Uploaded March 2024 | Updated September 2026, 2 hours ago
Live concert. Aula Magna I CPM Valencia (Spain)
12 february, 2024
Manuel Santapau, cello
Francesc Estellés, piano
Rachmaninov’s Op 2 Pieces for cello and piano, which were among the first of his works to be published by Gutheil, comprise a new version of the F major piano Prélude, and a Danse orientale. The Prélude retains F major as its key and begins at once with the cello’s statement of the main theme, accompanied chordally by the piano. A restatement, slightly more elaborate, follows, leading to a faster section in which the piano assumes greater importance, although both instruments are fully utilized. A strongly varied recapitulation of the opening theme, with the piano more assertive—though still accompanimental—brings the Prélude to a quiet ending. The succeeding Danse orientale, in A minor, is more fluidly constructed, with a characteristic opening theme that is subjected to a variable state of flux in its working, but always returning to A minor. The quiet pizzicato ending is another characteristic touch.
Become a member of this channel to enjoy benefits:
youtube.com/channel/UCoVP3OBEfpP1n1sjAxP-ItA/join
SUSCRÍBETE 👉🏼 youtube.com/c/ManuelSantapau?sub_confirmation=1
🟪 Discord: discord.gg/apvzUjwm
🌎 manuelsantapau.com
⚫️ https://m.facebook.com/manuelsantapau
🟡 instagram.com/manuel.santapau/?hl=es
#cello #piano #rachmaninoff #classicalmusic #rachmaninov
Live concert. Aula Magna I CPM Valencia (Spain)
12 february, 2024
Manuel Santapau, cello
Francesc Estellés, piano
Rachmaninov’s Op 2 Pieces for cello and piano, which were among the first of his works to be published by Gutheil, comprise a new version of the F major piano Prélude, and a Danse orientale. The Prélude retains F major as its key and begins at once with the cello’s statement of the main theme, accompanied chordally by the piano. A restatement, slightly more elaborate, follows, leading to a faster section in which the piano assumes greater importance, although both instruments are fully utilized. A strongly varied recapitulation of the opening theme, with the piano more assertive—though still accompanimental—brings the Prélude to a quiet ending. The succeeding Danse orientale, in A minor, is more fluidly constructed, with a characteristic opening theme that is subjected to a variable state of flux in its working, but always returning to A minor. The quiet pizzicato ending is another characteristic touch.
Become a member of this channel to enjoy benefits:
youtube.com/channel/UCoVP3OBEfpP1n1sjAxP-ItA/join
SUSCRÍBETE 👉🏼 youtube.com/c/ManuelSantapau?sub_confirmation=1
🟪 Discord: discord.gg/apvzUjwm
🌎 manuelsantapau.com
⚫️ https://m.facebook.com/manuelsantapau
🟡 instagram.com/manuel.santapau/?hl=es
#cello #piano #rachmaninoff #classicalmusic #rachmaninov










