Uploaded November 2016 | Updated September 2026, 2 weeks ago
Reine Gianoli (1915-1979), piano
Rec. early '50s
From Naxos:
The French pianist Reine Gianoli was a child prodigy. Among her teachers were Yves Nat, Alfred Cortot and Edwin Fischer. According to George Kehler, “it was Yves Nat who sustained and expanded her musical interests, while Alfred Cortot not only directed her instinct toward the world of the great romantics, but conducted the orchestra in her concert début when she was seventeen.” Gianoli eventually taught at Cortot’s conservatory (1946–1965). It was Edwin Fischer, perhaps, who had the most impact on Gianoli. She also collaborated with Fischer in many concerts that featured concertos for two or more pianos. Her distinguished career included performances under the batons of Weingartner, Monteux, Boult, Cluytens, Keilberth, Schuricht and others.
Reine Gianoli (1915-1979), piano
Rec. early '50s
From Naxos:
The French pianist Reine Gianoli was a child prodigy. Among her teachers were Yves Nat, Alfred Cortot and Edwin Fischer. According to George Kehler, “it was Yves Nat who sustained and expanded her musical interests, while Alfred Cortot not only directed her instinct toward the world of the great romantics, but conducted the orchestra in her concert début when she was seventeen.” Gianoli eventually taught at Cortot’s conservatory (1946–1965). It was Edwin Fischer, perhaps, who had the most impact on Gianoli. She also collaborated with Fischer in many concerts that featured concertos for two or more pianos. Her distinguished career included performances under the batons of Weingartner, Monteux, Boult, Cluytens, Keilberth, Schuricht and others.






![Ravel - Pièce En Forme de Habanera - Alfredo Campoli
Alfredo Campoli, violin
Eric Gritton, piano
Rec. 1949
Available from the CHARM Transfer Project: http://www.charm.rhul.ac.uk/index.html
Alfredo Campoli (1906-1991) was an Italian-born British violinist, often known simply as Campoli. He was noted for the beauty of the tone he produced from the violin. Campoli spent his childhood and much of his career in England.
Maurice Ravel (1875-1937) originally composed his Pièce en forme de Habanera as a Vocalise etude en forme de Habanera for bass voice and piano in 1907. A song without words, Ravel took as his model the slow, sultry Spanish dance called the habanera like most French composers of the period, Ravel was fascinated by the music of Spain and used it as the basis of a blindingly difficult virtuoso exercise for the bass voice. Ravel later transcribed the work for cello and piano a transcription that retains all the virtuosity of the original and from this several other arrangements have been made for virtually any and all instruments with aspirations to virtuoso glory.
[James Leonard, AllMusic] Ravel - Pièce En Forme de Habanera - Alfredo Campoli](https://i.ytimg.com/vi/NI3vR_uZVGo/mqdefault.jpg)



