@reddigitalcinema
  @reddigitalcinema
RED Digital Cinema | Power of RED | REDCODE Matters | REDCODE vs ProRes @reddigitalcinema | Uploaded 4 years ago | Updated 2 hours ago
The first cinematic RAW. The best cinematic RAW. With 16-bit color depth and 16+ stops of dynamic range, REDCODE RAW provides the flexibility to adjust ISO in post, render true color, avoid banding and ultimately unlock the full potential of your imagery. #REDCODEMatters #PowerofRED

REDCODE ▪ Unmatched Data Rates | Cinematic RAW | Unparalleled Imagery | Achieve Any Look | High Dynamic Range

► LEARN MORE http://www.red.com/power-of-red-recode

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► DP Filipe DeAndrade instagram.com/filipe_deandrade

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Power of RED | REDCODE Matters | REDCODE vs ProResRED TECH | Optical Low-Pass Filters (OLPFs)RED TECH LIVE | 2022 UpdatesBehind The Look: THAT SHOT | Emancipation | Bob Richardson and Rob LegatoRED BTS | SONGBIRD | KOMODODeadliest Catch | COLD OPEN | 4KDSMC2  PRODUCTION  MODULE | Shot on REDV-RAPTOR | IN HER ELEMENT | 4KRED TECH | RED RANGER with MONSTRO 8K VVRED TECH | RED RANGER vs DSMC2RED TECH | KOMODO | RED CONTROL | 4KV-RAPTOR ST | DAVID FINCHER and ERIK MESSERSCHMIDT

Power of RED | REDCODE Matters | REDCODE vs ProRes @reddigitalcinema

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