Uploaded July 2021 | Updated September 2026, 2 weeks ago
Turbo Recordings is humbled to present this lovingly rendered reissue of Neutron 9000’s lost ambient trance classic. Composed and recorded at London’s Orinoco Studios in 1994 by Dominic Woosey, Lady Burning Sky was originally released on the legendary UK label Rising High.
Turbo prides itself on living in the moment and fighting for the future, and this rare excursion into the past is arguably the most forward-looking release of the next five years. To learn how this is possible, we sat down with label owner Tiga, for whom this represents a true passion project.
Why a reissue?
I live my life with no regrets. That said, I do see the value in righting the wrongs of history and shining a light on music that hasn’t received the recognition it deserves. I’ve never met anyone who knows Lady Burning Sky, and it'’s usually the first thing I ask as a way of establishing dominance. This album has been a constant companion of mine for decades, and it’s high time others got in on that companionship.
What is your history with Neutron 9000?
I met Dominic Woosey on my first trip on my own to Europe. Yeah, I was a Eurail Kid, stowing away in sleeper cars and riding the winds of culture across the continent. I got Dominic’s number through a mutual friend, and when I met up with him in Berlin. he instantly became the coolest person I had ever met, which is crazy when you consider I grew up in Quebec. It was like I had fallen in with Berlin techno royalty, an eager young squire getting my first glimpse of a kingdom I had no idea existed.
What was so special about him?
He was the only person I knew who was into early trance, but he wasn’t a new age hippie. He was aloof. He was witty. He took the piss. And this album reflects that. It’s like hardcore ambient. It is distinctly not about peace, love, and unity, and that made a real impression on me.
The album originally came out on Rising High, which was my favorite label at the time. And while a lot of early 90s stuff has been revived, this hasn’t. There simply aren’t that many albums this good that have remained largely unknown.
Why is this such an important release for you?
Ambient has perhaps the lowest bar to clear in all of music, and Lady Burning Sky stands out as a real record by a real multidimensional artist, something no one else could have made. As someone who chilled out super fucking hard throughout the 90s, I can say with full confidence that it is a true anomaly in the genre, as tangibly great a the best pop and dance music. It was made with a real record company budget, but is completely uncompromising and uncommercial. This album should not exist, but it does. And you should not be hearing it, yet you are. I once said that real art is a celebration of the impossible. That sounded great at the time, and now it rings truer than ever as you come to realize this secret flame has endured all along. A lifetime burning doing the neutron dance.
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Turbo Recordings is humbled to present this lovingly rendered reissue of Neutron 9000’s lost ambient trance classic. Composed and recorded at London’s Orinoco Studios in 1994 by Dominic Woosey, Lady Burning Sky was originally released on the legendary UK label Rising High.
Turbo prides itself on living in the moment and fighting for the future, and this rare excursion into the past is arguably the most forward-looking release of the next five years. To learn how this is possible, we sat down with label owner Tiga, for whom this represents a true passion project.
Why a reissue?
I live my life with no regrets. That said, I do see the value in righting the wrongs of history and shining a light on music that hasn’t received the recognition it deserves. I’ve never met anyone who knows Lady Burning Sky, and it'’s usually the first thing I ask as a way of establishing dominance. This album has been a constant companion of mine for decades, and it’s high time others got in on that companionship.
What is your history with Neutron 9000?
I met Dominic Woosey on my first trip on my own to Europe. Yeah, I was a Eurail Kid, stowing away in sleeper cars and riding the winds of culture across the continent. I got Dominic’s number through a mutual friend, and when I met up with him in Berlin. he instantly became the coolest person I had ever met, which is crazy when you consider I grew up in Quebec. It was like I had fallen in with Berlin techno royalty, an eager young squire getting my first glimpse of a kingdom I had no idea existed.
What was so special about him?
He was the only person I knew who was into early trance, but he wasn’t a new age hippie. He was aloof. He was witty. He took the piss. And this album reflects that. It’s like hardcore ambient. It is distinctly not about peace, love, and unity, and that made a real impression on me.
The album originally came out on Rising High, which was my favorite label at the time. And while a lot of early 90s stuff has been revived, this hasn’t. There simply aren’t that many albums this good that have remained largely unknown.
Why is this such an important release for you?
Ambient has perhaps the lowest bar to clear in all of music, and Lady Burning Sky stands out as a real record by a real multidimensional artist, something no one else could have made. As someone who chilled out super fucking hard throughout the 90s, I can say with full confidence that it is a true anomaly in the genre, as tangibly great a the best pop and dance music. It was made with a real record company budget, but is completely uncompromising and uncommercial. This album should not exist, but it does. And you should not be hearing it, yet you are. I once said that real art is a celebration of the impossible. That sounded great at the time, and now it rings truer than ever as you come to realize this secret flame has endured all along. A lifetime burning doing the neutron dance.
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Connect:
turborecordings.com/
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![Cora Novoa - Burning
Turbo 25 [Turbo 225]
Stream & Buy - http://www.turborec.lnk.to/Turbo.25
In December of 2022, with Turbo Recordings nearing the cusp of its 25th year, label Owner, Founder and Executive Vision Honcho Tiga sent out an urgent missive to friends and collaborators across the globe:
SEND ME ONE AWESOME TRACK AND LETS GET RICH BABYCAKES. SEND ME FILLER AND YOUR PERSONAL CONTACT INFO GOES STRAIGHT INTO THE TURBO DISCORD SO YOU CAN ‘CONNECT WITH OUR FANS.”
This brazen threat spoke to the hearts of some of dance music’s greatest talents, who within days gathered outside Tiga’s Montreal fortress carrying thumb drives bursting with melody, rhythm, and more than a little timbre. Now, after months of brutal attrition and line-crossing personal rejection, we are proud to present you with the very best of the best.
While the mere mention of a label compilation is enough to get anyone’s imagination rock-hard, just consider some of the names involved. From legends like Soulwax (as 2manydjs), Matias Aguayo, Jori Hulkkonen, The Hacker, Seth Troxler, and Audion to modern masters like Cora Novoa, Disfreq, Nikki Nair, Fedele, Mathame (and many more), Turbo 25 spans soundscapery from the label’s rich past, rich present, and VR-heavy future. It stands as an unqualified triumph of networking, goodwill toward men, and Dropbox.
As Turbo Recordings joins the long-lived ranks of Northrop Grumman, the Carlyle Group, and HSBC Malta, this corporate anniversary presents an opportunity for reflection, a chance to bask in the refractory glow before the next 25 years of our label bring about Paradise on Earth. Maybe all of this culminates with every single Turbo artist ever DJing and dancing alongside world leaders and Web3 visionaries at the Hadron Collider main stage. Maybe it’s finally time to release Tiga and Manu Chaos reggaefied hip-house stomper, “Get Vertical.” Literally anything is possible.
Onward into 2023-2048, Phase 2 of 10.
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This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters.
Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada. Cora Novoa - Burning](https://i.ytimg.com/vi/E_BKXft6ZFc/mqdefault.jpg)
![ÈBONY - My Daylight
ÈBONY - Shades of Meridian [Turbo 251]
Stream & Buy - https://TurboRec.lnk.to/ShadesofMeridian
In the wake of their widely-acclaimed album Union, JUNO-nominated duo Èbony rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto.
Opener “Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of “Forever.” Next, “Dull Side First” rides a spectral break through a sepulchral warehouse trip, “RIFT” invokes peak-time witchcraft, and closer “My Daylight” entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded.
And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau’s tech-house alias “Arabian Nights.” It’s called integrity — try looking it up sometime.
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http://www.twitter.com/turborecordings ÈBONY - My Daylight](https://i.ytimg.com/vi/EyzULYjBFpQ/mqdefault.jpg)
![Gesloten Cirkel - detoon
Gesloten Cirkel - Detoon [Turbo 218]
Stream & Buy - https://turborec.lnk.to/Detoon
We wanted Turbo’s 218th release to be special, so we’re proud to announce that we’ve harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artists real name is not, as it turns out, Jesse Circle”), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him.
With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel’s banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you’d also be wrong, because there’s a second Turbo EP on the horizon. Never forget: with Turbo, you’re always here to learn.
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http://www.twitter.com/turborecordings Gesloten Cirkel - detoon](https://i.ytimg.com/vi/F42AYBErdK8/mqdefault.jpg)
![Sniper Mode - Infrapunch
Sniper Mode - Riot Gear [Turbo 252]
Stream & Buy - https://turborec.lnk.to/SniperModeBlinded
Germany’s Gregor Tresher revives his Sniper Mode moniker, bringing a timeless breed of electro to Montreals Turbo Recordings.
The album features vocal performances from some of the most respected voices in techno, such as Dave Clarke, Jay Denham, Kira, Exzakt, and Turbo’s favorite Perel.
Top tier electro. Time to teach the kids.
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http://www.twitter.com/turborecordings Sniper Mode - Infrapunch](https://i.ytimg.com/vi/GPV64XH0z5o/mqdefault.jpg)
![Anastasia Kristensen - Id Love To Do It
Anastasia Kristensen - Moments of Inertia [Turbo 232]
Stream & Buy - https://turborec.lnk.to/AnastasiaKristensen
Turbo Recordings is proud to present the label debut of Anastasia Kristensen, with her Moments of Inertia EP.
As we enter our 26th year of existence, Turbo is constantly and violently shocked that exciting techno music is still being made. After a certain point, you expect yourself to look a genre square in the face and say “Enough!” But we consider ourselves the luckiest vanity imprint on the planet to be able to harness the talent of artists like Copenhagen-based DJ-producer Anastasia Kristensen and serve it up to you in this - your darkest hour.
Escaping the massive shadow of Norway’s hip-hop scene, ‘Moments of Inertia’ captures a sound that evokes nothing but itself, as though Kristensen were recording sub-rosa dimensional machinery at oblique angles and arranging the best parts with the kind of narrative grandeur most techno artists would never dare interrogate. It should also be noted that the track “Paradox & Puzzle shares a name with Tiga’s moderately successful escape room gastropub.
The A1 ‘I’d Love To Do It’ leads with vivacious drum programming and Kristensen’s enigmatic vocals setting the stage for Paradox & Puzzle’ which shares a name with Tiga’s moderately successful escape room gastropub. The title track closes the show with slamming industrial tones, summarizing Anastasia’s bespoke futuristic flow.
If you think Turbo might start slowing down in its mid-20s, we respectfully ask you to get real. And while you’re at it, get a clue. ‘Cause we know in our heart of hearts that music can and will save the day, even if it’s just for just one day.
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http://www.twitter.com/turborecordings Anastasia Kristensen - Id Love To Do It](https://i.ytimg.com/vi/GtErmaBHMp4/mqdefault.jpg)




![Tiga - There Is No Distance Between Us
Tiga - Easy [Turbo 217]
Stream & Buy - https://TurboRec.lnk.to/TigaEasy
We are proud to present the latest single from Turbo Recordings Executive Honcho Tiga. Produced in collaboration with Hudson Mohawke, “Easy” is a massive ode to passive-aggressive income, featuring the only anthemic chorus imaginable under the yoke of The Global Crypto Web3 Gratitude Community Empire.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat equity vacuumed up off the dance floor by corporate parasites when the real future’s in decentralized skanking? But that’s why people in my position - the top one-percent in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation was founded upon back in 1814.
The single also features B-side “There Is No Distance Between Us,” whose title was secured following an acrimonious legal battle with Bette Midler.
I’ve designed my entire life around the concept of ease,” adds Tiga. I never wanted to work for a law firm. I wanted to make beats for a law firm. I’ve always been self-employed, and that why my street cred’s off the street charts. And I’ve let as much of that freedom trickle down to the audience as I can. Because when it comes to music, there’s no such thing as an acceptable minimum wage. You gotta know that you gotta give it all you got, or you’re gonna get got.”
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http://www.twitter.com/turborecordings Tiga - There Is No Distance Between Us](https://i.ytimg.com/vi/I0PTnfEdKWM/mqdefault.jpg)
