync Track E———
🇺🇸amzn.to/3NRSW6p
🇬🇧
🇩🇪
———Zoom H5———
🇺🇸 amzn.to/3sM8mj3
🇬🇧 amzn.to/3G3p7LQ
🇩🇪 amzn.to/3lzHI8R
▶️LIGHTS
———Godox SL60w———
🇺🇸 amzn.to/3yWxaIO
🇬🇧 amzn.to/3wypcEu
🇩🇪 amzn.to/3sNHT4G
———Vijim VL120 RGB———
🇺🇸 amzn.to/3wvqwI0
🇬🇧 amzn.to/39IbqWR
🇩🇪 amzn.to/3LBX9Im
▶️EDITING
———Apple Mac mini M1 16Gb, 512GB———
🇺🇸 amzn.to/39HCju0
———Apple iPad Pro 12.9 inch 1 TB———
🇺🇸 amzn.to/3Pwyh8a
🇬🇧 amzn.to/3NsJDrO
00:00:00 - Start
00:05:41 - No RCM
00:16:51 - RCM
00:34:09 - CST
00:43:37 - V-gamut as a working color space
00:57:27 - ACES
01:03:23 - ACES Transform
#davinciresolve #lumixgh6 #colorgradin
Thanks for watching! 🙏Please LIKE, SUBSCRIBE and leave a comment!
Color management in DaVinci Resolve can be overwhelming, or maybe you don't even know yet what color management is.
Well, in this video, I'm going to give you a proper understanding of how to set up color management in DaVinci Resolve for your V-log footage, what to do when you need to work with mixed footage, and how to handle plugins like Dehancer. But I'm no expert in this field, so I called in some help. So with me in this video is Daria Fissoun.
You may have seen her around on YouTube and events like ResolveCon. She's a colorist, compositor, and a certified DaVinci Resolve trainer. She's also the author of the Colorist Guide to DaVinci Resolve. So I think it's fair to say that she knows a thing or two about color and DaVinci Resolve.
Let's talk about it!
Daria's YouTube channel: youtube.com/@DaVinciMasterKey
Colorist Guide to DaVinci Resolve 👇
documents.blackmagicdesign.com/UserManuals/DaVinci-Resolve-18-Colorist-Guide.pdf?_v=1679295612000
DEHANCER giveaway is CLOSED
Get DEHANCER with 10% OFF! bit.ly/3FCcetv Use code REDFRAMETECH
Panasonic white paper 👇
pro-av.panasonic.net/en/cinema_camera_varicam_eva/support/pdf/VARICAM_V-Log_V-Gamut.pdf
ACES 👇
acescentral.com/review-on-aces-colour-spaces
Support me on Patreon 🙏 patreon.com/redframetech
MPB: best place to buy and sell used gear 👇
US 🇺🇸 https://prf.hn/click/camref:1100luXgF
UK 🇬🇧 https://prf.hn/click/camref:1101luXW5
EU 🇪🇺 https://prf.hn/click/camref:1101luXW4
I use Epidemic Sound for my music. Sign up for a free trial here! bit.ly/3O359nr
👉Making a purchase through my affiliate links helps me out a LOT! And doesn't cost you extra! Thanks! 🙏
🔻Selection of gear I use🔻
🎥CAMERAS & LENSES
———Lumix GH6———
🇺🇸 amzn.to/3Lxwts8
🇬🇧 amzn.to/3MKZOAI
🇩🇪 amzn.to/3PvOc6x
———Lumix G9———
🇺🇸 amzn.to/3NtxPFE
🇬🇧 amzn.to/3wvFIVu
🇩🇪 amzn.to/3G2bAnQ
———Panasonic Leica 12-60mm f2.8-4.0———
🇺🇸 amzn.to/3yPHiTZ
🇬🇧 amzn.to/3MC90HC
🇩🇪 amzn.to/3Nsip4y
———DZOfilm 20-70 CineZoom———
🇺🇸 amzn.to/3XritHC
———DZOfilm 10-24 CineZoom———
🇺🇸 amzn.to/3TXtT2U
———Panasonic Leica 100-400 f4.0-5.6———
🇺🇸 amzn.to/3G6nbCg
🇬🇧 amzn.to/3MufsR0
🇩🇪 amzn.to/38GJ2nB
———Zhongyi Mitakon Speedmaster 17mm T1.0 Cine Lens———
🔗 bit.ly/3qMXsex
Amazon:
🇩🇪 amzn.to/3PcwdEu
🇬🇧 amzn.to/3N699o9
🖥️MONITOR/RECORDER
———Atomos Ninja V———
🇺🇸 amzn.to/3wvgwyl
🇬🇧 amzn.to/3Ls7gzj
🇩🇪 amzn.to/39HBcKQ
▶️GIMBAL
———Moza Aircross 2———
🇺🇸 amzn.to/3ww2psC
🇬🇧 amzn.to/3Ptd6UB
🇩🇪 amzn.to/3MsGI2l
▶️AUDIO & TIMECODE
———Fulaim X5 Wireless kit———
🔗 Order directly from FULAIM with 10% OFF 👉 bit.ly/419FHTX use code: RedFrameTech
🇺🇸 amzn.to/428tsH2
———Deity D4 mini———
🇺🇸 amzn.to/39HjZ4c
🇬🇧 amzn.to/3wvs2tC
🇩🇪 amzn.to/3yPsDrH
———Sennheiser MKE600———
🇺🇸 amzn.to/3IIHmc0
🇬🇧 amzn.to/3osaBt2
🇩🇪 amzn.to/3C1rUnD
———Tentacle Sync EM2———
🇺🇸 amzn.to/3NvResF
🇬🇧
🇩🇪 amzn.to/46hPb2O
———Tentacle Sync Track E———
🇺🇸amzn.to/3NRSW6p
🇬🇧
🇩🇪
———Zoom H5———
🇺🇸 amzn.to/3sM8mj3
🇬🇧 amzn.to/3G3p7LQ
🇩🇪 amzn.to/3lzHI8R
▶️LIGHTS
———Godox SL60w———
🇺🇸 amzn.to/3yWxaIO
🇬🇧 amzn.to/3wypcEu
🇩🇪 amzn.to/3sNHT4G
———Vijim VL120 RGB———
🇺🇸 amzn.to/3wvqwI0
🇬🇧 amzn.to/39IbqWR
🇩🇪 amzn.to/3LBX9Im
▶️EDITING
———Apple Mac mini M1 16Gb, 512GB———
🇺🇸 amzn.to/39HCju0
———Apple iPad Pro 12.9 inch 1 TB———
🇺🇸 amzn.to/3Pwyh8a
🇬🇧 amzn.to/3NsJDrO
00:00:00 - Start
00:05:41 - No RCM
00:16:51 - RCM
00:34:09 - CST
00:43:37 - V-gamut as a working color space
00:57:27 - ACES
01:03:23 - ACES Transform
#davinciresolve #lumixgh6 #colorgradin

