Uploaded October 2025 | Updated September 2026, 3 weeks ago
Kyle Ketelsen, Ain Anger, Hanna-Elisaeth Müller, Stanislas de Barbeyrac, Kate Lindsey, Philippe Sly, Chor der Wiener Staatsoper
Orchester der Wiener Staatsoper, conducted by Philippe Jordan
staged by Barrie Kosky
Barrie Kosky, one of the most exciting opera directors of our time, opened his newly staged Da Ponte cycle at the Wiener Staatsoper with a character-driven new production of Mozart’s Don Giovanni. Kyle Ketelsen in the title role and Philippe Sly as Leporello “took centre stage (...) and dared to satirise the burden of tradition” (ORF). Hanna-Elisabeth Müller is a compelling Donna Anna, Patricia Nolz gives a remarkable role debut as Zerlina, and Peter Kellner shines as Masetto. Kate Lindsey presents a fascinating character study as Donna Elvira, and Stanislas de Barbeyrac excels as Don Ottavio.
Philippe Jordan conducts the Orchestra of the Wiener Staatsoper, bringing “transparency, tangibility and poetry on the basis of historical accuracy” (Der Standard) – even in the subtly played recitatives on the fortepiano.
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Kyle Ketelsen, Ain Anger, Hanna-Elisaeth Müller, Stanislas de Barbeyrac, Kate Lindsey, Philippe Sly, Chor der Wiener Staatsoper
Orchester der Wiener Staatsoper, conducted by Philippe Jordan
staged by Barrie Kosky
Barrie Kosky, one of the most exciting opera directors of our time, opened his newly staged Da Ponte cycle at the Wiener Staatsoper with a character-driven new production of Mozart’s Don Giovanni. Kyle Ketelsen in the title role and Philippe Sly as Leporello “took centre stage (...) and dared to satirise the burden of tradition” (ORF). Hanna-Elisabeth Müller is a compelling Donna Anna, Patricia Nolz gives a remarkable role debut as Zerlina, and Peter Kellner shines as Masetto. Kate Lindsey presents a fascinating character study as Donna Elvira, and Stanislas de Barbeyrac excels as Don Ottavio.
Philippe Jordan conducts the Orchestra of the Wiener Staatsoper, bringing “transparency, tangibility and poetry on the basis of historical accuracy” (Der Standard) – even in the subtly played recitatives on the fortepiano.
Facebook: facebook.com/CmajorEntertainment
Instagram: instagram.com/cmajor_entertainment
