My Anamorphic Workflow // GH5 // Atomos Shogun Inferno // FCPX @joshuamartinstudios
My Anamorphic Workflow // GH5 // Atomos Shogun Inferno // FCPX  @joshuamartinstudios
Uploaded December 2018 | Updated September 2026, 23 hours ago
My anamorphic workflow // Gh5 // SLR magic anamorphic // Atomos shogun // fcpx

What’s popping beautiful people, its ya boy Joshua Martin and this is my anamorphic workflow.

Starting with the gh5
I have customized c2 to be my anamorphic mode in 24p. In order to do that, go the second camera menu, rec format, make sure you are in MOV or MP4 (LPCM).
Then go to first camera M and select the Anamorphic (4:3) mode, If your SD card can handle it, select the 4K, 422/10bit/all-I 400mbps option. Keep in mind the resolution. We’re going to come back to that.

If you want to save this option go the wrench without the C (4th menu) on page 1 select cust.set mem then chose your C option
For my c3 option, it's the exact same steps for c2 but you would have to make sure you are in the 59.94Hz in the system frequency menu to allow the 60p option.

I wish Panasonic had a 4K 422 10bit all-I option for the anamorphic 60p.

You select that and save it to your custom menu.

Now let’s get my inferno ready too. But if you don’t have an inferno or rather go handheld, make sure the desqueeze display is on.

Once’s your all plugged in, you want to desqueeze your display. My inferno already has a few options for different anamorphic squeezes, but in this camera, I am filming with a 2x lens. So I go to this menu here and look for the desqueeze option. Then boom.

But there is a difference once the camera is in 60p. Watch this, there is no option for a 4:3 desqueeze. And I have no idea why. I will atomos made some update to fix this. All you get is these small desqueeze display.

Let’s bring the footage into FCPX.

Remember I said to keep the resolution in mind. Well, I discovered that when recording to prores in the anamorphic mode to the shogun inferno, the resolution becomes 3840 x 2160 but in camera, the resolution is 3328 x 2496. Why does this matter? I actually don’t know. Like you can still plug in 6656 x 2496 and it’ll be just fine… zooms into face

If that timeline is too large, just divide the height and width by 2.

If you are using the free version of resolve you the 6k time will not work when roundtripping, you have to use a resolution just under ultra 4K so 3324 x 1248 will work just fine.

I hope this was helpful, until next time, duces.

If you want to follow me Kit here is the link: kit.co/joshuamartinstudios or check out all of the links below.

My Current camera and lenses:

Panasonic Gh5 - amzn.to/2wOiLQP
SLR Magic 8mm - amzn.to/2ItbIy2
SLR Magic 10mm - amzn.to/2L8nDmN
SLR Magic 17mm - amzn.to/2wSlmcg
SLR Magic 25mm - amzn.to/2wSlAQE
SLR Magic 35mm - amzn.to/2Ix4Dgg
SLR Magic 50mm - amzn.to/2IoXfr7
SLR Magic 35mm Anamorphic - amzn.to/2Lax1Xh
SLR Magic 50mm Anamorphic - amzn.to/2ItMiAC
SLR Magic 70mm Anamorphic - On B&H

Edelkrone Focus One - amzn.to/2IvFW3F
Tilta Max GH5 cage - amzn.to/2LdeoSu

Angelbird 64gb SD card - amzn.to/2IOHUzq
Angelbird 128gb SD card - amzn.to/2rOd5kD
Angelbird SSD2GO PKT XT drive amzn.to/2IuBthC

Aputure 120D with dome kit - amzn.to/2L8APrG

Audio technica MX30 - amzn.to/2IpiyJ3
Zoom h5 - amzn.to/2IpEDqX
Rode NTG3 - amzn.to/2IKfG90



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My Anamorphic Workflow // GH5 // Atomos Shogun Inferno // FCPXTilta Mini Mattebox and mini follow focus - First impressionsVideo Editing Breakdown - Corey Spears (J cuts and sound design in Adobe Premiere Pro CC)My color grading workflow // Using CST in DaVinci Resolve 16 // Body & Earth BTS
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My Anamorphic Workflow // GH5 // Atomos Shogun Inferno // FCPX

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