Uploaded November 2021 | Updated September 2026, 1 hour ago
After months of a pretty damn annoying compositional block, i finally am back with a fully revised new opus by myself. This is dedicated to my great friend Natalie, who you might know by the username Hsan. Other than being an amazing friend, she also is into music and composing, so i decided to dedicate this latest piece i wrote to her.
A short note about every piece
Number 1: the prelude, a fast paced 4/4 piece with a basso ostinato C on the left hand whilst the right hand handles all the quick harmony changes. A middle section takes us to a more Piazzolla vibe with a quick circle of fifths revolving back to the initial theme, all culminating in jokingful "Hamelinish" chords ending the piece.
Number 2: a short menuet, with a baroque sounding theme accompanied by again jokingful harmonies, defining the jokingful style of Battarino ;P
Number 3: the composer's personal favorite, a slow paced allemande with a melanchonic feel, repeating melodies alternating hands and interesting harmonies bringing the piece towards a slow c minor arpeggio, culminating with a quartal picardi third (i like the sound of that hehe)
Number 4: and at last, to end the short partita, a quick gigue that could easily be mistaken for a Brahms or Chopin piece, with only the last chord taking us back to the usual style of the composer.
In all, it was incredibly fun writing this after months of 0 ideas, and i hope you guys enjoy it as always!
After months of a pretty damn annoying compositional block, i finally am back with a fully revised new opus by myself. This is dedicated to my great friend Natalie, who you might know by the username Hsan. Other than being an amazing friend, she also is into music and composing, so i decided to dedicate this latest piece i wrote to her.
A short note about every piece
Number 1: the prelude, a fast paced 4/4 piece with a basso ostinato C on the left hand whilst the right hand handles all the quick harmony changes. A middle section takes us to a more Piazzolla vibe with a quick circle of fifths revolving back to the initial theme, all culminating in jokingful "Hamelinish" chords ending the piece.
Number 2: a short menuet, with a baroque sounding theme accompanied by again jokingful harmonies, defining the jokingful style of Battarino ;P
Number 3: the composer's personal favorite, a slow paced allemande with a melanchonic feel, repeating melodies alternating hands and interesting harmonies bringing the piece towards a slow c minor arpeggio, culminating with a quartal picardi third (i like the sound of that hehe)
Number 4: and at last, to end the short partita, a quick gigue that could easily be mistaken for a Brahms or Chopin piece, with only the last chord taking us back to the usual style of the composer.
In all, it was incredibly fun writing this after months of 0 ideas, and i hope you guys enjoy it as always!
![Salut dAmour - Elgar/Seyoung
A piano transcription by Seyoung of the famous piece Salut dAmour!
Salut dAmour (Liebesgruß), Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano.
Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss (Loves Greeting) because of Miss Roberts fluency in German. On their engagement she had already presented him with a poem The Wind at Dawn which he set to music and, when he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck in Settle, he gave her Salut dAmour as an engagement present.[1] The dedication was in French: à Carice. Carice was a combination of his wifes names Caroline Alice, and was the name to be given to their daughter born two years later.[2] It was published a year later by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels. The first published editions were for violin and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until Schott changed the title to Salut dAmour with Liebesgruss as a sub-title, and the composers name as Ed. Elgar. The French title, Elgar realised, would help the work to be sold not only in France but in other European countries.[3] The first public performance was of the orchestral version, at a Crystal Palace concert on 11 November 1889, conducted by August Manns.[4] The first recording of that version was made in 1915 for The Gramophone Company with an orchestra conducted by the composer. As a violin-and-piano piece Salut dAmour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. Auguste van Biene recorded a cello transcription in 1907.
(wiki, as you can tell from the numbers) Salut dAmour - Elgar/Seyoung](https://i.ytimg.com/vi/lxoTqIkL0BA/mqdefault.jpg)









