Uploaded December 2024 | Updated September 2026, 10 hours ago
"Ode" is a poem written by the English poet Arthur O'Shaughnessy and first published in 1873. It is the first poem in O'Shaughnessy's collection Music and Moonlight (1874).
We are the ones who make music, and the ones who dream dreams. We wander along remote shorelines and sit by lonely streams. We are people who renounce the world, people on whom the moon shines. But we also always seem to be the people who shake the world to its foundations.
We construct the world's great cities with our awe-inspiring, immortal songs. From magical stories, we create the glories of empires. A single artist with a dream can overthrow a monarch, and three artists with a new song can overthrow a whole kingdom.
Those of us who are long dead and buried built the ancient city of Nineveh with our laments, and the ancient city of Babel with our laughter. Then we destroyed those cities with prophecies of a new and better world, because every era is a dream that is either dying or being born.
A hint of our vision gives life to every new generation. Our astonishing, seemingly impossible dreams give soldiers, kings, and peasants alike a shared vision, until our dreams become reality and everyone works together to make them come true.
Normal people don't know that they're building this new world; they have no advance knowledge of the new place they're going. But the solitary artist's soul can perceive an eternal light, and the way he looks and the words he says light fires in other people's hearts.
Therefore, the present is charged with the energy of past prophecies, and today's people enact the beliefs that earlier generations didn't accept. And while the people of the present reject tomorrow's new ideas, they still live out the joyful or sorrowful dreams of artists who came before them.
But we, dreaming and singing, never stop and are not sad. We feel the glory of the future all around us, and our souls hear divine music. Oh, normal people! We must always, because of our dreams and songs, live separately from you.
For we live in the dawns of future days, and from our place in these infinite mornings, you hear us bravely shout that, in spite of your scorn for new ideas, God's future is coming closer anyway, and it's already clear that you, too, will die, as the past must.
We shout grand greetings to the visitors from the bright, unexplored shores of the future, and ask them to bring us their light and their summers, and to renew the world once again. They will teach us new songs, and new dreams, in spite of a dreamer who sleeps, and a singer who no longer sings.
"Ode" is a poem written by the English poet Arthur O'Shaughnessy and first published in 1873. It is the first poem in O'Shaughnessy's collection Music and Moonlight (1874).
We are the ones who make music, and the ones who dream dreams. We wander along remote shorelines and sit by lonely streams. We are people who renounce the world, people on whom the moon shines. But we also always seem to be the people who shake the world to its foundations.
We construct the world's great cities with our awe-inspiring, immortal songs. From magical stories, we create the glories of empires. A single artist with a dream can overthrow a monarch, and three artists with a new song can overthrow a whole kingdom.
Those of us who are long dead and buried built the ancient city of Nineveh with our laments, and the ancient city of Babel with our laughter. Then we destroyed those cities with prophecies of a new and better world, because every era is a dream that is either dying or being born.
A hint of our vision gives life to every new generation. Our astonishing, seemingly impossible dreams give soldiers, kings, and peasants alike a shared vision, until our dreams become reality and everyone works together to make them come true.
Normal people don't know that they're building this new world; they have no advance knowledge of the new place they're going. But the solitary artist's soul can perceive an eternal light, and the way he looks and the words he says light fires in other people's hearts.
Therefore, the present is charged with the energy of past prophecies, and today's people enact the beliefs that earlier generations didn't accept. And while the people of the present reject tomorrow's new ideas, they still live out the joyful or sorrowful dreams of artists who came before them.
But we, dreaming and singing, never stop and are not sad. We feel the glory of the future all around us, and our souls hear divine music. Oh, normal people! We must always, because of our dreams and songs, live separately from you.
For we live in the dawns of future days, and from our place in these infinite mornings, you hear us bravely shout that, in spite of your scorn for new ideas, God's future is coming closer anyway, and it's already clear that you, too, will die, as the past must.
We shout grand greetings to the visitors from the bright, unexplored shores of the future, and ask them to bring us their light and their summers, and to renew the world once again. They will teach us new songs, and new dreams, in spite of a dreamer who sleeps, and a singer who no longer sings.


![Tears in Heaven
On 20 March 1991, Claptons four-year-old son, Conor, whom he had with Lory Del Santo, died after falling from the 53rd-floor window of a New York City apartment belonging to a friend of Conorβs mother. After isolating himself for a period, Clapton began working again, writing music for the film Rush (1991). He dealt with his grief by co-writing Tears in Heaven, with Will Jennings, for the soundtrack. Clapton said he admired Jennings work with Steve Winwood.
According to Jennings, Clapton wrote the lyrics for the first verse, and asked him to write the rest. Jennings urged Clapton to write the entire song due to the personal subject matter, but eventually agreed. He said it was a song so personal and so sad that it is unique in my experience of writing songs.
In an interview in 1992, Clapton said the song was in the back of my head but it didnt really have a reason for being until I was scoring this movie ... And it is a little ambiguous because it could be taken to be about Conor but it also is meant to be part of the film.[5] In another interview, he said: I almost subconsciously used music for myself as a healing agent, and lo and behold, it worked... I have got a great deal of happiness and a great deal of healing from music. Tears in Heaven](https://i.ytimg.com/vi/nz53osmAcBc/mqdefault.jpg)







