Uploaded January 2024 | Updated September 2026, 2 weeks ago
Nonexistent Night "Tessellations" from In the Middle of a Boiling Sea LP
Available here: threeoneg.com/archive/vinyl/in-the-middle-of-a-boiling-sea-lp
Carrie Feller (who creates gloom-synth earworms under the moniker Hexa), Sal Gallegos and John Rieder (of the instrumental noise-rock duo Secret Fun Club) first began working together in mid-2019. The odd, left-field idea was a cover of “I Was a Teenage Werewolf” by The Cramps, which was eventually featured on the compilation Really Bad Music for Really Bad People (Three One G, 2020). This unlikely-but-in-retrospect-perfectly-sensible collaboration continued on in spring 2021, when Carrie recruited Sal and John as the rhythm section for a new instrumental composition. The result was “Prelude in Terror,” a sonic partnership so thrilling and intuitive that a full project as a trio seemed like the only rational next step. Nonexistent Night formed soon after, and the three musicians began writing the songs that would become the new LP In The Middle of A Boiling Sea over the subsequent 12 months. The band made its live debut in June 2022 and then, with the blessing and support of the label Three One G, began production of their record throughout late 2022 and early 2023. The band recently added Alia Jyawook (Scary Pierre, ex-Hot Nerds) as permanent cellist and guitarist and are already working on new songs for a follow-up record. Influenced by bands like Three Mile Pilot, Rachel’s, Slint, Chelsea Wolfe, King Woman, Kate Bush, June of 44, PJ Harvey, Nick Cave, Om, Low, Converge, and Tristeza, Nonexistent Night is elegiac, dramatic, and tinged with dread: post-rock for a drowning world.
Nonexistent Night "Tessellations" from In the Middle of a Boiling Sea LP
Available here: threeoneg.com/archive/vinyl/in-the-middle-of-a-boiling-sea-lp
Carrie Feller (who creates gloom-synth earworms under the moniker Hexa), Sal Gallegos and John Rieder (of the instrumental noise-rock duo Secret Fun Club) first began working together in mid-2019. The odd, left-field idea was a cover of “I Was a Teenage Werewolf” by The Cramps, which was eventually featured on the compilation Really Bad Music for Really Bad People (Three One G, 2020). This unlikely-but-in-retrospect-perfectly-sensible collaboration continued on in spring 2021, when Carrie recruited Sal and John as the rhythm section for a new instrumental composition. The result was “Prelude in Terror,” a sonic partnership so thrilling and intuitive that a full project as a trio seemed like the only rational next step. Nonexistent Night formed soon after, and the three musicians began writing the songs that would become the new LP In The Middle of A Boiling Sea over the subsequent 12 months. The band made its live debut in June 2022 and then, with the blessing and support of the label Three One G, began production of their record throughout late 2022 and early 2023. The band recently added Alia Jyawook (Scary Pierre, ex-Hot Nerds) as permanent cellist and guitarist and are already working on new songs for a follow-up record. Influenced by bands like Three Mile Pilot, Rachel’s, Slint, Chelsea Wolfe, King Woman, Kate Bush, June of 44, PJ Harvey, Nick Cave, Om, Low, Converge, and Tristeza, Nonexistent Night is elegiac, dramatic, and tinged with dread: post-rock for a drowning world.
![Planet B Dick On The Dance Floor [Official music video]](https://i.ytimg.com/vi/uCYgzaKqMoY/mqdefault.jpg "Planet B Dick On The Dance Floor [Official music video]
Planet B Dick On The Dance Floor from the album Fiction Prediction available here:
https://threeoneg.com/archive/vinyl/fiction-prediction
Planet B’s second LP has been a long time in the making. Obviously, over this span of time, there has been an almost unimaginable amount of surreality and insanity to pull from when creating the band’s unique hip-hop-punk-meets-sci-fi-horror-movie sonic aesthetic. As always, the sound is as confrontational as it is catchy, the lyrics scathing and the beats bizarre. Earworms abound. As with the band’s first release, there are a host of guest collaborations on the various tracks, from Josie Cotton to David Scott Stone (ex-LCD Soundsystem, Melvins), D-Styles (Invisibl Skratch Piklz), and more. Perhaps most personally meaningful are the instrumental contributions from Gabe Serbian (The Locust) and Eric Livingston (Mamaleek), both family to the band, who have each passed on from this dimension and back to whatever radical planet they came from since the creation of the album.
Video featuring Valeria Catalina, filmed by Becky DiGiglio, and edited by Displaced/ Replaced.")
