Uploaded March 2022 | Updated September 2026, 2 weeks ago
In this video, I explain and demonstrate some considerations about EQ bracketing to focus overlapping sounds into their own discrete area of the spectrum, in the context of the CTZ approach. This is episode 16 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".
0:00 - In this video
1:05 - How do you "bracket" a sound?
2:49 - Low-shelf vs high-pass below 500 Hz
3:42 - Kicks and snares should be full spectrum
4:15 - Avoiding harsh buildup in the highs
7:12 - Focus overlapping midrange sounds in different regions
12:17 - Trick for examining your spectrum focus
Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:
youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx
Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)
This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!
Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
DubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQC
soundcloud.com/baphometrix
================
Big shoutout to niico for the amazing credit reel graphics!
Did you know that niico is also a great producer? Check out their work at:
beatstars.com/niicolondon
================
Credit reel graphics: beatstars.com/niicolondon
Credit reel music: Baphometrix
In this video, I explain and demonstrate some considerations about EQ bracketing to focus overlapping sounds into their own discrete area of the spectrum, in the context of the CTZ approach. This is episode 16 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".
0:00 - In this video
1:05 - How do you "bracket" a sound?
2:49 - Low-shelf vs high-pass below 500 Hz
3:42 - Kicks and snares should be full spectrum
4:15 - Avoiding harsh buildup in the highs
7:12 - Focus overlapping midrange sounds in different regions
12:17 - Trick for examining your spectrum focus
Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:
youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx
Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)
This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!
Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
DubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQC
soundcloud.com/baphometrix
================
Big shoutout to niico for the amazing credit reel graphics!
Did you know that niico is also a great producer? Check out their work at:
beatstars.com/niicolondon
================
Credit reel graphics: beatstars.com/niicolondon
Credit reel music: Baphometrix
