Uploaded August 2014 | Updated September 2026, 52 minutes ago
Buy your copy of Al McLean & Azar Lawrence's iconic CONDUIT now!
itunes.apple.com/album/conduit/id951876223
CONDUIT producers Randy Cole and Al McLean talk about Azar Lawrence's work with McCoy Tyner, and how Lawrence had to fill the shoes of John Coltrane... as they put it, "the biggest shoes in Jazz".
Created in Montreal's storied Jazz community, 'CONDUIT' captures two giants of the saxophone in a mesmerizing recording and film. American saxophone legend Azar Lawrence (McCoy Tyner, Elvin Jones, Woody Shaw, Miles Davis) joins Canadian phenom Al McLean on a session set in a strikingly beautiful Montreal museum, Le Musée des Maîtres et Artisans du Québec (The Museum of Masters and Artisans of Quebec).
The session was essentially a 'live from the floor' recording, with most of the songs captured in a single, uninterrupted take. "I don't know if I would do a recording like this again in one day", says producer Randy Cole, "it was a bit risky, but by the midpoint of the session, the music was flowing like a river. Those of us who were present... we were speechless".
The session took place during the opening hours of the museum, which houses a collection of artisanal artifacts from all walks of life and art. In a sense, the recording became a piece of performance art, with the ensemble creating a living tableau of mastery.
The result is magic. 'CONDUIT' is iconic, and remains true to the most classic of Jazz recordings. Perhaps it is because this session revolves around the theme of spirituality, that the music has such a penetrating, powerful drive. This session stands alongside other great Canadian offerings of recent years, and hopefully is not the last by McLean & Lawrence. Truly worth a listen.
Al McLean & Azar Lawrence - Saxophones
Andre White - Drums
Adrian Vedady - Bass
Sean Fyfe - Piano
A film by Randy Cole
2nd camera operator - Joshua Hansen
3rd camera operator - David Cape
Produced by Randy Cole & Al McLean
Buy your copy of Al McLean & Azar Lawrence's iconic CONDUIT now!
itunes.apple.com/album/conduit/id951876223
CONDUIT producers Randy Cole and Al McLean talk about Azar Lawrence's work with McCoy Tyner, and how Lawrence had to fill the shoes of John Coltrane... as they put it, "the biggest shoes in Jazz".
Created in Montreal's storied Jazz community, 'CONDUIT' captures two giants of the saxophone in a mesmerizing recording and film. American saxophone legend Azar Lawrence (McCoy Tyner, Elvin Jones, Woody Shaw, Miles Davis) joins Canadian phenom Al McLean on a session set in a strikingly beautiful Montreal museum, Le Musée des Maîtres et Artisans du Québec (The Museum of Masters and Artisans of Quebec).
The session was essentially a 'live from the floor' recording, with most of the songs captured in a single, uninterrupted take. "I don't know if I would do a recording like this again in one day", says producer Randy Cole, "it was a bit risky, but by the midpoint of the session, the music was flowing like a river. Those of us who were present... we were speechless".
The session took place during the opening hours of the museum, which houses a collection of artisanal artifacts from all walks of life and art. In a sense, the recording became a piece of performance art, with the ensemble creating a living tableau of mastery.
The result is magic. 'CONDUIT' is iconic, and remains true to the most classic of Jazz recordings. Perhaps it is because this session revolves around the theme of spirituality, that the music has such a penetrating, powerful drive. This session stands alongside other great Canadian offerings of recent years, and hopefully is not the last by McLean & Lawrence. Truly worth a listen.
Al McLean & Azar Lawrence - Saxophones
Andre White - Drums
Adrian Vedady - Bass
Sean Fyfe - Piano
A film by Randy Cole
2nd camera operator - Joshua Hansen
3rd camera operator - David Cape
Produced by Randy Cole & Al McLean




![Tur Malka - Henri Oppenheim & Magillah
Click here to visit the Indiegogo page for this project! http://igg.me/at/Magillah
Tur Malka by Henri Oppenheims Klezmer group, Magillah (http://magillah.com), offers an intriguing look at Montreals storied Jewish roots. Parisian born Oppenheim dusts off a forgotten collection of Montreal Yiddish literature - poetry he discovered in the basement of the Jewish Public Library - and sets the prose to infectious contemporary music.
There is something very deep inside that resonates with this music... says Oppenheim. There is a common history between the Jews and Francophones in Montreal, and I thought there was a treasure there... so I chose poems, and I wrote melodies to them.
Oppenheims literary source for Tur Malka (the term a glib biblical reference to Mount Royal park, which overlooks the Jewish neighborhood) is rich with unbounded passion, gritty industry, and yearning intellectualism. As well, the work is cut through with themes of solidarity and social justice; values that drew together the Jewish community.
Indeed, the idea of Eastern European intellectualism contributing to the secularization of Quebec society is intriguing. This theory is both cautiously supported, and tempered by two historical figures, University of Ottawa historian Pierre Anctil, and Oscar nominated film producer Harry Gulkin, who speak to Oppenheims project.
I think the nature of art is... its a search for truth... and a search for meaning expressed in a variety of ways, says Gulkin. ...and that leads on to certain conclusions as to how people should live, and what there is in a society that prevents them from expressing that. [Jews] are ready to absorb that, based on the value system which they inherited.
Adds Anctil, ...Very rapidly they started to realize that Montreal was a city with freedom of expression, and a liberal climate. They started to write... to create an artistic and intellectual life in Montreal, in the Yiddish language. Anctil, a Francophone Quebecker specializing in Montreal Yiddish literature, has been an academic resource for Henri Oppenheim.
Although both Gulkin and Anctil largely attribute the 20th Century renaissance of Quebec society, known as the Quiet Revolution, to movements stemming from within Catholic French society, they acknowledge that in common forums such as trade unions, liberal Jewish values to some extent crossed over the English-French linguistic barrier. Union activism, minimum wage, womens rights... bit by bit crossed over to the French side, reflects Anctil.
Musically speaking, composer Oppenheim takes sweeping liberties with the Klezmer style, and comes up with a powerful, and novel formula. From tango, to North African rhythms and North American folk, the Yiddish prose are brought up to date in compelling interpretations. Says Oppenheim, The essence of the Tur Malka project is to find a deep connection between the past and universal emotions that are timeless, and the present. There is nothing tame in those poems... Jewish music by essence is modern, and has to live with its time and context.
Magillah presents / présente Tur Malka
Songs of Montreals Yiddish poets
Chansons Yiddish de Montréal
Karen Young (voice/voix)
Vanessa Marcoux (violin/violon)
Michael Emenau (MIDI vibraphone, laptop, arrangements)
Henri Oppenheim (composition, accordion/ accordéon)
Loyterkayt (Purity / Pureté)
Author / Auteur : Jacob-Isaac Segal (1896-1954)
Composer / Compositeur : Henri Oppenheim (1968-)
Henri Oppenheim and Magillah
http://magillah.com - http://facebook.com/magillah Tur Malka - Henri Oppenheim & Magillah](https://i.ytimg.com/vi/incdTvnnoVs/mqdefault.jpg)





