Uploaded August 2022 | Updated September 2026, 3 weeks ago
In Roman Polanski's "Chinatown": classic dialogue is meshed with a vague, internal poesy -- what of the ending? was Evelyn Cross involved in her husband's murder? -- to create a cult classic. But will it have staying power, or ultimately be deemed overrated? In MovieMacro #2, Alex Sheremet and Keith Jackewicz lie around Washington Square Park and compare individual elements in "Chinatown" with elements from other films, assess the realism of the characters' motives and behaviors, and try to determine what, if anything, the film points to.
Some topics covered: Chinatown's hard-boiled dialogue vs. that of Orson Welles; Polanski's ending vs. that of Kobayashi's "Hara-kiri"; Evelyn as too vague & undeveloped; the 'chinatown' motif, Polanski's use of race & diaspora vs. that of John Cassavetes's "The Killing of a Chinese Bookie"; given what we know of Polanski, will good art works done by bad people get asterisks going forward?
This video has been uploaded alongside a Patreon-only bonus show with Keith, which can be found by subscribing here: patreon.com/automachination
Subscribe to the ArtiFact podcast on Spotify: spoti.fi/3xw2M4D
Apple Podcasts: apple.co/3wLpqEV
Google Podcasts: bit.ly/3dSQXxJ
Amazon Music: amzn.to/2SVJIxB
Podbean: bit.ly/3yzLuUo
iHeartRadio: https://ihr.fm/3AK942L
Read the latest from the automachination universe: automachination.com
Read Alex’s (archived) essays: alexsheremet.com
Tags: #Chinatown, #RomanPolanski, #overrated, #MovieMacro, #ArtiFactPodcast
In Roman Polanski's "Chinatown": classic dialogue is meshed with a vague, internal poesy -- what of the ending? was Evelyn Cross involved in her husband's murder? -- to create a cult classic. But will it have staying power, or ultimately be deemed overrated? In MovieMacro #2, Alex Sheremet and Keith Jackewicz lie around Washington Square Park and compare individual elements in "Chinatown" with elements from other films, assess the realism of the characters' motives and behaviors, and try to determine what, if anything, the film points to.
Some topics covered: Chinatown's hard-boiled dialogue vs. that of Orson Welles; Polanski's ending vs. that of Kobayashi's "Hara-kiri"; Evelyn as too vague & undeveloped; the 'chinatown' motif, Polanski's use of race & diaspora vs. that of John Cassavetes's "The Killing of a Chinese Bookie"; given what we know of Polanski, will good art works done by bad people get asterisks going forward?
This video has been uploaded alongside a Patreon-only bonus show with Keith, which can be found by subscribing here: patreon.com/automachination
Subscribe to the ArtiFact podcast on Spotify: spoti.fi/3xw2M4D
Apple Podcasts: apple.co/3wLpqEV
Google Podcasts: bit.ly/3dSQXxJ
Amazon Music: amzn.to/2SVJIxB
Podbean: bit.ly/3yzLuUo
iHeartRadio: https://ihr.fm/3AK942L
Read the latest from the automachination universe: automachination.com
Read Alex’s (archived) essays: alexsheremet.com
Tags: #Chinatown, #RomanPolanski, #overrated, #MovieMacro, #ArtiFactPodcast










