Uploaded April 2026 | Updated September 2026, 10 hours ago
#polyend #synth #demo #sounds
"WAVS Scape" is a pack created for Polyend Synth engine WAVS Synth Voice.
BUY: https://kav-sound-explorer.sellfy.store/p/polyend-synth-wavs-scape-sound-pack/
WAVS is a 2 oscillator wavetable synthesizer. The wave stage output acting as the oscillator section. Wave file positions are scanned and the wave is stretched and morphed. The application of a filter stage also affects the audio output. Modulation of the warp and position can produce an interesting output.
"Wavs Scape" sound pack contents: 15 Synth Scenes, 50 Polyend Synth Presets, 64 Wavetable.
Tailored for ambient, cinematic, electronic, and experimental music production.
Whether you’re building immersive soundscapes or adding subtle movement to your compositions, these sounds will bring depth and emotion to your work.
•Designed for cinematic, ambient, and electronic use
•Includes synth, bass ,loop, evolving, fx, and hybrid tones
•Works seamlessly in professional and experimental contexts
includes:
Synth Scenes & Synth Presets files, Wavetable, and loading instructions.
For quick searching, new Synth Scenes and Synth Presets are marked with (Ws).
Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in the Polyend Synth effects section.
by: A.Kav
#polyend #synth #demo #sounds
"WAVS Scape" is a pack created for Polyend Synth engine WAVS Synth Voice.
BUY: https://kav-sound-explorer.sellfy.store/p/polyend-synth-wavs-scape-sound-pack/
WAVS is a 2 oscillator wavetable synthesizer. The wave stage output acting as the oscillator section. Wave file positions are scanned and the wave is stretched and morphed. The application of a filter stage also affects the audio output. Modulation of the warp and position can produce an interesting output.
"Wavs Scape" sound pack contents: 15 Synth Scenes, 50 Polyend Synth Presets, 64 Wavetable.
Tailored for ambient, cinematic, electronic, and experimental music production.
Whether you’re building immersive soundscapes or adding subtle movement to your compositions, these sounds will bring depth and emotion to your work.
•Designed for cinematic, ambient, and electronic use
•Includes synth, bass ,loop, evolving, fx, and hybrid tones
•Works seamlessly in professional and experimental contexts
includes:
Synth Scenes & Synth Presets files, Wavetable, and loading instructions.
For quick searching, new Synth Scenes and Synth Presets are marked with (Ws).
Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in the Polyend Synth effects section.
by: A.Kav






![Aelita Synthesizer (1980s) - Cyberpunk Ambient Atmosphere
#aelita #synthesizer #demo #sounds
Sometimes referred to as the Murom Aelita, the Aelita is a monophonic analog synthesizer manufactured in the Soviet Union in the 1980s.
Although its design seems inspired from American and Japanese synthesizers of the previous decade, with a dark aluminum body[3] and near vertical control panel, the Aelitas looks are distinctive in the details.
They feature large colored plastic sliders instead of the more common rotary dials, and round or rounded push-buttons instead of flip or rotary switches. The vertical sliders are oriented so that their maximum labelled value is at the bottom, instead of the top as is more common. A sole red LED lights up when the instrument is on.
Its hinge-mounted upper control panel can be shut like a piano keyboards lid, thus protecting the buttons and sliders and preventing accidental settings changes during transportation, and changing the general shape of the instrument to one that is not playable but more transportable.
The keyboard is 3.5 octaves wide and made of 44 unweighted, full-sized plastic keys ranging from F to C.
All controls are labelled in Russian, using Cyrillic script.
The Aelita has 3 oscillators, each with 3 fixed waveshapes (Saw, Pulse and Square), plus a 4th oscillator only active in unison mode, amplitude cross-modulation, a low-pass filter with resonance, one LFO and two envelope generators, all arranged in a fixed architecture typical of subtractive synthesis. It has a maximum range of 7.5 octaves.
It is monophonic, meaning that it can play only one note at a time (although detuning of each oscillator makes it possible to play fixed intervals or chords instead of notes)
It has two special modes: the unison mode creates an unison-like effect on each oscillator (reducing the range as a tradeoff), and the strings mode creates a vibrato-like effect independent of the LFO.
Although of a sturdier construction, it lacks several features commonly found on American and Japanese brand synthesizers at the time, such as: velocity response, portamento, pitch and modulation wheels or levers, settings memory, and (from late 1982 on) MIDI implementation.
Its output is monaural.
Sonic character
Its sonic qualities have been consistently qualified as fat. Other reviewers also call them impressive,and sometimes aggressive.There is audible background noise at the output, resembling oscillator bleed. Aelita Synthesizer (1980s) - Cyberpunk Ambient Atmosphere](https://i.ytimg.com/vi/_GkAHRBKA8c/mqdefault.jpg)



