Uploaded July 2016 | Updated September 2026, 2 weeks ago
Andy from organ builders Harrison & Harrison tell us a bit about his job over the next five to six weeks now that the organ is back at home in the Chapel.
Read more about the restoration: bit.ly/organrestoration2016
Find out how you can support the project: bit.ly/supporttheorgan
Andy from organ builders Harrison & Harrison tell us a bit about his job over the next five to six weeks now that the organ is back at home in the Chapel.
Read more about the restoration: bit.ly/organrestoration2016
Find out how you can support the project: bit.ly/supporttheorgan
![Howells: Cello Concerto [Extended Video]](https://i.ytimg.com/vi/Kay-xhlLVms/mqdefault.jpg "Howells: Cello Concerto [Extended Video]
Available on our new album: http://smarturl.it/howells
Howells saw the cello as ‘an extension of the male voice’ and in this highly personal work – much of which was written following the sudden death of his 9-year-old son Michael – that voice is markedly his own.
A double-disc set of orchestral, choral and organ music by one of the most distinguished English composers of the 20th century. Herbert Howells’ An English Mass is presented by the Choir of King’s College, Cambridge with the Britten Sinfonia, recorded in the sublime acoustic of King’s College Chapel. Alongside the work is the magnificent orchestrated Te Deum from the Collegium Regale service, and a premiere recording of the Magnificat from the same service, orchestrated by John Rutter. For both these recordings, the Choir and orchestra are joined additionally by the King’s College mixed voice choir, King’s Voices.
Howells’ completed Cello Concerto is performed by former King’s chorister Guy Johnston, one of the UK’s best solo cellists, with the Britten Sinfonia directed by Christopher Seaman. Also recorded in King’s College Chapel, the surround-sound recording presents this glorious, but lesser-known work in a way never before heard, but in an environment perfectly suited to Howells’ music. Stephen Cleobury rounds off the second part of the album with three of Howells’ best-known organ works, performed on the recently-restored Harrison & Harrison organ, also presented here in surround-sound.")
