Uploaded February 2026 | Updated September 2026, 2 weeks ago
What happens when an Omnisphere library uses zero stock sound sources? I review Mirai by The Very Loud Indeed Co.—120 cinematic patches built entirely from 128 custom-recorded wavetables. This deep dive explores why sample-based synthesis sounds different from traditional oscillator-based presets, and how this library's retro electronica influences translate to usable sounds for ambient composers and film scorers. Compatible with Omnisphere 2.8+ and Omnisphere 3.
🔗 Get your copy today: - veryloudindeed.com/products/omnisphere-mirai
☕️ Support the Channel: ko-fi.com/adrianearnshawmusic
🎵 Stay Connected with Adrian Earnshaw Music
Don't miss a beat—follow me on all my social media platforms! Get exclusive behind-the-scenes content, updates on my latest releases, and interact with me in real time. Find me on:
Instagram - instagram.com/AdrianEarnshawMusic
BlueSky - https://bsky.app/profile/earnshawmusic.bsky.social
Facebook - facebook.com/adrianearnshawmusic
Join the journey and become part of the community shaping the sound of tomorrow!
🌐 Visit My Official Website!
Explore more of my music, blog, and projects at https://adrianearnshaw.com. It's the ultimate hub for everything Adrian Earnshaw Music, from blog posts to exclusive downloads and patch libraries. Subscribe to my newsletter for updates and never miss a release. Let's keep the music alive together!
Chapters:
00:00 - Introduction
01:32 - Pads Playthrough
07:30 - Arps + BPM Playthrough
14:59 - Keyboards Playthrough
19:07 - Synth Mono Playthrough
20:14 - Synth Poly Playthrough
25:05 - Textures Playthrough
27:28 - Composition
30:00 - Closing Thoughts
@TheVeryLoudIndeedCo #sounddesign #musicproduction #omnisphere
What happens when an Omnisphere library uses zero stock sound sources? I review Mirai by The Very Loud Indeed Co.—120 cinematic patches built entirely from 128 custom-recorded wavetables. This deep dive explores why sample-based synthesis sounds different from traditional oscillator-based presets, and how this library's retro electronica influences translate to usable sounds for ambient composers and film scorers. Compatible with Omnisphere 2.8+ and Omnisphere 3.
🔗 Get your copy today: - veryloudindeed.com/products/omnisphere-mirai
☕️ Support the Channel: ko-fi.com/adrianearnshawmusic
🎵 Stay Connected with Adrian Earnshaw Music
Don't miss a beat—follow me on all my social media platforms! Get exclusive behind-the-scenes content, updates on my latest releases, and interact with me in real time. Find me on:
Instagram - instagram.com/AdrianEarnshawMusic
BlueSky - https://bsky.app/profile/earnshawmusic.bsky.social
Facebook - facebook.com/adrianearnshawmusic
Join the journey and become part of the community shaping the sound of tomorrow!
🌐 Visit My Official Website!
Explore more of my music, blog, and projects at https://adrianearnshaw.com. It's the ultimate hub for everything Adrian Earnshaw Music, from blog posts to exclusive downloads and patch libraries. Subscribe to my newsletter for updates and never miss a release. Let's keep the music alive together!
Chapters:
00:00 - Introduction
01:32 - Pads Playthrough
07:30 - Arps + BPM Playthrough
14:59 - Keyboards Playthrough
19:07 - Synth Mono Playthrough
20:14 - Synth Poly Playthrough
25:05 - Textures Playthrough
27:28 - Composition
30:00 - Closing Thoughts
@TheVeryLoudIndeedCo #sounddesign #musicproduction #omnisphere
