Uploaded June 2022 | Updated September 2026, 4 days ago
In this episode, Eric speaks with artist, gallerist, teacher & advocate Alonzo Davis; where they discuss Davis’ childhood; growing up in a community of educators near Tuskeege University campus in Alabama, to moving to Los Angeles as a teen… his education in the arts and a life changing road trip that he took with is brother, Dale where they visited with various artists of color around the United States.. which eventually inspired them to open the iconic Brockman Gallery in Leimert park with a mission of spotlighting artists that had been overlooked. They discuss the challenges the Davis brothers faced in making the gallery a reality, the artwork that they displayed, famous visitors and the impact that it had on the community. They discuss Davis’ journey as a teacher, mentor and his commitment to his art practice.. his most recent works and upcoming shows.
For more visit: ericsperspective.com
Guest Bio: Alonzo J. Davis’ career as an artist spans four decades. A native of Tuskegee, Alabama, Davis moved with his family to Los Angeles in his early teens. After acquiring an undergraduate degree at Pepperdine College he earned an MFA in Printmaking and Design at Otis Art Institute. Influenced early on by the assemblagists, Davis soon took wing and began to experiment with a variety of mediums, techniques and themes. At the suggestion of artist and former professor, Charles White, Davis began to produce prints and paintings in series.
While he was inspired by travel to Africa, the Caribbean and American Southwest—the colors and patterns of the Pacific Rim cultures also seeped into Davis’ artwork. During the ‘70’s and early ‘80’s, Davis’ involvement in the California mural movement culminated with the 1984 Olympic Murals project. His Eye on ’84 is one of ten murals on the walls of the downtown Los Angeles Harbor Freeway.
Featured art on display: Noah Purifoy, Burial Ground, c. 1990, mixed media assemblage, 44 x 48 x 7.75 inches. Sargent Johnson, Lovers, 1956, terra cotta, c.1956
About Eric's Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.
For more, visit ericsperspective.com
#ERICSPERSPECTIVE #AFRICANAMERICAN #ART
SUBSCRIBE: bit.ly/2vVJkDn
LISTEN ON:
Apple Podcasts: apple.co/2B6wB3U
Spotify: spoti.fi/3j6QRmW
Google Podcasts: bit.ly/3fNNgrY
iHeartRadio: https://ihr.fm/2KtYGXv
Pandora: pdora.co/38pFWAm
Connect with us:
Visit Eric's Perspective website: bit.ly/2ZQ41x1
Facebook: bit.ly/3jq5fXP
Instagram: bit.ly/39jFZxG
Twitter: bit.ly/2OMRx33
mhanksgallery.com
In this episode, Eric speaks with artist, gallerist, teacher & advocate Alonzo Davis; where they discuss Davis’ childhood; growing up in a community of educators near Tuskeege University campus in Alabama, to moving to Los Angeles as a teen… his education in the arts and a life changing road trip that he took with is brother, Dale where they visited with various artists of color around the United States.. which eventually inspired them to open the iconic Brockman Gallery in Leimert park with a mission of spotlighting artists that had been overlooked. They discuss the challenges the Davis brothers faced in making the gallery a reality, the artwork that they displayed, famous visitors and the impact that it had on the community. They discuss Davis’ journey as a teacher, mentor and his commitment to his art practice.. his most recent works and upcoming shows.
For more visit: ericsperspective.com
Guest Bio: Alonzo J. Davis’ career as an artist spans four decades. A native of Tuskegee, Alabama, Davis moved with his family to Los Angeles in his early teens. After acquiring an undergraduate degree at Pepperdine College he earned an MFA in Printmaking and Design at Otis Art Institute. Influenced early on by the assemblagists, Davis soon took wing and began to experiment with a variety of mediums, techniques and themes. At the suggestion of artist and former professor, Charles White, Davis began to produce prints and paintings in series.
While he was inspired by travel to Africa, the Caribbean and American Southwest—the colors and patterns of the Pacific Rim cultures also seeped into Davis’ artwork. During the ‘70’s and early ‘80’s, Davis’ involvement in the California mural movement culminated with the 1984 Olympic Murals project. His Eye on ’84 is one of ten murals on the walls of the downtown Los Angeles Harbor Freeway.
Featured art on display: Noah Purifoy, Burial Ground, c. 1990, mixed media assemblage, 44 x 48 x 7.75 inches. Sargent Johnson, Lovers, 1956, terra cotta, c.1956
About Eric's Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.
For more, visit ericsperspective.com
#ERICSPERSPECTIVE #AFRICANAMERICAN #ART
SUBSCRIBE: bit.ly/2vVJkDn
LISTEN ON:
Apple Podcasts: apple.co/2B6wB3U
Spotify: spoti.fi/3j6QRmW
Google Podcasts: bit.ly/3fNNgrY
iHeartRadio: https://ihr.fm/2KtYGXv
Pandora: pdora.co/38pFWAm
Connect with us:
Visit Eric's Perspective website: bit.ly/2ZQ41x1
Facebook: bit.ly/3jq5fXP
Instagram: bit.ly/39jFZxG
Twitter: bit.ly/2OMRx33
mhanksgallery.com
![Art as a way to mark a time in history
In this episode, Eric sits down with the talented artist Aiseborn at the Museum of African American Art at the Baldwin Hills Crenshaw Plaza in Los Angeles. They discuss how he first began making art that included drawing from comic books, magazines, tv shows and super hero characters to eventually developing into an exhibiting. The various media he uses and his special affinity for graffiti and artists that have influenced him. Graffiti as an art form, the role of letter writing throughout history, the art of mural making and how murals throughout Los Angeles are like landmarks. The many murals he has created and his dear friend and collaborator — the legendary late Noni Olabisi… thinking about the art that artists make; as marking time periods in history and leaving something behind. They reflect on what it means to be a “black artist” and “making black art” and his desire of wanting to be seen firstly and foremost as an artist — beyond the color of his skin. They discuss the remarkable, almost ’magical’ process of the act of making art and his fabulous solo exhibition on display entitled “From the HeArt”, including various pieces, his artistic process, technique, where he drew inspiration from and the messages he intended to communicate through this body of work.
Guest Bio: Aiseborn [Ace-born] developed as illustrator, graffiti writer, and fine painter in Los Angeles. His work defies physical boundaries, illuminating the essence of One. Known for his murals, which often include aerosol portraits, adorned with his classic one brush stroke techniques, he creates geometric illusions that propagate at rhythms intrinsic to nature. Captivating enough to stand alone, his circular framework, replicates the ingenuity of world symbols such as the Adinkranhene, Mandala, Flower-of-Life, Dream Catcher, etc. Through study and practice, he demonstrates the fluid movements of an organism, capturing the morphological process of plant life and the emotional appearance of physiological expressions from the human subject. Foresight with design is fueled by observing the order in which organisms naturally grow while his portraits employ the human form with enriched motifs that radiate the essence of One.
He has installed several murals throughout the Greater Los Angeles including on city streets, in backyards, parking lots, gardens, schools, on root tops, brick walls, sheds, furniture, instruments, bicycles, schools and more. He has contributed to productions at the William Grant Still Arts Center in Los Angeles, the “Life is Beautiful” Festival (2015) in Las Vegas, Nevada and the “Manifest Justice” Exhibit during 2015 in Los Angeles. He has designed murals for community service events with LA Works. His work has been featured at the El Segundo Museum of Art with the Getty Museum in 2014, the A+D Architecture and Design Museum in 2016, and the California African American Museum in 2016. He debuted his first solo show Worth the Weight during Fall 2016 at the Container Yard in Downtown Los Angeles.
About Erics Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.
For more, visit www.ericsperspective.com
#ERICSPERSPECTIVE #AFRICANAMERICAN #ART
LISTEN ON:
Apple Podcasts: https://apple.co/2B6wB3U
Spotify: https://spoti.fi/3j6QRmW
Google Podcasts: https://bit.ly/3fNNgrY
iHeartRadio: https://ihr.fm/2KtYGXv
Pandora: https://pdora.co/38pFWAm
Connect with us:
Facebook: https://bit.ly/3jq5fXP
Instagram: https://bit.ly/39jFZxG
Twitter: https://bit.ly/2OMRx33 Art as a way to mark a time in history](https://i.ytimg.com/vi/i6q_kS6pvR8/mqdefault.jpg)
![Its definitely the most challenging medium
In this episode, Eric sits down with the talented artist Aiseborn at the Museum of African American Art at the Baldwin Hills Crenshaw Plaza in Los Angeles. They discuss how he first began making art that included drawing from comic books, magazines, tv shows and super hero characters to eventually developing into an exhibiting. The various media he uses and his special affinity for graffiti and artists that have influenced him. Graffiti as an art form, the role of letter writing throughout history, the art of mural making and how murals throughout Los Angeles are like landmarks. The many murals he has created and his dear friend and collaborator — the legendary late Noni Olabisi… thinking about the art that artists make; as marking time periods in history and leaving something behind. They reflect on what it means to be a “black artist” and “making black art” and his desire of wanting to be seen firstly and foremost as an artist — beyond the color of his skin. They discuss the remarkable, almost ’magical’ process of the act of making art and his fabulous solo exhibition on display entitled “From the HeArt”, including various pieces, his artistic process, technique, where he drew inspiration from and the messages he intended to communicate through this body of work.
Guest Bio: Aiseborn [Ace-born] developed as illustrator, graffiti writer, and fine painter in Los Angeles. His work defies physical boundaries, illuminating the essence of One. Known for his murals, which often include aerosol portraits, adorned with his classic one brush stroke techniques, he creates geometric illusions that propagate at rhythms intrinsic to nature. Captivating enough to stand alone, his circular framework, replicates the ingenuity of world symbols such as the Adinkranhene, Mandala, Flower-of-Life, Dream Catcher, etc. Through study and practice, he demonstrates the fluid movements of an organism, capturing the morphological process of plant life and the emotional appearance of physiological expressions from the human subject. Foresight with design is fueled by observing the order in which organisms naturally grow while his portraits employ the human form with enriched motifs that radiate the essence of One.
He has installed several murals throughout the Greater Los Angeles including on city streets, in backyards, parking lots, gardens, schools, on root tops, brick walls, sheds, furniture, instruments, bicycles, schools and more. He has contributed to productions at the William Grant Still Arts Center in Los Angeles, the “Life is Beautiful” Festival (2015) in Las Vegas, Nevada and the “Manifest Justice” Exhibit during 2015 in Los Angeles. He has designed murals for community service events with LA Works. His work has been featured at the El Segundo Museum of Art with the Getty Museum in 2014, the A+D Architecture and Design Museum in 2016, and the California African American Museum in 2016. He debuted his first solo show Worth the Weight during Fall 2016 at the Container Yard in Downtown Los Angeles.
About Erics Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.
For more, visit www.ericsperspective.com
#ERICSPERSPECTIVE #AFRICANAMERICAN #ART
LISTEN ON:
Apple Podcasts: https://apple.co/2B6wB3U
Spotify: https://spoti.fi/3j6QRmW
Google Podcasts: https://bit.ly/3fNNgrY
iHeartRadio: https://ihr.fm/2KtYGXv
Pandora: https://pdora.co/38pFWAm
Connect with us:
Facebook: https://bit.ly/3jq5fXP
Instagram: https://bit.ly/39jFZxG
Twitter: https://bit.ly/2OMRx33 Its definitely the most challenging medium](https://i.ytimg.com/vi/iH7qjUMtfzE/mqdefault.jpg)






![How do you define what a black artist is?
In this episode, Eric sits down with the talented artist Aiseborn at the Museum of African American Art at the Baldwin Hills Crenshaw Plaza in Los Angeles. They discuss how he first began making art that included drawing from comic books, magazines, tv shows and super hero characters to eventually developing into an exhibiting. The various media he uses and his special affinity for graffiti and artists that have influenced him. Graffiti as an art form, the role of letter writing throughout history, the art of mural making and how murals throughout Los Angeles are like landmarks. The many murals he has created and his dear friend and collaborator — the legendary late Noni Olabisi… thinking about the art that artists make; as marking time periods in history and leaving something behind. They reflect on what it means to be a “black artist” and “making black art” and his desire of wanting to be seen firstly and foremost as an artist — beyond the color of his skin. They discuss the remarkable, almost ’magical’ process of the act of making art and his fabulous solo exhibition on display entitled “From the HeArt”, including various pieces, his artistic process, technique, where he drew inspiration from and the messages he intended to communicate through this body of work.
Guest Bio: Aiseborn [Ace-born] developed as illustrator, graffiti writer, and fine painter in Los Angeles. His work defies physical boundaries, illuminating the essence of One. Known for his murals, which often include aerosol portraits, adorned with his classic one brush stroke techniques, he creates geometric illusions that propagate at rhythms intrinsic to nature. Captivating enough to stand alone, his circular framework, replicates the ingenuity of world symbols such as the Adinkranhene, Mandala, Flower-of-Life, Dream Catcher, etc. Through study and practice, he demonstrates the fluid movements of an organism, capturing the morphological process of plant life and the emotional appearance of physiological expressions from the human subject. Foresight with design is fueled by observing the order in which organisms naturally grow while his portraits employ the human form with enriched motifs that radiate the essence of One.
He has installed several murals throughout the Greater Los Angeles including on city streets, in backyards, parking lots, gardens, schools, on root tops, brick walls, sheds, furniture, instruments, bicycles, schools and more. He has contributed to productions at the William Grant Still Arts Center in Los Angeles, the “Life is Beautiful” Festival (2015) in Las Vegas, Nevada and the “Manifest Justice” Exhibit during 2015 in Los Angeles. He has designed murals for community service events with LA Works. His work has been featured at the El Segundo Museum of Art with the Getty Museum in 2014, the A+D Architecture and Design Museum in 2016, and the California African American Museum in 2016. He debuted his first solo show Worth the Weight during Fall 2016 at the Container Yard in Downtown Los Angeles.
About Erics Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.
For more, visit www.ericsperspective.com
#ERICSPERSPECTIVE #AFRICANAMERICAN #ART
LISTEN ON:
Apple Podcasts: https://apple.co/2B6wB3U
Spotify: https://spoti.fi/3j6QRmW
Google Podcasts: https://bit.ly/3fNNgrY
iHeartRadio: https://ihr.fm/2KtYGXv
Pandora: https://pdora.co/38pFWAm
Connect with us:
Facebook: https://bit.ly/3jq5fXP
Instagram: https://bit.ly/39jFZxG
Twitter: https://bit.ly/2OMRx33 How do you define what a black artist is?](https://i.ytimg.com/vi/kGAaAtFPO3Q/mqdefault.jpg)

