Uploaded November 2015 | Updated September 2026, 3 weeks ago
During the production of Osmosis Jones, I came up with an idea to do the opening titles and setting them up in a microscopic world.
I pitched the idea to one of the producer and was told that most likely the Farelly brothers' team would be handling that part of the movie (They were filming the live action part of the film). Undeterred, I decided to go ahead on my own time and produce the sequence without permission.
I storyboarded and created the animation on paper. Then, I recruited Ryan Woodward to digitally composite the elements, add the camera moves and apply the various filters to produce the final look of the piece.
Needless to say, it didn't take long for the folks at Warners to warm up to my idea and the sequence was quickly integrated in the film.
During the production of Osmosis Jones, I came up with an idea to do the opening titles and setting them up in a microscopic world.
I pitched the idea to one of the producer and was told that most likely the Farelly brothers' team would be handling that part of the movie (They were filming the live action part of the film). Undeterred, I decided to go ahead on my own time and produce the sequence without permission.
I storyboarded and created the animation on paper. Then, I recruited Ryan Woodward to digitally composite the elements, add the camera moves and apply the various filters to produce the final look of the piece.
Needless to say, it didn't take long for the folks at Warners to warm up to my idea and the sequence was quickly integrated in the film.
