Uploaded June 2021 | Updated September 2026, 1 day ago
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/34605663/scores/6822632?from=youtube_share
SAMBA SAMBA SAMBA SAMBA
second movement to my jazz quintet! enjoyyy!!!
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/34605663/scores/6822632?from=youtube_share
SAMBA SAMBA SAMBA SAMBA
second movement to my jazz quintet! enjoyyy!!!


![The Loves of My Entire Life (from Everywhere at the End of Time) - The Caretaker
Short but surely difficult engraving by me of the 4 minute track of Everywhere at the End of Time.
Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released from 2016 to 2019, its six studio albums depict the stages of Alzheimers disease by degrading loops of ballroom music.
Characterized by noise, the last three stages depart from Kirbys earlier ambient works, though the first three are similar to An Empty Bliss. The complete edition results in a six-hour long work that presents music with a range of emotions. It depicts the patients disorder and death, their feelings, and the phenomenon of terminal lucidity.
[Wikipedia]
Enjoy! Its my favorite track from the first stage!
Download the sheet music and read the engravers indications: https://musescore.com/user/34605663/scores/6898451?from=youtube_share The Loves of My Entire Life (from Everywhere at the End of Time) - The Caretaker](https://i.ytimg.com/vi/KLmdVd5rejQ/mqdefault.jpg)






![Gaspard de la nuit, II, Le Gibet – Maurice Ravel (1875-1937)
Written in E♭ minor and based on the poem of the same name, the movement presents the observer with a view of the desert, where the lone corpse of a hanged man on a gibbet (structure where the dead bodies of public executions were displayed) stands out against the horizon, reddened by the setting sun. Meanwhile, a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B♭ octave ostinato, imitative of the tolling bell, that remains constant in tone as the notes cross over and dynamics change.
[wikipedia]
The original poem by Aloysius Bertrand:
Ah! ce que jentends, serait-ce la bise nocturne qui glapit, ou le pendu qui pousse un soupir sur la fourche patibulaire?
Serait-ce quelque grillon qui chante tapi dans la mousse et le lierre stérile dont par pitié se chausse le bois?
Serait-ce quelque mouche en chasse sonnant du cor autour de ces oreilles sourdes à la fanfare des hallali?
Serait-ce quelque escarbot qui cueille en son vol inégal un cheveu sanglant à son crâne chauve?
Ou bien serait-ce quelque araignée qui brode une demi-aune de mousseline pour cravate à ce col étranglé?
Cest la cloche qui tinte aux murs dune ville sous lhorizon, et la carcasse dun pendu que rougit le soleil couchant.
English translation:
Ah! that which I hear, was it the north wind that screeches in the night, or the hanged one who utters a sigh on the fork of the gibbet?
Was it some cricket who sings lurking in the moss and the sterile ivy, which out of pity covers the floor of the forest?
Was it some fly in chase sounding the horn around those ears deaf to the fanfare of the halloos?
Was it some scarab beetle who gathers in his uneven flight a bloody hair from his bald skull?
Or then, was it some spider who embroiders a half-measure of muslin for a tie on this strangled neck?
It is the bell that tolls from the walls of a city, under the horizon, and t Gaspard de la nuit, II, Le Gibet – Maurice Ravel (1875-1937)](https://i.ytimg.com/vi/M2QEUUSYqJc/mqdefault.jpg)
