Noah Wyle’s Closet Picks @criterioncollection

Uploaded June 2026 | Updated September 2026, 3 weeks ago

The actor and director shares his intimate connections to EATING RAOUL and THE GREAT ESCAPE, explains what defines “the Lubitsch touch,” and praises the heartrending performances in THE LAST PICTURE SHOW.

Peter Bogdanovich: How Ernst Lubitsch Invented Modern Hollywood

Danny McBride Picks FANTASTIC PLANET | Now on the Criterion Channel

I Wish I Wrote That: Terry Zwigoff, Daniel Clowes, & Lianne Halfon Re-Watch GHOST WORLD

The First Filmmakers: Who Were the Lumière Brothers?

Mary Steenburgen and Ted Danson’s Closet Picks

$WEDDINGS | Criterion Channel Teaser Watch now on our streaming service, The Criterion Channel! https://www.criterionchannel.com/weddings Not yet subscribed to the Criterion Channel? Sign up now and start a free trial: https://www.criterionchannel.com/checkout/subscribe With wedding season upon us, take a walk down the aisle of some of cinema’s most unforgettable nuptials. Focusing on the lead-up to and spectacle of the big day itself, these films dramatize the often-conflicting dreams, desires, and fears that bring two people together before the altar, with directors like Sofia Coppola (MARIE ANTOINETTE), Jonathan Demme (RACHEL GETTING MARRIED), and Lars von Trier (MELANCHOLIA) examining the emotional ambivalence and intersecting familial expectations surrounding the main event. Replete with will-they-won’t-they romantic tension, simmering family drama, and extravagant mise-en-scène, these films look past the pageantry to reveal the fractures that underpin the promise of “happily ever after.” Featuring: THE UMBRELLAS OF CHERBOURG (Jacques Demy, 1964) WEDDING IN WHITE (William Fruet, 1972) A WEDDING (Robert Altman, 1978) GOLDEN EIGHTIES (Chantal Akerman, 1986) MURIEL’S WEDDING (P. J. Hogan, 1994) MARIE ANTOINETTE (Sofia Coppola, 2006) RACHEL GETTING MARRIED (Jonathan Demme, 2008) MELANCHOLIA (Lars von Trier, 2011)$

Two Movies That Had an Impact on Fred Armisen & Carrie Brownstein | Adventures in Moviegoing

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