Uploaded November 2019 | Updated September 2026, 1 week ago
In this video (suitable for all DAWs--not just Bitwig) I explain my approach to mastering dance/bass music to "competitive" loudness levels. Yes, you should mix into your mastering chain! (And I explain why). I also do a side-by-side comparison of two popular mastering limiters among the EDM community (Elevate vs Pro-L2), and demonstrate why Elevate is a very powerful limiter for helping you achieve competitive loudness without destroying your mix.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on SoundCloud and Spotify. Thanks!
soundcloud.com/baphometrix
open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
In this video (suitable for all DAWs--not just Bitwig) I explain my approach to mastering dance/bass music to "competitive" loudness levels. Yes, you should mix into your mastering chain! (And I explain why). I also do a side-by-side comparison of two popular mastering limiters among the EDM community (Elevate vs Pro-L2), and demonstrate why Elevate is a very powerful limiter for helping you achieve competitive loudness without destroying your mix.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on SoundCloud and Spotify. Thanks!
soundcloud.com/baphometrix
open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
