Uploaded May 2024 | Updated September 2026, 2 weeks ago
I’ve watched a lot of TV shows, but none have had a soundtrack so spectacular, so wonderfully whimsical, and so genuinely creative than Cowboy Bebop. This is a soundtrack to an anime that not only matches it in terms of quality but that, in my view, could potentially be one of the all-time great jazz albums.
For someone who normally does not enjoy the unconventionality of the jazz genre, this is easily the most accessible and most fun jazz album that you’ll ever hear. From the incredibly dense musical arrangements to the majestic execution of numerous instruments, this is a soundtrack that by itself can be and should be listened to as a standalone album. It is that good that you don’t have to know anything about the source material it is supporting to be transported to the world it will deliver you to. It is seriously that good that it alone is a work of art that doesn’t need anything else around it.
This is why I have to go into hearing the tracks and give you my real-time listening feedback, thoughts and opinions on this joyous piece of work because while Cowboy Bebop has gained a significant amount of praise and attention, and rightfully so, I believe it’s imperative that for anyone interested in music and not just jazz music, that you do yourself a favour and listen to this album. This is the kind of music that makes you feel grateful to be alive and to give genuine thanks to those who have made it, and I feel like I wouldn’t be doing my justice as a critic if I didn’t talk about it or show you why.
So, please allow me to take you on a journey as we enter a space odyssey that has been beautifully arranged by the great composer Yoko Kanno.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
0:00 Introduction
1:42 Tank!
6:49 Rush
10:56 Spokey Dokey
15:29 Bad Dog No Biscuits
20:12 Cat Blues
23:17 Cosmos
25:14 Space Lion
32:31 Waltz for Zizi
36:20 Piano Black
39:54 Pot City
42:33 Too Good Too Bad
45:50 Car 24
49:00 The Egg and I
51:42 Felt Tip Pen
54:39 Rain
58:36 Digging My Potato
1:01:17 Memory
What is Cowboy Bebop?
Cowboy Bebop is a Japanese neo-noir space Western anime television series which aired on TV Tokyo and Wowow from 1998 to 1999. It was created and animated by Sunrise, led by a production team of director Shinichirō Watanabe, screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical designer Kimitoshi Yamane, and composer Yoko Kanno, who are collectively billed as Hajime Yatate.
The series, which ran for twenty-six episodes (dubbed "sessions"), is set in the year 2071, and follows the lives of a traveling bounty-hunting crew aboard a spaceship, the Bebop. Although it incorporates a wide variety of genres, the series draws most heavily from science fiction, Western, and noir films. Its most prominent themes are existential boredom, loneliness, and the inability to escape one's past.
The series was dubbed into English by Animaze and ZRO Limit Productions, and was originally licensed in North America by Bandai Entertainment (and is now licensed by Crunchyroll) and in Britain by Beez Entertainment (now by Anime Limited); Madman Entertainment owns the license in Australia and New Zealand. In 2001, it became the first anime title to be broadcast on Adult Swim.
Cowboy Bebop has been hailed as one of the best animated television series of all time. It was a critical and commercial success both in Japanese and international markets, most notably in the United States. It garnered several major anime and science-fiction awards upon its release, and received acclaim from critics and audiences for its style, characters, story, voice acting, animation, and soundtrack. The English dub was particularly lauded and is regarded as one of the best anime English dubs. Credited with helping to introduce anime to a new wave of Western viewers in the early 2000s, Cowboy Bebop has also been called a gateway series for anime as a whole.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod
I’ve watched a lot of TV shows, but none have had a soundtrack so spectacular, so wonderfully whimsical, and so genuinely creative than Cowboy Bebop. This is a soundtrack to an anime that not only matches it in terms of quality but that, in my view, could potentially be one of the all-time great jazz albums.
For someone who normally does not enjoy the unconventionality of the jazz genre, this is easily the most accessible and most fun jazz album that you’ll ever hear. From the incredibly dense musical arrangements to the majestic execution of numerous instruments, this is a soundtrack that by itself can be and should be listened to as a standalone album. It is that good that you don’t have to know anything about the source material it is supporting to be transported to the world it will deliver you to. It is seriously that good that it alone is a work of art that doesn’t need anything else around it.
This is why I have to go into hearing the tracks and give you my real-time listening feedback, thoughts and opinions on this joyous piece of work because while Cowboy Bebop has gained a significant amount of praise and attention, and rightfully so, I believe it’s imperative that for anyone interested in music and not just jazz music, that you do yourself a favour and listen to this album. This is the kind of music that makes you feel grateful to be alive and to give genuine thanks to those who have made it, and I feel like I wouldn’t be doing my justice as a critic if I didn’t talk about it or show you why.
So, please allow me to take you on a journey as we enter a space odyssey that has been beautifully arranged by the great composer Yoko Kanno.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
These include the lovely people “Matthew McKinley", "Adam McCarter", "FloNess" and "ThatEvilCanadian” at the time this was made.
If you’d also like the option of becoming a Patreon, head to:
patreon.com/motioninart
For more of my reviews, analyses, and other articles:
motioninartmedia.com
Twitter:
twitter.com/motion_in_art
Reddit:
reddit.com/user/motioninart
0:00 Introduction
1:42 Tank!
6:49 Rush
10:56 Spokey Dokey
15:29 Bad Dog No Biscuits
20:12 Cat Blues
23:17 Cosmos
25:14 Space Lion
32:31 Waltz for Zizi
36:20 Piano Black
39:54 Pot City
42:33 Too Good Too Bad
45:50 Car 24
49:00 The Egg and I
51:42 Felt Tip Pen
54:39 Rain
58:36 Digging My Potato
1:01:17 Memory
What is Cowboy Bebop?
Cowboy Bebop is a Japanese neo-noir space Western anime television series which aired on TV Tokyo and Wowow from 1998 to 1999. It was created and animated by Sunrise, led by a production team of director Shinichirō Watanabe, screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical designer Kimitoshi Yamane, and composer Yoko Kanno, who are collectively billed as Hajime Yatate.
The series, which ran for twenty-six episodes (dubbed "sessions"), is set in the year 2071, and follows the lives of a traveling bounty-hunting crew aboard a spaceship, the Bebop. Although it incorporates a wide variety of genres, the series draws most heavily from science fiction, Western, and noir films. Its most prominent themes are existential boredom, loneliness, and the inability to escape one's past.
The series was dubbed into English by Animaze and ZRO Limit Productions, and was originally licensed in North America by Bandai Entertainment (and is now licensed by Crunchyroll) and in Britain by Beez Entertainment (now by Anime Limited); Madman Entertainment owns the license in Australia and New Zealand. In 2001, it became the first anime title to be broadcast on Adult Swim.
Cowboy Bebop has been hailed as one of the best animated television series of all time. It was a critical and commercial success both in Japanese and international markets, most notably in the United States. It garnered several major anime and science-fiction awards upon its release, and received acclaim from critics and audiences for its style, characters, story, voice acting, animation, and soundtrack. The English dub was particularly lauded and is regarded as one of the best anime English dubs. Credited with helping to introduce anime to a new wave of Western viewers in the early 2000s, Cowboy Bebop has also been called a gateway series for anime as a whole.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire. copyright.gov/title17/92c https://www.copyright.org.au/ACC_Prod









![The Comedy Nobody Wanted but Loved
This is my video essay on the movie Hot Rod because while cinema has had a long and illustrious history of masterpieces, there’s one that has a special place in my heart. And that film was Hot Rod.
Truly a movie that reached spectacular heights in more ways than one, but sadly, it somehow was a box office flop. Why? In my view, it suffered from what I call “The Back to the Future Effect”. It was simply too revolutionary that people weren’t ready for it.
Critic after critic overlooked its underlying genius, and to bring it justice, I will show you exactly what all the critics missed. Because while it might not be perfect, Hot Rod is by all means a comedy cult classic and, in my opinion, the lonely island’s magnum opus.
This is my video exploring why.
Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
At the time of this being made, these include the lovely people: “Matthew McKinley, Dr_Slurp, ThatEvilCanadian”.
If you’d also like the option of becoming a Patreon, head to:
https://www.patreon.com/motioninart
For more of my reviews, analyses, and other articles:
https://motioninartmedia.com/
Twitter:
https://twitter.com/motion_in_art
Reddit:
https://www.reddit.com/user/motioninart
Odysee:
https://odysee.com/@motioninart:3
What is Hot Rod?
Hot Rod is a 2007 American comedy film directed by Akiva Schaffer (in his directorial debut) and written by Pam Brady. The film stars Andy Samberg as amateur stuntman Rod Kimble, whose stepfather, Frank (Ian McShane), continuously mocks and disrespects him. When Frank becomes ill, Rod raises money for his heart operation by executing his largest stunt yet. The film also stars Jorma Taccone, Sissy Spacek, Will Arnett, Danny McBride, Isla Fisher and Bill Hader.
The film was initially drafted by Pam Brady (who retains full writing credit) as a vehicle for Saturday Night Live star Will Ferrell, but the project never commenced. Lorne Michaels convinced Paramount to let The Lonely Island, which was gaining fame for its work on SNL, take over the film. The group subsequently rewrote the movie with a heavy emphasis on offbeat surreal humor. It was shot in Vancouver in the summer of 2006. The score is by former Yes guitarist Trevor Rabin, and the soundtrack features several songs by the Swedish rock band Europe.
Paramount Pictures released Hot Rod on August 3, 2007. It was a box-office failure, grossing only $14 million on a $25 million budget. As its producers predicted, it received mixed reviews, with critics criticizing the films script and humor. It has become a popular cult film on home video.
ot Rod received mixed reviews from film critics upon its initial release. On Metacritic, it has an average score of 43 out of 100, based on 27 reviews, indicating mixed or average reviews. On Rotten Tomatoes, it has a score of 39% from 117 reviews, with an average rating of 4.92/10. The sites consensus reads Hot Rod has brazen silliness and a few humorous set pieces on its side, but its far too inconsistent to satisfy all but the least demanding slapstick lovers. After its release, Paper wrote, Depending on whom you talk to, Hot Rod is either a terrible stinker or a really strange and wonderful movie that you cant believe they got away with making. Audiences polled by CinemaScore gave the film an average grade of B− on an A+ to F scale.
The Hollywood Reporters Frank Scheck criticized the films formulaic script and humor, but commended Sambergs reasonably engaging and sweet comedic screen presence.” No one seems to have told the Lonely Island boys that the stakes are a little higher in features than they are in music videos and that underlighted shots and sloppy editing are more distracting on the big screen than on television, wrote Marjorie Baumgarten of The Austin Chronicle. Wesley Morris of The Boston Globe called the film playfully dumb, commenting, The filmmakers [...] have skipped right past the kitsch of tribute and gone straight for jokey delusion [...] And in that sense, Hot Rod is post-parody, taking nothing seriously, not even being a movie. Peter Travers of Rolling Stone wrote, The films low-key Waynes World vibe takes it only so far. I laughed, then I wished it was funnier, then I just wished it would end. Peter Debruge of Variety called the movie yet another example of a comedy that refuses to be taken seriously—concept as clothesline for all manner of silliness. Nick Schager of Slant Magazine noted that the trio care far less about clever plotting than random ridiculousness, deeming the film a tired rehash of every SNL alums big-screen debut since Adam Sandlers Billy Madison.
And if you’re still reading this – hello.
This video is made through Fair Use under copyright law for the purposes of education in criticism or review; as well as parody or satire.
https://www.copyright.gov/title17/92c
https://www.copyright.org.au/ACC_Prod The Comedy Nobody Wanted but Loved](https://i.ytimg.com/vi/UOqiRBSb04E/mqdefault.jpg)
