Uploaded August 2026 | Updated September 2026, 3 weeks ago
Vocals, guitar & arrangement by Farya Faraji, banjo and additional guitar by Patrick Chidiac. This is a folk song of English origins that travelled with the settlers to the US and Canada, surviving there with roughly the same lyrics, but a different melody from the one heard here, being instead in the major scale. Popular recordings in the 60s during the great folk revival of the Anglosphere led to this specific English version with this melody to become more well known in North America, at which point it is now an established part of the tradition here, often performed with the regional specificities of the various parts of North America, as I'm showcasing here.
Lyrics:
A holiday, a holiday
And the first one of the year
Lord Arnold's wife came into the church
The gospel for to hear
And when the meeting was done
She cast her eyes about
And there she saw little Matty Groves
Walking through the crowd
"Come home with me, little Matty Groves
Come home with me tonight
Come home with me, little Matty Groves
And sleep with me till light"
"Oh I can't come home, I won't come home
And sleep with you tonight
By the rings on your fingers I can tell
You are Lord Arnold's wife"
"But if I am Lord Arnold's wife
Lord Arnold's not at home
For he is out in the far cornfields
Bringing the yearlings home"
And a serving man was standing by
And hearing what was said
He swore Lord Arnold he would know
Before the sun would set
And in his hurry to carry the news
He bent his breast and he ran
And when he came to the broad millstream
He took off his shoes and swam
Little Matty Groves he lay down
And took a little sleep
When he awoke, Lord Arnold
He was standing at his feet
Saying "How do you like my feather bed?
How do you like my sheets?
And how do you like my lady
Who lies in your arms asleep?"
"Well it's fine I like your feather bed
And it's fine I like your sheets
But it's better I love your lady
Who lies in my arms asleep"
"Ah get up, get up, " Lord Arnold cried
"Get up as quick as you can
For it will never be said in fair England
I slew a naked man"
"Oh I won't get up, I can't get up
I can't get up for my life
For you have two long beaten swords
And I not a pocket knife"
"Well it's true I have two beaten swords
They cost me deep in the purse
But you will have the better of them
And I will have the worse
And you will strike the very first blow
And strike it like a man
And I will strike the very next blow
And I'll kill you if I can"
So Matty struck the very first blow
And he hurt Lord Arnold sore
Lord Arnold struck the very next blow
And Matty struck no more
And then Lord Arnold he took his wife
And he set her on his knee
Saying, "Who do you love the better of us
Matty Groves or me?"
And then up spoke his own dear wife
Never heard to speak so free
"I'd rather a kiss from dead Matty's lips
Than you in your finery"
And then Lord Arnold he did jump up
And loudly he did bawl
He struck his wife right through the heart
And pinned her against the wall
"Oh a grave, a grave, " Lord Arnold cried
"To put these lovers in
But bury my lady at the top
For she was of noble kin"
Vocals, guitar & arrangement by Farya Faraji, banjo and additional guitar by Patrick Chidiac. This is a folk song of English origins that travelled with the settlers to the US and Canada, surviving there with roughly the same lyrics, but a different melody from the one heard here, being instead in the major scale. Popular recordings in the 60s during the great folk revival of the Anglosphere led to this specific English version with this melody to become more well known in North America, at which point it is now an established part of the tradition here, often performed with the regional specificities of the various parts of North America, as I'm showcasing here.
Lyrics:
A holiday, a holiday
And the first one of the year
Lord Arnold's wife came into the church
The gospel for to hear
And when the meeting was done
She cast her eyes about
And there she saw little Matty Groves
Walking through the crowd
"Come home with me, little Matty Groves
Come home with me tonight
Come home with me, little Matty Groves
And sleep with me till light"
"Oh I can't come home, I won't come home
And sleep with you tonight
By the rings on your fingers I can tell
You are Lord Arnold's wife"
"But if I am Lord Arnold's wife
Lord Arnold's not at home
For he is out in the far cornfields
Bringing the yearlings home"
And a serving man was standing by
And hearing what was said
He swore Lord Arnold he would know
Before the sun would set
And in his hurry to carry the news
He bent his breast and he ran
And when he came to the broad millstream
He took off his shoes and swam
Little Matty Groves he lay down
And took a little sleep
When he awoke, Lord Arnold
He was standing at his feet
Saying "How do you like my feather bed?
How do you like my sheets?
And how do you like my lady
Who lies in your arms asleep?"
"Well it's fine I like your feather bed
And it's fine I like your sheets
But it's better I love your lady
Who lies in my arms asleep"
"Ah get up, get up, " Lord Arnold cried
"Get up as quick as you can
For it will never be said in fair England
I slew a naked man"
"Oh I won't get up, I can't get up
I can't get up for my life
For you have two long beaten swords
And I not a pocket knife"
"Well it's true I have two beaten swords
They cost me deep in the purse
But you will have the better of them
And I will have the worse
And you will strike the very first blow
And strike it like a man
And I will strike the very next blow
And I'll kill you if I can"
So Matty struck the very first blow
And he hurt Lord Arnold sore
Lord Arnold struck the very next blow
And Matty struck no more
And then Lord Arnold he took his wife
And he set her on his knee
Saying, "Who do you love the better of us
Matty Groves or me?"
And then up spoke his own dear wife
Never heard to speak so free
"I'd rather a kiss from dead Matty's lips
Than you in your finery"
And then Lord Arnold he did jump up
And loudly he did bawl
He struck his wife right through the heart
And pinned her against the wall
"Oh a grave, a grave, " Lord Arnold cried
"To put these lovers in
But bury my lady at the top
For she was of noble kin"



![Peroz of China - Epic Chinese Iranian Music
Music & vocals by Farya Faraji, guzheng by Yiang Ling, erhu by Amanda Toh, artwork by J.F Oliveras: https://jfoliveras.artstation.com/projects/NGd80J
This is me having some fun mixing together the modern Iranian and Chinese musical traditions as a thematic way to represent Peroz III, the son of the last Sasanian Emperor who went to exile in China. Promoted as a high ranking military officer of the Tang-era Chinese realm, he would, alongside his son Narsieh, try to reconquer Iran with the military aid of China from the hands of the Arab Muslims, but would ultimately fail to do so. Despite this, a Zoroastrian, Iranian diaspora would continue to exist in China for many centuries afterwards as refugees from the Islamic invasion of Iran.
The main melody at the beginning was created from first writing a typical Iranian melody in the mode of Shur, and then subtracting notes from it in order to create a pentatonic effect; the principal melodic form of Chinese music. I also added my Sasanian leitmotif, played in the manner of modern Persian Classical music using the setar, tar and oud, with the tombak as the drum accompaniment. The Iranian daf provides the main percussions throughout most of the piece, and theyre accompanied by the guzheng, erhu, yangqin, a Chinese dulcimer, the santour, a closely related Iranian dulcimer, and the Iranian ney flute.
More interestingly, the melody that starts at 02:48 is a historical melody from circa the period of Peroz III, played on modern Chinese instruments. Called Jiu Huzi, or the Wine Puppet, this melody comes to us from Tang-era China, and was transcribed in the 70s by Laurence Picken, who found it surviving in 12th century Japanese manuscripts, where it was called Shukoshi. The reason I featured this melody goes beyond its era-appropriate nature, as its a piece of music that is inherently linked to the Iranian world. The piece of music seems to be in reference to a tradition of puppetry that portrayed Sogdians, an Iranic people related to the Persians, whose wine seemed to have been prized by the local Chinese. An important Sogdian diaspora seemed to exist there, and these puppets would portray the exotically dressed, red-haired and blue eyed Sogdian character getting drunk and falling over. In The Golden Peaches of Samarkand: A Study of Tang Exotics (1963), Edward H. Schafer, paraphrasing the Japanese scholar Ishida Mikinosuke, writes: The same young poets who languished over the pretty Iranian waitresses in the metropolitan wineshops laughed at the little puppets representing drunken Sogdians, with their peaked caps, blue eyes, and high noses, with which they played in houses of prostitution when the ridiculous puppet fell over, the guest at whom it pointed had to empty his cup... These puppets were called chiu hu-tzu [i.e., jiu huzi, 酒胡子] or pu tsui hsien [i.e., bu zui xian, 捕醉仙].
The lyrics come from the Ballad of King Vahram, part of which I sang in my song of the same name from 2021. A piece of Middle-Persian Zoroastrian text from after the Islamic invasion (some scholars argue very soon after the invasion), it represent the hopes of the Zoroastrian Iranians for the return of a messianic figure from India who will drive away the Muslims and restore the native religion to the land.
Middle-Persian lyrics:
Be niger ka čand wad abgand ān druz pad ēn gēhān ka nēst wattar az ōy andar gēhān.
Mazgitīhā frōd hilēm, be nišānēm ātaxšān uzdēszārīhā be kanēm ud pāk kunēm az gēhān, tā wany šawēnd druz-wišūdagān az ēn gēhān.
Frazaft pad drōd šādīh
English translation:
Behold how much evil that demon has cast upon the world,
There is no more evil than they in the world,
We will destroy the mosques, establish fires,
We will raze the idol temples and blot them from the world,
Til evil gets destroyed, the daevic creature from the world,
Finished with salutations and happiness. Peroz of China - Epic Chinese Iranian Music](https://i.ytimg.com/vi/jeJ2YeOUO84/mqdefault.jpg)






