Mint Field - Contingencia (LEVITATION SESSIONS) @levitationaustin

Uploaded March 2022 | Updated September 2026, 4 days ago

FREE* Stream Tickets + vinyl + merch bundles & info here:
bit.ly/MINTFIELD-YT-dsc

Tijuana trio MINT FIELD bring their ethereal soundscapes to the Centro Cultural Otomí, a monumental cultural complex in Temoaya, Mexico, and a fitting location to host their supernatural dream-pop and shoegaze tunes. Sprawling, cosmic rock with shimmering guitar and the heavenly vocals of Estrella Sánchez in an epic location - this is the most beautiful Levitation Sessions yet.

Show premieres March 26 at 7pm CT.

* Yes, stream tix for this show are FREE! Use the code “SESHIES22” during checkout.

"We wanted to record this session to capture the momentum of the band. We barely had a chance to play Sentimiento Mundial due to the pandemic, so we wanted to channel all of our desires to play live in a memorable session. Playing live at Centro Ceremonial Otomí was unforgettable for all of us, the place has such unique energy. It has been the most beautiful and magical place we've ever played at."
- MINT FIELD

Filmed in Centro Ceremonial Otomí
Directed and edited by Santiago Padilla Arouesty
Recorded by David Lemus and Mauricio Avendaño
Mixed by Sebastian Neyra
Cover photo by Gerardo Ponce

Mint Field - Contingencia (LEVITATION SESSIONS)

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$Frankie and the Witch Fingers - Making Trash : The Recording of Trash Classic Frankie and the Witch Fingers - Making Trash : The Recording of Trash Classic +RA$H ¢LAS$IC is available now via The Reverberation Appreciating Society & Greenway Records Buy on Vinyl : https://bit.ly/fatwftc Filmed by: Everyone Edited by: Dylan Sizemore Color and Sound Editing by: Jenny Baumert Title art: Jordan Warren Featuring: Maryam Qudus, Harry Portnof, Josh Menashe, Nick Aguilar, Dylan Sizemore, and Nikki Pickle Filmed and Recorded at: Tiny Telephone Studio in Oakland, CA About Trash Classic Hooks so infectious they rot on impact. Trash Classic marks a feral mutation for Frankie and the Witch Fingers—a record that snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky. This record pushes the Witch Fingers’ sound to a razors edge. Wiry and twitching, it bends into synth-punk and fractured new wave, with fragments of industrial grime caked under its nails. Guitars detonate and slice like cinder blocks through glass, while gnashing basslines slither through the sludge, alive and seething. Buzzy synths take the forefront, driving relentless rhythms that crack and pop, drenched in a chemically saturated sheen—part bug-eyed speed-freak pogo, part dance-floor delirium. The vocals cut through like static-laced transmissions—balancing both smirk and sneer—layering playful unease over themes of escapism, decay, and overindulgence. The songs were born in the grime of Vernon, Los Angeles—a wasteland littered with gutted RVs and rusting machinery, where the air tastes like asphalt and dog food. But the real alchemy happened in Oakland, at Tiny Telephone Studio, where producer Maryam Qudus (La Luz, Spacemoth) helped transmute the tracks into their final forms. Unhinged tones, unconventional recording experiments, and wild sonic detours transformed the songs into something alive and unpredictable. Every day of recording began with cartoons blaring at full volume—a Looney Tunes ritual that turned the madness of the recording process into something child like. Late at night, sugar-fueled candy binges kept the energy spiking, pushing the sessions into a fever dream of jittery, spastic playfulness. The result is a raw, twisted monument to rot and excess—toxic glamour and nihilistic salvation. Trash Classic isn’t just a record; it’s an auditory dumpster bible—a gutter gospel for those ready to dive into its filth. #trashclassic #frankieandthewitchfingers$

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