Uploaded November 2016 | Updated September 2026, 2 weeks ago
"Joy to the World" is a popular Christmas carol. The words are by English hymn writer Isaac Watts, based on the second half of Psalm 98 in the Bible. The song was first published in 1719 in Watts' collection; The Psalms of David: Imitated in the language of the New Testament, and applied to the Christian state and worship. Watts wrote the words of "Joy to the World" as a hymn glorifying Christ's triumphant return at the end of the age, rather than a song celebrating his first coming. The nations are called to celebrate because God's faithfulness to the house of Israel has brought salvation to the world.
As of the late 20th century, "Joy to the World" was the most-published Christmas hymn in North America.
The music's origins are unclear. The name "Antioch" is generally used for the tune. It is often attributed to George Frideric Handel (1685-1759) on the grounds of a 'chance resemblance' to choruses in the oratorio Messiah (premiered 1742), not least because a theme of the refrain (And heaven and nature sing...) appears similar to the orchestral opening and accompaniment of the recitative Comfort ye. Likewise, the first four notes seem to match the beginning of the choruses Lift up your heads and Glory to God from the same oratorio. However, there is no autographed score by Handel and no currently known documentary evidence to suggest that Handel wrote it, so 'Antioch' remains, at best, a skillful collection of borrowings from Handel.
Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
Joy to the World, the Lord is come!
Let earth receive her King
Let every heart prepare Him room
And Heaven and nature sing
And Heaven and nature sing
And Heaven, and Heaven, and nature sing
Joy to the World, the Savior reigns!
Let men their songs employ
While fields and floods, rocks, hills and plains
Repeat the sounding joy
Repeat the sounding joy
Repeat, repeat, the sounding joy
No more let sins and sorrows grow
Nor thorns infest the ground
He comes to make His blessings flow
Far as the curse is found
Far as the curse is found
Far as, far as, the curse is found
He rules the world with truth and grace
And makes the nations prove
The glories of His righteousness
And wonders of His love
And wonders of His love
And wonders, wonders, of His love
"Joy to the World" is a popular Christmas carol. The words are by English hymn writer Isaac Watts, based on the second half of Psalm 98 in the Bible. The song was first published in 1719 in Watts' collection; The Psalms of David: Imitated in the language of the New Testament, and applied to the Christian state and worship. Watts wrote the words of "Joy to the World" as a hymn glorifying Christ's triumphant return at the end of the age, rather than a song celebrating his first coming. The nations are called to celebrate because God's faithfulness to the house of Israel has brought salvation to the world.
As of the late 20th century, "Joy to the World" was the most-published Christmas hymn in North America.
The music's origins are unclear. The name "Antioch" is generally used for the tune. It is often attributed to George Frideric Handel (1685-1759) on the grounds of a 'chance resemblance' to choruses in the oratorio Messiah (premiered 1742), not least because a theme of the refrain (And heaven and nature sing...) appears similar to the orchestral opening and accompaniment of the recitative Comfort ye. Likewise, the first four notes seem to match the beginning of the choruses Lift up your heads and Glory to God from the same oratorio. However, there is no autographed score by Handel and no currently known documentary evidence to suggest that Handel wrote it, so 'Antioch' remains, at best, a skillful collection of borrowings from Handel.
Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
Joy to the World, the Lord is come!
Let earth receive her King
Let every heart prepare Him room
And Heaven and nature sing
And Heaven and nature sing
And Heaven, and Heaven, and nature sing
Joy to the World, the Savior reigns!
Let men their songs employ
While fields and floods, rocks, hills and plains
Repeat the sounding joy
Repeat the sounding joy
Repeat, repeat, the sounding joy
No more let sins and sorrows grow
Nor thorns infest the ground
He comes to make His blessings flow
Far as the curse is found
Far as the curse is found
Far as, far as, the curse is found
He rules the world with truth and grace
And makes the nations prove
The glories of His righteousness
And wonders of His love
And wonders of His love
And wonders, wonders, of His love









![John Williams - Somewhere In My Memory (CBS Records 1990)
Home Alone: Original Motion Picture Soundtrack is the soundtrack of the 1990 film of the same name. The score was composed and conducted by John Williams, performed by the Hollywood Studio Symphony and nominated for the Academy Award for Best Original Score; the films signature tune Somewhere in My Memory was nominated for the Academy Award for Best Original Song and the Grammy Award for Best Song Written for Visual Media.
Somewhere in My Memory was written to run alongside the film by Williams, with lyrics by Leslie Bricusse. It can be heard in numerous sections of the film, either in full length or fragments, forming the backbone for the films soundtrack. Somewhere in My Memory is performed in many Christmas concerts in schools or professional orchestras and choirs alike across the globe.[citation needed] A version in Spanish was recorded in Spain for the ending credits of Home Alone 2: Lost in New York. This version was performed by singer Ana Belén and is entitled Sombras de otros tiempos (Shadows of Other/Former Times). Making the Plane is inspired by Trepak by Tchaikovsky.
John Towner Williams is an American composer and conductor. Over his seven-decade career, he has composed many of the best known scores in film history. His compositional style blends romanticism, impressionism, and atonal music with complex orchestration. Best known for his collaborations with George Lucas and Steven Spielberg, he has received numerous accolades, including 27 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards, and four Golden Globe Awards. With a total of 54 Academy Award nominations, he is the second-most nominated person in the awards history, after Walt Disney. He is also the oldest Academy Award nominee in any category, receiving a nomination at 91 years old.
Williamss early work as a film composer includes None but the Brave (1965), Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images, The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score/Best Score Adaptation for Fiddler on the Roof (1971; score adaptation of the original music by Jerry Bock), Jaws (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindlers List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Hook (1991), Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022).[8] He also scored Superman (1978) and two of its sequels, the first two Home Alone films (1990–1992), and the first three Harry Potter films (2001–2004).
Outside of his long-term collaborations with Spielberg and Lucas, Williams has composed the scores for films directed by William Wyler, Clint Eastwood, Alfred Hitchcock, Brian De Palma, John Badham, George Miller, Oliver Stone, Chris Columbus, Ron Howard, Barry Levinson, John Singleton, Alan Parker, Alfonso Cuarón, and Rob Marshall. He has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops principal conductor from 1980 to 1993 and is its laureate conductor. Other works by Williams include theme music for the 1984 Summer Olympic Games; NBC Sunday Night Football; The Mission theme (used by NBC News and Seven News in Australia); PBSs Great Performances and the television series Lost in Space, Land of the Giants and Amazing Stories.
Williams received the Kennedy Center Honor in 2004, the National Medal of the Arts in 2009, and the AFI Life Achievement Award in 2016. He was inducted into the Songwriters Hall of Fame in 1998, the Hollywood Bowls Hall of Fame in 2000 and the American Classical Music Hall of Fame in 2004. He has composed the scores for nine of the top 25 highest-grossing films at the U.S. box office. In 2022, Williams was awarded an honorary knighthood by Queen Elizabeth II, for services to film music. In 2005, the American Film Institute placed Williams score to Star Wars first on its list AFIs 100 Years of Film Scores; his scores for Jaws and E.T. the Extra-Terrestrial also made the list. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being culturally, historically, or aesthetically significant.
Candles in the window
Shadows painting the ceiling
Gazing at the fire glow
Feeling that gingerbread feeling
Precious moments, special people
Happy faces, I can see
Somewhere in my memory
Christmas joys all around me
Living in my memory
All of the music, all of the magic
All of the family, home here with me John Williams - Somewhere In My Memory (CBS Records 1990)](https://i.ytimg.com/vi/WB4-54xxkmE/mqdefault.jpg)
