Uploaded April 2023 | Updated September 2026, 1 week ago
Final Week - Closing 23 April 2023
‘Objects in Stereo’ is a new exhibition by British photographer Jim Naughten, whose work explores historic collections through a combination of stereoscopic and large-scale photography. The exhibition presents a new perspective into the practice of keeping a collection and asks what it means to keep and care for museum objects.
Naughten uses stereoscopic photography, a technique that makes two-dimensional images appear three-dimensional. Using specially created viewers, you can see the stereoscopic photographs in 3D, showing these usually unseen objects in beautiful detail.
For ‘Objects in Stereo’, Jim Naughten visited Blythe House in west London which, until its recent closure, was home to objects from the collections formed by Henry Wellcome on long-term loan to the Science Museum Group.
Naughten was one of the last artists to access the building and the collections stored there, and his images offer a glimpse of objects usually hidden from public view. His large-scale photographic views of the storerooms reveal the architecture of the building, and of museum storage itself. These images show relationships between individual objects in store, and question how these kinds of spaces might shape our encounters with them.
There are also ways to engage with the exhibition that don’t rely on seeing the 3D effect. You can look at the photographs as regular images without a viewer. Close-up images on the resource table offer detailed views.
‘Objects in Stereo’ encourages us to look closely at museum objects usually hidden from view. It reminds us of the complex relationship between seeing and understanding materials in museums’ collections.
The exhibition is curated by Ruth Horry and Emily Sargent.
Find us on Facebook: facebook.com/wellcomecollection
Follow us on Twitter: twitter.com/explorewellcome
See us on Instagram: instagram.com/wellcomecollection
Final Week - Closing 23 April 2023
‘Objects in Stereo’ is a new exhibition by British photographer Jim Naughten, whose work explores historic collections through a combination of stereoscopic and large-scale photography. The exhibition presents a new perspective into the practice of keeping a collection and asks what it means to keep and care for museum objects.
Naughten uses stereoscopic photography, a technique that makes two-dimensional images appear three-dimensional. Using specially created viewers, you can see the stereoscopic photographs in 3D, showing these usually unseen objects in beautiful detail.
For ‘Objects in Stereo’, Jim Naughten visited Blythe House in west London which, until its recent closure, was home to objects from the collections formed by Henry Wellcome on long-term loan to the Science Museum Group.
Naughten was one of the last artists to access the building and the collections stored there, and his images offer a glimpse of objects usually hidden from public view. His large-scale photographic views of the storerooms reveal the architecture of the building, and of museum storage itself. These images show relationships between individual objects in store, and question how these kinds of spaces might shape our encounters with them.
There are also ways to engage with the exhibition that don’t rely on seeing the 3D effect. You can look at the photographs as regular images without a viewer. Close-up images on the resource table offer detailed views.
‘Objects in Stereo’ encourages us to look closely at museum objects usually hidden from view. It reminds us of the complex relationship between seeing and understanding materials in museums’ collections.
The exhibition is curated by Ruth Horry and Emily Sargent.
Find us on Facebook: facebook.com/wellcomecollection
Follow us on Twitter: twitter.com/explorewellcome
See us on Instagram: instagram.com/wellcomecollection







![What is radical acceptance?
For Dr. Grace Spence Green, radical acceptance isnt about overcoming disability – its about embracing everything that comes with it.
As a doctor, disability activist, and now author, Grace draws on active hope – a concept from @mikaelaloachs Its Not That Radical – to question why things have to stay the same and drive meaningful change.
Her book To Exist as I Am: A Doctors Notes on Recovery and Radical Acceptance is out today ✨
Pick up your copy at Wellcome Collections bookshop 📚
[Alt text: Were watching a video of Grace speaking directly to the camera in our Reading Room – a nice, cosy, space with books, lounge chairs and bean bags. She has long brown hair and wears red lipstick, round yellow glasses, and a sweater-vest-shirt combo. She is sitting in her wheel chair with one leg crossed over the opposite knee.]
#books #medicine #disability #acceptance #doctor What is radical acceptance?](https://i.ytimg.com/vi/yfFMuyTwe2Q/mqdefault.jpg)


