Uploaded March 2023 | Updated September 2026, 1 hour ago
On March 8, 1971, Muhammad Ali and Joe Frazier meet for the “Fight of the Century” at Madison Square Garden in New York City. The bout marked Ali’s return to the marquee three-and-a-half years after boxing commissions revoked his license over his refusal to fight in the Vietnam War. It was also Ali’s first chance to win back the heavyweight championship, which had been stripped by the WBA (World Boxing Association). Ali's doctor, Ferdie Pacheco on the effect on his patient.
Both Ali and Frazier were undefeated and had won Olympic gold medals and multiple Golden Gloves championships, but their personalities were vastly different. Ali was a showboat, and his mastery of the media, his improvisational poetry during interviews and his debonair good looks separated him from every other fighter, and every other athlete, of his generation. Much to his opponent’s dismay, Ali successfully painted the less popular and more reserved Frazier as an “Uncle Tom” and an instrument of the establishment. Leading up to the fight, the national press fawned over Ali, heralding “the hero’s return.” Ali played right along, while doing his best to knock Frazier off his game through mental intimidation. He even went so far as to repeatedly call Frazier a “gorilla.”
On the night of the fight, celebrities filled Madison Square Garden. Miles Davis was resplendent in a red suit. Frank Sinatra sat ringside, photographing the fight for a Life magazine article. It was said that billions of people were following the fight in person, on TV or on the radio, and most of them were cheering for Ali.
The fight lived up to the hype. Ali initially landed more punches, gliding about the ring as light on his feet as he was in the prime of his career. Frazier’s punches, however, seemed to have more impact. By the eighth round, Frazier was leading six rounds to two with each judge. In the 11th round, Ali staggered but fought back, forcing the action into the 12th and 13th rounds. The fight was already decided by the 15th, when Frazier landed a left hook to Ali’s right chin, knocking down the champ for just the third time in his illustrious career. Ali got up, but Frazier won the fight by unanimous decision, retaining his title and delivering Ali the first loss of his career.
The two fighters would fight twice more, in 1974 and 1975, with Ali winning both fights. The rivalry was so intense that, 20 years after their final fight, when Ali carried the torch and lit the ceremonial flame at the 1996 Olympics in Atlanta, Frazier said, “If I had the chance, I would have pushed him in.”
On March 8, 1971, Muhammad Ali and Joe Frazier meet for the “Fight of the Century” at Madison Square Garden in New York City. The bout marked Ali’s return to the marquee three-and-a-half years after boxing commissions revoked his license over his refusal to fight in the Vietnam War. It was also Ali’s first chance to win back the heavyweight championship, which had been stripped by the WBA (World Boxing Association). Ali's doctor, Ferdie Pacheco on the effect on his patient.
Both Ali and Frazier were undefeated and had won Olympic gold medals and multiple Golden Gloves championships, but their personalities were vastly different. Ali was a showboat, and his mastery of the media, his improvisational poetry during interviews and his debonair good looks separated him from every other fighter, and every other athlete, of his generation. Much to his opponent’s dismay, Ali successfully painted the less popular and more reserved Frazier as an “Uncle Tom” and an instrument of the establishment. Leading up to the fight, the national press fawned over Ali, heralding “the hero’s return.” Ali played right along, while doing his best to knock Frazier off his game through mental intimidation. He even went so far as to repeatedly call Frazier a “gorilla.”
On the night of the fight, celebrities filled Madison Square Garden. Miles Davis was resplendent in a red suit. Frank Sinatra sat ringside, photographing the fight for a Life magazine article. It was said that billions of people were following the fight in person, on TV or on the radio, and most of them were cheering for Ali.
The fight lived up to the hype. Ali initially landed more punches, gliding about the ring as light on his feet as he was in the prime of his career. Frazier’s punches, however, seemed to have more impact. By the eighth round, Frazier was leading six rounds to two with each judge. In the 11th round, Ali staggered but fought back, forcing the action into the 12th and 13th rounds. The fight was already decided by the 15th, when Frazier landed a left hook to Ali’s right chin, knocking down the champ for just the third time in his illustrious career. Ali got up, but Frazier won the fight by unanimous decision, retaining his title and delivering Ali the first loss of his career.
The two fighters would fight twice more, in 1974 and 1975, with Ali winning both fights. The rivalry was so intense that, 20 years after their final fight, when Ali carried the torch and lit the ceremonial flame at the 1996 Olympics in Atlanta, Frazier said, “If I had the chance, I would have pushed him in.”
![Rare Footage of Frida Kahlo and Diego Rivera
Color home video footage of Frida Kahlo and Diego Rivera, Coyoacán, Mexico. Circa1940s.
Magdalena Carmen Frida Kahlo y Calderón (Spanish pronunciation: [ˈfɾiða ˈkalo]; 6 July 1907 – 13 July 1954 was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the countrys popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is also known for painting about her experience of chronic pain.
Born to a German father and a mestiza mother, Kahlo spent most of her childhood and adult life at La Casa Azul, her family home in Coyoacán – now publicly accessible as the Frida Kahlo Museum. Although she was disabled by polio as a child, Kahlo had been a promising student headed for medical school until being injured in a bus accident at the age of 18, which caused her lifelong pain and medical problems. During her recovery, she returned to her childhood interest in art with the idea of becoming an artist. Rare Footage of Frida Kahlo and Diego Rivera](https://i.ytimg.com/vi/u1cxlZed5MU/mqdefault.jpg)


![Kris Kristofferson on his special bond with Sinead OConnor
Shuhada Sadaqat (previously Magda Davitt; born Sinéad[b] Marie Bernadette OConnor; 8 December 1966 – July 2023), known professionally as Sinéad OConnor, was an Irish singer and musician. Her debut studio album, The Lion and the Cobra, was released in 1987 and charted internationally. Her second studio album, I Do Not Want What I Havent Got (1990), received glowing reviews upon release and became her biggest success, selling over seven million copies worldwide. Its lead single, Nothing Compares 2 U, was named the number one world single in 1990 by the Billboard Music Awards.
She released ten studio albums: 1992s Am I Not Your Girl? and 1994s Universal Mother both went gold in the UK, 2000s Faith and Courage received gold status in Australia,[14] and 2005s Throw Down Your Arms went gold in Ireland.[15] Her work included songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. Her 2021 memoir Rememberings was a bestseller. Kris Kristofferson on his special bond with Sinead OConnor](https://i.ytimg.com/vi/v2KCqYEyi6o/mqdefault.jpg)

![James Earl Jones on voicing Darth Vader
James Earl Jones (January 17, 1931 – September 9, 2024) was an American actor known for his iconic voice acting roles and for his work in theater. Over his career, he received three Tony Awards, two Emmy Awards, and a Grammy Award.
Born in Arkabutla, Mississippi, in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. Since his Broadway debut in 1957, he performed in several Shakespeare plays including Othello, Hamlet, Coriolanus, and King Lear.[1] Jones worked steadily in theater, winning his first Tony Award in 1968 for his role in The Great White Hope, which he reprised in the 1970 film adaptation, earning him Academy Award and Golden Globe nominations.
Jones won his second Tony Award in 1987, for his role in August Wilsons Fences. He was again nominated for a Tony Award for his roles in On Golden Pond (2005), and The Best Man (2012). Other Broadway performances include Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Cant Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017. James Earl Jones on voicing Darth Vader](https://i.ytimg.com/vi/wDCOykZTVGs/mqdefault.jpg)




![Robbie Robertson of The Band on writing songs in Tin Pan Alley in NYC
Robbie Robertson was a Canadian musician] He is recognized for his work as lead guitarist for Bob Dylan in the mid-late 1960s and early-mid 1970s; as guitarist and songwriter with the Band from their inception until 1978, and for his career as a solo recording artist.
Robertsons work with the Band was instrumental in creating the Americana music genre. Robertson was inducted into the Rock and Roll Hall of Fame and the Canadian Music Hall of Fame as a member of the Band, and was inducted to Canadas Walk of Fame, both with the Band and on his own. He is ranked 59th in Rolling Stone magazines list of the 100 greatest guitarists.[3] As a songwriter, Robertson is credited for writing The Weight, The Night They Drove Old Dixie Down, and Up on Cripple Creek with the Band, and had solo hits with Broken Arrow and Somewhere Down the Crazy River, and many others. He was inducted into the Canadian Songwriters Hall of Fame, and received a Lifetime Achievement Award from the National Academy of Songwriters.
As a film soundtrack producer and composer, Robertson is known for his collaborations with director Martin Scorsese, which began with the rockumentary film The Last Waltz (1978), and continued through a number of dramatic films, including Raging Bull (1980), The King of Comedy (1983), Casino (1995), The Departed (2006), The Wolf of Wall Street (2013), The Irishman (2019), and Killers of the Flower Moon (2023). He worked on many other soundtracks for film and television. Robbie Robertson of The Band on writing songs in Tin Pan Alley in NYC](https://i.ytimg.com/vi/xHv9fIhF1as/mqdefault.jpg)