Uploaded December 2020 | Updated September 2026, 2 weeks ago
"Baby, It's Cold Outside" is a popular song written by Frank Loesser in 1944 and introduced to the public in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. The song was released in eight recordings in 1949 and has been covered numerous times since.
During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote "Baby, It's Cold Outside" to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Garland has written that after the first performance, "We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act." In 1948, after years of performing the song, Loesser sold it to MGM for the 1949 romantic comedy Neptune's Daughter. Garland was furious: "I felt as betrayed as if I'd caught him in bed with another woman." The song won the 1949 Academy Award for Best Original Song.
This duet is a conversation between two people, a host (called "Wolf" in the score, usually performed by a male singer) and a guest (called "Mouse", usually performed by a female), in call and response form. Every line in the song features a statement from the guest followed by a response from the host. While both the Wolf and the Mouse want the night to continue, the Mouse says they "ought to say no, no, no, sir" and return home, because of what family and neighbors will think. In the film Neptune's Daughter the song is first performed by Ricardo Montalbán and Esther Williams, then by Betty Garrett and Red Skelton but with a comic parody twist: this time the man wants to leave and the woman is the host and wants him to stay.
In at least one published version the tempo of the song is given as "Loesserando", a humorous reference to the composer's name.
Pearl Mae Bailey (March 29, 1918 – August 17, 1990) was an American actress and singer. After appearing in vaudeville she made her Broadway debut in St. Louis Woman in 1946. She won a Tony Award for the title role in the all-Black production of Hello, Dolly! in 1968. In 1986, she won a Daytime Emmy award for her performance as a fairy godmother in the ABC Afterschool Special, Cindy Eller: A Modern Fairy Tale.
Oran Thaddeus "Hot Lips" Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
Gee Hot Lip you have a nice place here
And I've been enjoying myself
But I've got to go now
Oh don't leave now
Well I've got to go I'll tell ya'
I really can't stay
But, baby, it's cold outside
Can't help it, I got to go away
But baby, it's cold outside
This evening has been
I've been hoping that you'd drop in
So very nice
I'll hold your hands, they're just like ice
My mother will start to worry
Beautiful, what's your hurry?
And father will be pacing the floor
Listen to the fireplace roar
Really I'd better scurry
Beautiful, please don't hurry
Well if you insist, I'll have a half a drink more
Put some records on while I pour
You mean harmony records?
The neighbors u'll think
But baby, it's bad out there
I can't help it man what did you put in this drink?
Look it's no cabs to be had out there
I wish I knew how
Your eyes are like starlights now
To break the spell
I'll take your hat, your hair looks swell
Well I ought to say no, no, no, sir
Mind if I move in closer
Course not, I'm gonna say that I tried
What's the sense of hurting my pride?
I really can't stay
Oh, baby don't hold out, baby
Ahh, but it's cold outside
I'm not kidding now Hot Lip
I'm tellin' you I've got to get home
But, baby, you'd freeze out there
You think so?
Yea, well lend me your coat
You know what it's up to your knees out there
Is it that deep?
It's really bad
Yea but you've been very grand
I'm thrilled when you touch my hand
But don't you see
How can you do this thing to me
Oh I'm not really cruel but
There's bound to be talk tomorrow
Think of my life long sorry
Well they'll be plenty implied
If you caught pneumonia and died?
Can't help it I really can't stay
Get over that doubt
Baby it's cold outside
You know Lips I tell you
I want to believe you so much
I think I'll look out the window
And see if it's still snowing
Say who is that woman downstairs out front?
Oh that's just a friend of mine
Oh you want me to go there
Oh, oh no indeed I'm not going out there
I don't have no fur coat no how
This floral coat is to... I can't go
So wonderful let me stay a while
Let me show you my etchings
Oh now that sounds more like it
I'll tell her to go on about her business
Baby it's cold outside
Ha you're a cause you know that don't you?
Ain't it nice in here?
Sure is
Nice
"Baby, It's Cold Outside" is a popular song written by Frank Loesser in 1944 and introduced to the public in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. The song was released in eight recordings in 1949 and has been covered numerous times since.
During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote "Baby, It's Cold Outside" to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Garland has written that after the first performance, "We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act." In 1948, after years of performing the song, Loesser sold it to MGM for the 1949 romantic comedy Neptune's Daughter. Garland was furious: "I felt as betrayed as if I'd caught him in bed with another woman." The song won the 1949 Academy Award for Best Original Song.
This duet is a conversation between two people, a host (called "Wolf" in the score, usually performed by a male singer) and a guest (called "Mouse", usually performed by a female), in call and response form. Every line in the song features a statement from the guest followed by a response from the host. While both the Wolf and the Mouse want the night to continue, the Mouse says they "ought to say no, no, no, sir" and return home, because of what family and neighbors will think. In the film Neptune's Daughter the song is first performed by Ricardo Montalbán and Esther Williams, then by Betty Garrett and Red Skelton but with a comic parody twist: this time the man wants to leave and the woman is the host and wants him to stay.
In at least one published version the tempo of the song is given as "Loesserando", a humorous reference to the composer's name.
Pearl Mae Bailey (March 29, 1918 – August 17, 1990) was an American actress and singer. After appearing in vaudeville she made her Broadway debut in St. Louis Woman in 1946. She won a Tony Award for the title role in the all-Black production of Hello, Dolly! in 1968. In 1986, she won a Daytime Emmy award for her performance as a fairy godmother in the ABC Afterschool Special, Cindy Eller: A Modern Fairy Tale.
Oran Thaddeus "Hot Lips" Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
Gee Hot Lip you have a nice place here
And I've been enjoying myself
But I've got to go now
Oh don't leave now
Well I've got to go I'll tell ya'
I really can't stay
But, baby, it's cold outside
Can't help it, I got to go away
But baby, it's cold outside
This evening has been
I've been hoping that you'd drop in
So very nice
I'll hold your hands, they're just like ice
My mother will start to worry
Beautiful, what's your hurry?
And father will be pacing the floor
Listen to the fireplace roar
Really I'd better scurry
Beautiful, please don't hurry
Well if you insist, I'll have a half a drink more
Put some records on while I pour
You mean harmony records?
The neighbors u'll think
But baby, it's bad out there
I can't help it man what did you put in this drink?
Look it's no cabs to be had out there
I wish I knew how
Your eyes are like starlights now
To break the spell
I'll take your hat, your hair looks swell
Well I ought to say no, no, no, sir
Mind if I move in closer
Course not, I'm gonna say that I tried
What's the sense of hurting my pride?
I really can't stay
Oh, baby don't hold out, baby
Ahh, but it's cold outside
I'm not kidding now Hot Lip
I'm tellin' you I've got to get home
But, baby, you'd freeze out there
You think so?
Yea, well lend me your coat
You know what it's up to your knees out there
Is it that deep?
It's really bad
Yea but you've been very grand
I'm thrilled when you touch my hand
But don't you see
How can you do this thing to me
Oh I'm not really cruel but
There's bound to be talk tomorrow
Think of my life long sorry
Well they'll be plenty implied
If you caught pneumonia and died?
Can't help it I really can't stay
Get over that doubt
Baby it's cold outside
You know Lips I tell you
I want to believe you so much
I think I'll look out the window
And see if it's still snowing
Say who is that woman downstairs out front?
Oh that's just a friend of mine
Oh you want me to go there
Oh, oh no indeed I'm not going out there
I don't have no fur coat no how
This floral coat is to... I can't go
So wonderful let me stay a while
Let me show you my etchings
Oh now that sounds more like it
I'll tell her to go on about her business
Baby it's cold outside
Ha you're a cause you know that don't you?
Ain't it nice in here?
Sure is
Nice









![Jackie Gleason & His Orchestra - Winter Wonderland (Capitol Records 1956)
Winter Wonderland is a winter song, popularly treated as a Christmas time pop standard, written in 1934 by Felix Bernard (composer) and Richard B. Smith (lyricist). Richard was reportedly inspired to write the song after seeing Honesdales Central Park covered in snow. Mr. Smith had written the lyrics while in the West Mountain Sanitarium, being treated for tuberculosis. The original recording was by Richard Himber and his Hotel Ritz-Carlton Orchestra on RCA Bluebird in 1934. At the end of a recording session with time to spare, it was suggested that this new tune be tried with an arrangement provided by the publisher. This excellent studio orchestra included many great New York studio musicians including the legendary Artie Shaw. Due to its seasonal theme, Winter Wonderland is often regarded as a Christmas song in the Northern Hemisphere, although the holiday itself is never mentioned in the lyrics. There is a mention of sleigh-bells several times, implying that this song refers to the Christmas period.
You may find yourself asking who is Parson Brown? One can assume that Parson is used as a title, instead of a first name. In the period when this song was written, parsons (now known as a Protestant minister) often travelled among small rural towns to perform wedding ceremonies for denominational followers who did not have a local minister of their faith. Therefore, the children are most likely pretending that their snowman is a Parson with the surname Brown, which would be visiting the town again in the future.
John Herbert Gleason (February 26, 1916 – June 24, 1987), known as Jackie Gleason, was an American actor, comedian, writer, and composer also known as The Great One. He developed a style and characters from growing up in Brooklyn, New York, and was known for his brash visual and verbal comedy, exemplified by his city bus driver character Ralph Kramden in the television series The Honeymooners. He also developed The Jackie Gleason Show, which maintained high ratings from the mid-1950s through 1970. The series originated in New York City, but filming moved to Miami Beach, Florida, in 1964 after Gleason took up permanent residence there.
Among his notable film roles were Minnesota Fats in 1961s The Hustler (co-starring with Paul Newman) and Buford T. Justice in the Smokey and the Bandit series from 1977 to 1983 (co-starring Burt Reynolds).
Gleason enjoyed a prominent secondary music career during the 1950s and 1960s, producing a series of bestselling mood music albums. His first album Music for Lovers Only still holds the record for the longest stay on the Billboard Top Ten Charts (153 weeks), and his first 10 albums sold over a million copies each. His output spans more than 20 singles, nearly 60 long-playing record albums, and more than 40 CDs.
Sleigh bells ring, are ya listenin?
In the lane snow is glistenin
a beautiful sight, were happy tonight
walkin in a winter wonderland!
Gone away is the bluebird
here to stay is a new bird
he sings a love song as we go along
walkin in a winter wonderland!
In the meadow we can build a snowman
then pretend that he is Parson Brown
hell say Are you married?
well say No man!
But you can do the job,
when youre in town!
Later on, well conspire,
as we dream, by the fire,
to face unafraid,
the plans that weve made
walkin in a winter wonderland!
[instrumental break]
Sleigh bells ring, are ya listenin?
In the lane snow is glistenin
a beautiful sight, were happy tonight...
Oh!... walkin in a winter wonderland!
Gone away is the bluebird
here to stay is a new bird ...
he sings a love song as we go along
walkin in a winter wonderland!
In the meadow we can build a snowman
then pretend that he is Parson Brown
hell say Are you married?...
well say No man!
But you can do the job,
when youre in town!
Later on, well conspire,
as we dream, by the fire,
to face unafraid,
the plans that weve made
walkin in a winter wonderland!
Well be happy in love
as two turtle doves
livin in a fairy land!...
Oh!... well be walkin
in a winter wonderland! Jackie Gleason & His Orchestra - Winter Wonderland (Capitol Records 1956)](https://i.ytimg.com/vi/hUQJO2GCJU4/mqdefault.jpg)
