Uploaded November 2020 | Updated September 2026, 18 hours ago
This is a song by Michael Jackson, from his album "Bad" (1987).
For the needs of the channel - it was re-tuned to the equal temperament A4 = 432 Hz tuning.
Originally - it was recorded in the equal temperament A4 = 422 Hz tuning.
*Important Annotation: The original key of the "Dirty Diana" song (identified from the spectrogram of the original recording of the song) is G# minor.
There are actually few "432 Hz versions" of the song on Youtube which were unfortunately retuned incorrectly - they were all retuned to the state when the song is in G minor key.
When retuning your music to equal temperament A4 = 432 Hz tuning, you need to remember that it has to be done in such way that the key of the song still remains the same as in the original version of the song.
Otherwise, you're gonna receive too large disproportions in harmony of the song and the timbre is gonna be too unnatural in relation to the original version of the song.
It makes a big difference, especially when dealing with a vocal-instrumental piece of music.
During the process of modulating the human voice with the help of a computer program, there are significant changes in the resonant shape of the voice timbre, which in the case of too large modulation always means the end product in the form of a distorted, unnatural timbre of the human voice.
This is a song by Michael Jackson, from his album "Bad" (1987).
For the needs of the channel - it was re-tuned to the equal temperament A4 = 432 Hz tuning.
Originally - it was recorded in the equal temperament A4 = 422 Hz tuning.
*Important Annotation: The original key of the "Dirty Diana" song (identified from the spectrogram of the original recording of the song) is G# minor.
There are actually few "432 Hz versions" of the song on Youtube which were unfortunately retuned incorrectly - they were all retuned to the state when the song is in G minor key.
When retuning your music to equal temperament A4 = 432 Hz tuning, you need to remember that it has to be done in such way that the key of the song still remains the same as in the original version of the song.
Otherwise, you're gonna receive too large disproportions in harmony of the song and the timbre is gonna be too unnatural in relation to the original version of the song.
It makes a big difference, especially when dealing with a vocal-instrumental piece of music.
During the process of modulating the human voice with the help of a computer program, there are significant changes in the resonant shape of the voice timbre, which in the case of too large modulation always means the end product in the form of a distorted, unnatural timbre of the human voice.
