Uploaded May 2026 | Updated September 2026, 2 weeks ago
This event occurred on April 12, 2026.
Poetry in the Garden, held each spring, is a series of live performances is set among the Getty Center’s Central Garden. This year features poetic and musical collaborative soundscapes inspired by the publication "The Scores Project: Experimental Notation in Music, Art, Poetry and Dance 1950-1975," informed by mid-century experimental artists in the Getty Research Institute’s archives like Yvonne Rainer, John Cage, and Benjamin Patterson.
Read the publication: https://www.getty.edu/publications/scores/
Learn more about this event: https://www.getty.edu/calendar/poetry-in-the-garden-scores/
Patrick Shiroishi is a Japanese-American multi-instrumentalist, composer & poet based in Los Angeles. Over the last decade he has established himself as one of the premier improvising musicians in the city, playing solo & in numerous collaborative projects. He has presented work & performed at the Museum of Contemporary Art, the Metropolitan Museum of Art, the Broad Museum, The Getty, commissioned by the LA Philharmonic & has toured around the world in various solo & band configurations including The Armed & contemporary classical ensemble Wild Up.
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The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/
This event occurred on April 12, 2026.
Poetry in the Garden, held each spring, is a series of live performances is set among the Getty Center’s Central Garden. This year features poetic and musical collaborative soundscapes inspired by the publication "The Scores Project: Experimental Notation in Music, Art, Poetry and Dance 1950-1975," informed by mid-century experimental artists in the Getty Research Institute’s archives like Yvonne Rainer, John Cage, and Benjamin Patterson.
Read the publication: https://www.getty.edu/publications/scores/
Learn more about this event: https://www.getty.edu/calendar/poetry-in-the-garden-scores/
Patrick Shiroishi is a Japanese-American multi-instrumentalist, composer & poet based in Los Angeles. Over the last decade he has established himself as one of the premier improvising musicians in the city, playing solo & in numerous collaborative projects. He has presented work & performed at the Museum of Contemporary Art, the Metropolitan Museum of Art, the Broad Museum, The Getty, commissioned by the LA Philharmonic & has toured around the world in various solo & band configurations including The Armed & contemporary classical ensemble Wild Up.
______________________________________________________________________
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/









![Barbara T. Smith, With Love from A to B (1977)
Created with Nancy Buchanan, With Love from A to B was initially a video performance for the 1977 College Art Association convention. Smith had the idea of using the framing edge [of the screen] to initiate all action, with the center field more or less empty. In the video, Smiths hands act as a suitor courting buchanans hands, who do not return the suitors love. The original piece ended with Smith controversially cutting her own finger a choice she later regretted and re-shot so that the violence was only implied.
This video is part of the Barbara T. Smith papers at the Getty Research Institute. View the finding aid for Smiths archive: https://primo.getty.edu/permalink/f/19q6gmb/GETTY_ALMA21155149520001551
Barbara T. Smith: The Way to Be is on view at the Getty Research Institute from February 28, 2023 through July 16, 2023. Learn more: https://www.getty.edu/research/exhibitions_events/exhibitions/barbara_t_smith/index.html Barbara T. Smith, With Love from A to B (1977)](https://i.ytimg.com/vi/I9AFdRDKLGk/mqdefault.jpg)
