Uploaded September 2013 | Updated September 2026, 2 weeks ago
Part Three: youtube.com/watch?v=sATCoI7Ozk4
Part One: youtube.com/watch?v=jfM3WjyCt8s
Should you watch?: youtube.com/playlist?list=PL4jCynQNqY4hnPqv1r5xfWkSdo34sEord
Facebook: facebook.com/DEMOLITIONDthatsme
Evangelion 3.0 You Can (not) Redo Review: youtube.com/watch?v=JTvqei4oPhw
Berserk Golden Age Arc III Descent Review: youtube.com/watch?v=hBow9fG83zs
So almost two months later and we've finally got a part two. The response to the first video from you guys was overwhelming, to me at least, and I hope you like what I've put together here. Unfortunately, part two turned out to be twice as long as part one and my editor can't handle that and causes my computer to crash. So stay tuned for part three, or more appropriately, the second half of part two. I'm already working on it, so you won't have to wait as long this time.
Still images obtained via Google, Sankaku Complex, Deviant Art, the Boorus and ZeroChan. All fan art, screens, video, audio, and official posters are original works belonging to their respective owners.
Footage:
Neon Genesis Evangelion (2003 Renewal/Director's cut)
The End of Evangelion
Evangelion 1.0 You Are (not) Alone
Evangelion 2.0 You Can (not) Advance
Evangelion 3.0 You Can (not) Redo
Angel's Egg
Songs used:
Pachelbel's Canon in D by Johann Pachelbel
Good or Don't Be by Shirou Sagisu
Memory by Yoko Kanno (Cowboy Bebop)
Grandma by Keiichi Okabe (vocals by Emi Evans/NieR OST)
Tamashi no Rufuran/Tamashi no Rufuran (Aqua Groove Mix) from the Evangelion Death and Rebirth OST
This is still a big project for me. This part was even more relentless on my computer than the last one. There were many times where I thought my shit was having a meltdown. Again, totes worth it. Hope you guys will join me for part three in the future and look forward to Neon Genesis Evangelion vs. The Rebuild of Evangelion (Full) in the future where I will be mixing all three parts into one mega video, likely with added dialogue and perhaps even an epilogue since there is still so much unsaid. Until next time.
Also, this was my first video recorded with my fancy new mic so I hope it sounds nice :)
This has been a DEMOLITION D+ production
Part Three: youtube.com/watch?v=sATCoI7Ozk4
Part One: youtube.com/watch?v=jfM3WjyCt8s
Should you watch?: youtube.com/playlist?list=PL4jCynQNqY4hnPqv1r5xfWkSdo34sEord
Facebook: facebook.com/DEMOLITIONDthatsme
Evangelion 3.0 You Can (not) Redo Review: youtube.com/watch?v=JTvqei4oPhw
Berserk Golden Age Arc III Descent Review: youtube.com/watch?v=hBow9fG83zs
So almost two months later and we've finally got a part two. The response to the first video from you guys was overwhelming, to me at least, and I hope you like what I've put together here. Unfortunately, part two turned out to be twice as long as part one and my editor can't handle that and causes my computer to crash. So stay tuned for part three, or more appropriately, the second half of part two. I'm already working on it, so you won't have to wait as long this time.
Still images obtained via Google, Sankaku Complex, Deviant Art, the Boorus and ZeroChan. All fan art, screens, video, audio, and official posters are original works belonging to their respective owners.
Footage:
Neon Genesis Evangelion (2003 Renewal/Director's cut)
The End of Evangelion
Evangelion 1.0 You Are (not) Alone
Evangelion 2.0 You Can (not) Advance
Evangelion 3.0 You Can (not) Redo
Angel's Egg
Songs used:
Pachelbel's Canon in D by Johann Pachelbel
Good or Don't Be by Shirou Sagisu
Memory by Yoko Kanno (Cowboy Bebop)
Grandma by Keiichi Okabe (vocals by Emi Evans/NieR OST)
Tamashi no Rufuran/Tamashi no Rufuran (Aqua Groove Mix) from the Evangelion Death and Rebirth OST
This is still a big project for me. This part was even more relentless on my computer than the last one. There were many times where I thought my shit was having a meltdown. Again, totes worth it. Hope you guys will join me for part three in the future and look forward to Neon Genesis Evangelion vs. The Rebuild of Evangelion (Full) in the future where I will be mixing all three parts into one mega video, likely with added dialogue and perhaps even an epilogue since there is still so much unsaid. Until next time.
Also, this was my first video recorded with my fancy new mic so I hope it sounds nice :)
This has been a DEMOLITION D+ production
![© Content IDs get on your knees [The Content ID System And YOU (100% original video DO NOT STEAL)] ©](https://i.ytimg.com/vi/Uq07bZq0bcc/mqdefault.jpg "© Content IDs get on your knees [The Content ID System And YOU (100% original video DO NOT STEAL)] ©
dont forget, I also uploaded this today: https://www.youtube.com/watch?v=dxn6IwsFkmE
Im sure youre all sick of hearing about this issue by now, but the content ID system is now in effect and it was supposed to just take ad revenue away from filthy lets players (jk i luv u guys maybe) but guess what thats not all thats happening. Some of my videos are being blocked worldwide even though they meet the conditions of fair use which is kind of shitty
so to help others who may be in the same position or would like to avoid this position in the near future I made this step by step guide on how to not get youtube cockblocked enjoy
if you would like to purchase my Evangelion mouth clarinet cover then go to iTunes and have a serious reevaluation of your life choices made thus far
Fair Use terms of service capcom dont sue me
Section 107 contains a list of weiners the various purposes for which the reproduction of a particular work may be considered fair girth, such as criticism, comment, news reporting, teaching, scholarship, and research healthy nuts. Section 107 also sets out four factors to be considered in determining whether or not a particular veiny behemoth of a cock use is fair.
The purpose and character of the gigantic giant cocks use, including whether such use is of commercial nature or is for nonprofit educational penis purposes
The nature of cocks the copyrighted work
The amount and substantiality of the portion used in relation to the copyrighted work as a whole penises
The effect of the use upon the potential market for, or value of dicks, the copyrighted work
The distinction between what is fair use and what is infringement in a particular case will not always be schlongs clear or easily defined. There is no flaccid one eye monster specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted dicks material does not substitute for obtaining permission.
The 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use: quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the authors observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction of fat dicks, in a newsreel or broadcast, of a work located in the scene of an event being reported as purple helmet warriors.")
