Uploaded June 2010 | Updated September 2026, 5 days ago
Listening Booth:1970 represents a continuation of a creative resurgence for Cohn, ultimately brought on by one of the strangest and scariest events of his life. In 2005, while driving back to his hotel with his band and tour manager after a show in Denver, Cohn was shot in the head by a would - be carjacker. Although the bullet had to be removed from his left temple, it miraculously missed penetrating his skull by a centimeter, causing no physical damage and allowing him to be released from the hospital the next day. After working through a bout with post-traumatic stress syndrome, Cohn has been busier than ever. Ending a nearly ten-year absence from the studio, he released one of his most critically acclaimed records, Join The Parade, in 2007 and followed it with well over 150 shows across the country. "I had always had my priorities straight when it came to my family. For me, it never felt right bringing children into the world and then spending all your time in a studio or a tour bus. But that night in Denver somehow brought me a new appreciation for my work and my audience."
Now, Listening Booth:1970 ultimately brings Cohn back to where he began-- writing songs like 'Walking In Memphis' which spoke so eloquently about the transformative, healing power of music. Like that hit single, Listening Booth: 1970 is really the soundtrack to his life. As Cohn reflects, "It seemed like such a natural progression for me to do a record like this because, if you've been following my records from my first single, I have been paying tribute to musicians through my writing all along, from Al Green to Elvis to Levon Helm to Charlie Christian, It's really been a touchstone for me. Now I'm just repaying a debt of gratitude to the artists who've changed my life and taught me how to do what I do."
Listening Booth:1970 represents a continuation of a creative resurgence for Cohn, ultimately brought on by one of the strangest and scariest events of his life. In 2005, while driving back to his hotel with his band and tour manager after a show in Denver, Cohn was shot in the head by a would - be carjacker. Although the bullet had to be removed from his left temple, it miraculously missed penetrating his skull by a centimeter, causing no physical damage and allowing him to be released from the hospital the next day. After working through a bout with post-traumatic stress syndrome, Cohn has been busier than ever. Ending a nearly ten-year absence from the studio, he released one of his most critically acclaimed records, Join The Parade, in 2007 and followed it with well over 150 shows across the country. "I had always had my priorities straight when it came to my family. For me, it never felt right bringing children into the world and then spending all your time in a studio or a tour bus. But that night in Denver somehow brought me a new appreciation for my work and my audience."
Now, Listening Booth:1970 ultimately brings Cohn back to where he began-- writing songs like 'Walking In Memphis' which spoke so eloquently about the transformative, healing power of music. Like that hit single, Listening Booth: 1970 is really the soundtrack to his life. As Cohn reflects, "It seemed like such a natural progression for me to do a record like this because, if you've been following my records from my first single, I have been paying tribute to musicians through my writing all along, from Al Green to Elvis to Levon Helm to Charlie Christian, It's really been a touchstone for me. Now I'm just repaying a debt of gratitude to the artists who've changed my life and taught me how to do what I do."





![Mark Chesnutt sings and discusses Only Daddy Thatll Walk the Line from his new album Outlaw
OUTLAW quivers with the neo-traditional country style Chesnutt has been known for over his 20-year career. With traces of black flowers, Bloody Marys, easy lovin, country livin, sober Sundays, freedoms, desperados and bad behavior, the new, timeless project is Mark Chesnutt at his best. With an invigorating feel reminiscent of the music that brought him to the forefront as a country music traditionalist, and in keeping with the musical trends that make him a mainstay in the format today, OUTLAW, delivered in quintessential Chesnutt style, warrants attention.
Mark Chesnutt put on a vocal display like Ive never before seen in the studio. He stood in front of the mic and sang the whole record, from beginning to end, flawlessly [and in less than three hours]. We are all amazed at the results, introduced producer Pete Anderson. There may be singers out there as good as Mark, but there are none better and, at this point in my career, I am thrilled to have had the opportunity to work with this caliber of talent.
Carrying the torch in the footsteps of George Jones and Waylon Jennings, Chesnutt plays nearly 100 dates a year. He has four platinum albums, five gold albums, 14 No. 1 singles and 23 Top 10 singles to his name; his trademarked voice has shaped the music of todays country music newcomers and the new country music generation. OUTLAW is Chesnutts fourteenth studio recording and the first project of work from L.A.
Up-to-date information surrounding the list of OUTLAW cuts will be released via Marks social community sites: http://www.facebook.com/markchesnutt; http://www.twitter.com/MarkChesnutt; http://www.myspace.com/officialmarkchesnutt. The CD will be available via all major retail and digital outlets. Mark Chesnutt sings and discusses Only Daddy Thatll Walk the Line from his new album Outlaw](https://i.ytimg.com/vi/S9vHID1d_d4/mqdefault.jpg)




