Panavision After Hours: Film Formats Explained @panavision
Panavision After Hours: Film Formats Explained  @panavision
Uploaded July 2026 | Updated September 2026, 3 days ago
🍸 Welcome to Panavision After Hours...
your crash course on all things #cinematography.

In Episode 1, Kate Priestman (Technical Marketing, Panavision London) breaks down the film formats filmmakers use today—from 16mm and Super 16 to 35mm, Super 35, VistaVision, and 65mm.

Learn how each format affects grain, depth of field, aspect ratio, field of view, and ultimately, visual storytelling.

Whether you're a cinematographer, AC, film student, or simply curious about shooting on film, this is your crash course in choosing the right format.

What's your favorite film format—and why?

#PanavisionAfterHours #FilmFormats #FilmSchool #Filmmaking #35mm #65mm #VistaVision
Panavision After Hours: Film Formats ExplainedMichael Goi on Paying It Forward in Cinematography“You Are Enough.” | Oscar-Winner Autumn Durald Arkapaw on Trust, Craft, and CommunityA Complete Unknown cinematographer Phedon Papamchael ASC GSC on lens & camera choicesShoot and Dont Stop Shooting | Stuart Bentley BSC | Pana Speed RoundA Collaboration with Panavision: Piotr Śliskowski, PSCWeird Filters, Funky Lenses & Visual Instincts | Natasha Duursma | Pana Speed RoundHow do you find answers as a Director of Photography?Cinematographer on Privilege, Persistence, and Creative FreedomNosferatu cinematographer Jarin Blaschke on custom & vintage lensesThe Quiet Magic of Saying “Action” on SetWhy Cinematographers Must Stay Uncomfortable | Michael Goi ASC ISC
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Panavision After Hours: Film Formats Explained

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