Uploaded April 2026 | Updated September 2026, 2 weeks ago
BG Website: bassguyshow.com
BG's Patreon: patreon.com/c/bassguyshow
Looping music like jazz and funk groove for decades. Loop pedals, loop station etc... while using a large desk for sound effects and many guitar pedal effects in real time live. Influenced by UZEB, Weather Report and Angine de Poitrine.
A Bass Guy Show Live Looping Musician In Montreal
Under Artemis, NASA will send astronauts on increasingly difficult missions to explore more of the Moon for scientific discovery, economic benefits, and to build on our foundation for the first crewed missions to Mars. To achieve the national goal of landing American astronauts on the surface of the Moon and maintaining U.S. superiority in exploration and discovery, NASA is increasing its cadence of missions under the Artemis program, standardizing the SLS (Space Launch System) rocket configuration, and adding a new mission.
Artemis NASA MOON JAM on A Bass Guy Show ft @SkyOfTheUniverse April 14, 2026
After Moon Party! 🌎🚀🌙
It was one of those nights where everything felt deliberate, dialed in, and fully under control, even as we let the show breathe and evolve in real time, with my friend Pat, also known as Sky of the Universe, joining me live in the studio for a special broadcast that wasn’t public in the usual sense but streamed to a select group who had the link, giving it an intentional, almost VIP atmosphere, and when I asked him how it felt to be back in the studio he answered with that steady confidence, saying it felt great and that it had been about a year since his last visit, clearly appreciating the space and the moment, and as I continued setting up the show with precision he seamlessly stepped in to address the audience, acknowledging that we had worked through a few technical details but reassuring everyone that everything was coming together exactly as planned, greeting familiar names like Frankie and members of the transit community while highlighting the reality that this production is a carefully orchestrated process with countless steps, not just a simple button press, and when I returned I introduced him properly as Sky of the Universe, world-famous YouTuber, live in Montreal and in the room with us, bringing him up on the Pat cam where he greeted everyone with ease and presence, before I prompted him to explain the show and he laid it out clearly as a special moon-themed episode celebrating the Artemis mission, complete with visual and audio elements that reinforced the theme and tied back to the classic themed weeks we had done before, which he had always encouraged me to bring back, and from there the show unfolded smoothly with structured energy as we introduced the format, welcomed viewers like Vince Riel and European Mapping, and prepared for a segment with Frankie MacDonald, while Pat took on the role of managing the chat so I could focus on running the production, each camera angle, sound cue, musical element, and visual effect executed live and intentionally, exactly as designed, and even as we layered in segments about heading to Couche-Tard, promoting Antoine de Poutrine at the Montreal Jazz Festival, and sharing stories about friends like Leon and our band history, everything felt cohesive and purposeful, with Pat contributing thoughtful commentary and humor at just the right moments, reinforcing the rhythm of the show, and as we moved through discussions about the studio itself, a space built over fifteen years and rebuilt with care after a flood, along with drone footage captured by Pat, and plans for future filming, the entire experience maintained a sense of direction and control, even when we adapted on the fly to audio routing or channel adjustments, which were handled efficiently as part of the live production process rather than disruptions, and with elements like dual vertical and horizontal streaming, moon-themed music, potential call-ins from guests around the world, and even spontaneous moments woven seamlessly into the structure, the show continued to build momentum, culminating in a strong, confident flow that showcased not just the content but the collaboration itself, with Pat acting as a true co-host and partner in the room, helping guide the energy, support the technical execution, and elevate the overall experience, proving that when preparation meets creativity, even a complex live show with countless moving parts can feel smooth, intentional, and completely in control from start to finish.
BG Website: bassguyshow.com
BG's Patreon: patreon.com/c/bassguyshow
Looping music like jazz and funk groove for decades. Loop pedals, loop station etc... while using a large desk for sound effects and many guitar pedal effects in real time live. Influenced by UZEB, Weather Report and Angine de Poitrine.
A Bass Guy Show Live Looping Musician In Montreal
Under Artemis, NASA will send astronauts on increasingly difficult missions to explore more of the Moon for scientific discovery, economic benefits, and to build on our foundation for the first crewed missions to Mars. To achieve the national goal of landing American astronauts on the surface of the Moon and maintaining U.S. superiority in exploration and discovery, NASA is increasing its cadence of missions under the Artemis program, standardizing the SLS (Space Launch System) rocket configuration, and adding a new mission.
Artemis NASA MOON JAM on A Bass Guy Show ft @SkyOfTheUniverse April 14, 2026
After Moon Party! 🌎🚀🌙
It was one of those nights where everything felt deliberate, dialed in, and fully under control, even as we let the show breathe and evolve in real time, with my friend Pat, also known as Sky of the Universe, joining me live in the studio for a special broadcast that wasn’t public in the usual sense but streamed to a select group who had the link, giving it an intentional, almost VIP atmosphere, and when I asked him how it felt to be back in the studio he answered with that steady confidence, saying it felt great and that it had been about a year since his last visit, clearly appreciating the space and the moment, and as I continued setting up the show with precision he seamlessly stepped in to address the audience, acknowledging that we had worked through a few technical details but reassuring everyone that everything was coming together exactly as planned, greeting familiar names like Frankie and members of the transit community while highlighting the reality that this production is a carefully orchestrated process with countless steps, not just a simple button press, and when I returned I introduced him properly as Sky of the Universe, world-famous YouTuber, live in Montreal and in the room with us, bringing him up on the Pat cam where he greeted everyone with ease and presence, before I prompted him to explain the show and he laid it out clearly as a special moon-themed episode celebrating the Artemis mission, complete with visual and audio elements that reinforced the theme and tied back to the classic themed weeks we had done before, which he had always encouraged me to bring back, and from there the show unfolded smoothly with structured energy as we introduced the format, welcomed viewers like Vince Riel and European Mapping, and prepared for a segment with Frankie MacDonald, while Pat took on the role of managing the chat so I could focus on running the production, each camera angle, sound cue, musical element, and visual effect executed live and intentionally, exactly as designed, and even as we layered in segments about heading to Couche-Tard, promoting Antoine de Poutrine at the Montreal Jazz Festival, and sharing stories about friends like Leon and our band history, everything felt cohesive and purposeful, with Pat contributing thoughtful commentary and humor at just the right moments, reinforcing the rhythm of the show, and as we moved through discussions about the studio itself, a space built over fifteen years and rebuilt with care after a flood, along with drone footage captured by Pat, and plans for future filming, the entire experience maintained a sense of direction and control, even when we adapted on the fly to audio routing or channel adjustments, which were handled efficiently as part of the live production process rather than disruptions, and with elements like dual vertical and horizontal streaming, moon-themed music, potential call-ins from guests around the world, and even spontaneous moments woven seamlessly into the structure, the show continued to build momentum, culminating in a strong, confident flow that showcased not just the content but the collaboration itself, with Pat acting as a true co-host and partner in the room, helping guide the energy, support the technical execution, and elevate the overall experience, proving that when preparation meets creativity, even a complex live show with countless moving parts can feel smooth, intentional, and completely in control from start to finish.
