Uploaded May 2026 | Updated September 2026, 7 hours ago
Taken from Manic Pixxies’s new album "I know my headphones really well", out June 12th on Humus Records
LP, CD and apparel - humus-records.com
-
LYRICS
Intro
Sometimes I have to go
In the rain and the snow
I can't anymore
I need to find a door
Sometimes I have to go
In the rain and the snow
I can't anymore
I need to find a door
OR I’LL PISS ON THE FLOOR
Verse 1
Walls shaking
And the future hits
Chips and chattin’
come from our lips
Pesto Pasta
from my mama
she’s so cool
she don’t have no drama
For an hour
We’re in a mood
Wet water never taste so good
Pre-chorus
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
Chorus
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Cuz inside there’s no room!
Verse 2
Pourquoi tu me fais chier
T’as qu’a alles pisser
Ils sont tous à mes pieds
Ces hommes si deranges
Tous ce. que je veux manger
Ces ce petit chat boté
On fait que répéter
Ma tete va exploser
Elles commencent à m’faire chier
Ces filles bien habiller
Tpus ce que je veux faire
Ces manger et pisser
Pre-chorus
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
Chorus
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Cuz inside there’s no room!
-
CREDITS
Written, composed and produced by Manic Pixxies (all members)
Creative Production by Jonas Lusti
Recorded by Reto Muggli at Powerplay Studios
Mixed by Daniel Freitag
Mastered by Michael Haves
Label & Distribution - Humus Records
LINE UP
Cristina Lipari – composer/lyricist/bass guitar
Deana Daci – composer/lyricist/ vocals
Elin Urbanek – composer/lyricist/ drums
Iana Reimmann – composer/lyricist/ guitar/ vocals
Janaina Brito-Santos - composer/lyricist/ guitar
Yèinou Avognon - composer/lyricist/ guitar/ vocals
-
FOLLOW MANIC PIXXIES
Instagram - instagram.com/manicpixxies
TikTok - tiktok.com/@manicpixxies
Spotify - open.spotify.com/intl-fr/artist/7bAqT4bymShx4E5wUOL5zy
Bandcamp - manicpixies.bandcamp.com
Bands in Town - bandsintown.com/a/15630740-manic-pixxies?
FOLLOW HUMUS RECORDS
Website/shop - humus-records.com
bandcamp - hummusrecords.bandcamp.com
instagram - instagram.com/humusrecords - @humusrecords
facebook - @humusrecordsofficial
youtube - @HumusRecordsofficial
Taken from Manic Pixxies’s new album "I know my headphones really well", out June 12th on Humus Records
LP, CD and apparel - humus-records.com
-
LYRICS
Intro
Sometimes I have to go
In the rain and the snow
I can't anymore
I need to find a door
Sometimes I have to go
In the rain and the snow
I can't anymore
I need to find a door
OR I’LL PISS ON THE FLOOR
Verse 1
Walls shaking
And the future hits
Chips and chattin’
come from our lips
Pesto Pasta
from my mama
she’s so cool
she don’t have no drama
For an hour
We’re in a mood
Wet water never taste so good
Pre-chorus
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
Chorus
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Cuz inside there’s no room!
Verse 2
Pourquoi tu me fais chier
T’as qu’a alles pisser
Ils sont tous à mes pieds
Ces hommes si deranges
Tous ce. que je veux manger
Ces ce petit chat boté
On fait que répéter
Ma tete va exploser
Elles commencent à m’faire chier
Ces filles bien habiller
Tpus ce que je veux faire
Ces manger et pisser
Pre-chorus
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
girls want to go outside
boys want to go outside
they want to go outside
And piss, piss, piss
Chorus
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Pissing Outside the Bandroom
Cuz inside there’s no room!
-
CREDITS
Written, composed and produced by Manic Pixxies (all members)
Creative Production by Jonas Lusti
Recorded by Reto Muggli at Powerplay Studios
Mixed by Daniel Freitag
Mastered by Michael Haves
Label & Distribution - Humus Records
LINE UP
Cristina Lipari – composer/lyricist/bass guitar
Deana Daci – composer/lyricist/ vocals
Elin Urbanek – composer/lyricist/ drums
Iana Reimmann – composer/lyricist/ guitar/ vocals
Janaina Brito-Santos - composer/lyricist/ guitar
Yèinou Avognon - composer/lyricist/ guitar/ vocals
-
FOLLOW MANIC PIXXIES
Instagram - instagram.com/manicpixxies
TikTok - tiktok.com/@manicpixxies
Spotify - open.spotify.com/intl-fr/artist/7bAqT4bymShx4E5wUOL5zy
Bandcamp - manicpixies.bandcamp.com
Bands in Town - bandsintown.com/a/15630740-manic-pixxies?
FOLLOW HUMUS RECORDS
Website/shop - humus-records.com
bandcamp - hummusrecords.bandcamp.com
instagram - instagram.com/humusrecords - @humusrecords
facebook - @humusrecordsofficial
youtube - @HumusRecordsofficial
![Knut - Challenger + DIY EP - [Remaster 2023] (Full Album)](https://i.ytimg.com/vi/t0CS9Ux9ElQ/mqdefault.jpg "Knut - Challenger + DIY EP - [Remaster 2023] (Full Album)
Knuts remastered album Challenger + DIY EP - [Remaster 2023] out Apr. 19th 2024 on Hummus Records
free album download (from release date) - www.hummus-records.com
LP, CD and apparel - www.hummus-records.com
-
Didier Séverins sudden departure from Earth in March 2022 left a gaping hole. But he left us a considerable legacy, including Challenger, released in March 2002 on Hydra Head Records (USA). A cathartic album, the point of combustion in an upward trajectory which began eight years earlier when Didier Severin (vocals), Philippe Hess (guitar), Roderic Mounir (drums) and Thierry van Osselt (bass) – later replaced by Jeremy Tavernier – embarked on the Knut adventure. At the time, Geneva, along with Copenhagen, was one of the European capitals of squat culture and a crossroads for international tours. Community and DIY ideals deeply infused Knuts modus operandi, their ability to create a network and a label, Snuff Records contributing to the rise of the local scene (Nostromo, Brazen, Shora, Fragment, Grace).
After a self-released mini-album (Leftovers, 1997) and a first full-length (Bastardiser, 1998), Knuts singularity established itself at the turn of the millennium, attracting the attention of a label whose activism was making waves across the Atlantic: Hydra Head Records was releasing records by Cave In, Botch, Converge, Isis, Keelhaul, Craw, Discordance Axis, Khanate, Dälek, Jesu, Oxbow and many others, bridging the gap between extreme music inspired by hardcore/metal, and noise-rock, experimental music, ambient and more. Free and adventurous spirits were to meet across oceans. In 2000, Knut tied their destiny to Hydra Head Records and set course for their most ambitious recording, which would put the band firmly in orbit.
On Challenger, an album simultaneously wild and cerebral, where chaotic vehemence rubbed shoulders with reflective, almost psychedelically repetitive tracks, Didier found his voice, delivering through his cryptic lyrics his share of chaos and his quest for transcendence. What did he have in mind when he titled this album Challenger? Was it an ironic comment on Knuts status in the post-hardcore-metal-noise galaxy – a path traced by Neurosis, Today is the Day, Converge, Bloodlet, Botch, Coalesce, Breach, to which Knut added more or less obscure influences (Godflesh, Zeni Geva, Eisenvater, Dazzling Killmen, Merzbow)? Undoubtedly, with his own sense of irony, he was also alluding to the fatal ascent of the eponymous Nasa shuttle, which burned at second 58.788, giving its title to one of the albums instrumental tracks.
Challenger marked a breakthrough, an affirmation and an existential cry whose echoes have continued to reverberate ever since. In the summer of 2001, Knut embarked on a three-week tour of the United States with Isis. In 2002, British top extreme magazine Terrorizer ranked Challenger 17th among the 40 best albums of the year, alongside Isis, Mastodon, Opeth, Napalm Death, Meshuggah, Queens of the Stone Age, High on Fire, Satyricon...
After a previous reissue in 2010 on Division Records, Challenger now comes in a Deluxe edition on double LP Gatefold 180 grams thanks to Humus Records. The tracks have been remastered by Serge Morattel himself. And there’s more: the fourth side features three tracks originally released in 1999 on a DIY CD, igniting a long-term collaboration between Serge Morattel and Knut. These three tracks, also remastered, showcase Knuts musical evolution towards Challenger. Hydra Head had previously assembled them on an Untitled CDEP in 2001, but this is the first time theyve been brought together on the same vinyl.
Artwork is adapted from Aaron Turners original work, with photos by Jason Hellmann.
Challenger 2024 is the opportunity to (re)discover this masterpiece and, above all, to celebrate the memory of Didier Séverin. His vibrant, thunderous presence will forever leave its mark.
-
FOLLOW HUMUS RECORDS
Website - http://www.humus-records.com
Bandcamp - https://bit.ly/2UvnIbV
Facebook - https://bit.ly/2ZfDbz2
Instagram - https://bit.ly/2ZcmVuI @humusrecords
Youtube - https://bit.ly/2TKaQLW
Soundcloud - https://bit.ly/31PxhCd")
![Knut - Dissolve - [DIY EP - remaster 2023] (Official Audio)](https://i.ytimg.com/vi/uEbkjTUcT2g/mqdefault.jpg "Knut - Dissolve - [DIY EP - remaster 2023] (Official Audio)
Taken from Knuts remastered album Challenger + DIY EP - [Remaster 2023] out Apr. 19th 2024 on Hummus Records
free album download (from release date) - www.hummus-records.com
LP, CD and apparel - www.hummus-records.com
-
Didier Séverins sudden departure from Earth in March 2022 left a gaping hole. But he left us a considerable legacy, including Challenger, released in March 2002 on Hydra Head Records (USA). A cathartic album, the point of combustion in an upward trajectory which began eight years earlier when Didier Severin (vocals), Philippe Hess (guitar), Roderic Mounir (drums) and Thierry van Osselt (bass) – later replaced by Jeremy Tavernier – embarked on the Knut adventure. At the time, Geneva, along with Copenhagen, was one of the European capitals of squat culture and a crossroads for international tours. Community and DIY ideals deeply infused Knuts modus operandi, their ability to create a network and a label, Snuff Records contributing to the rise of the local scene (Nostromo, Brazen, Shora, Fragment, Grace).
After a self-released mini-album (Leftovers, 1997) and a first full-length (Bastardiser, 1998), Knuts singularity established itself at the turn of the millennium, attracting the attention of a label whose activism was making waves across the Atlantic: Hydra Head Records was releasing records by Cave In, Botch, Converge, Isis, Keelhaul, Craw, Discordance Axis, Khanate, Dälek, Jesu, Oxbow and many others, bridging the gap between extreme music inspired by hardcore/metal, and noise-rock, experimental music, ambient and more. Free and adventurous spirits were to meet across oceans. In 2000, Knut tied their destiny to Hydra Head Records and set course for their most ambitious recording, which would put the band firmly in orbit.
On Challenger, an album simultaneously wild and cerebral, where chaotic vehemence rubbed shoulders with reflective, almost psychedelically repetitive tracks, Didier found his voice, delivering through his cryptic lyrics his share of chaos and his quest for transcendence. What did he have in mind when he titled this album Challenger? Was it an ironic comment on Knuts status in the post-hardcore-metal-noise galaxy – a path traced by Neurosis, Today is the Day, Converge, Bloodlet, Botch, Coalesce, Breach, to which Knut added more or less obscure influences (Godflesh, Zeni Geva, Eisenvater, Dazzling Killmen, Merzbow)? Undoubtedly, with his own sense of irony, he was also alluding to the fatal ascent of the eponymous Nasa shuttle, which burned at second 58.788, giving its title to one of the albums instrumental tracks.
Challenger marked a breakthrough, an affirmation and an existential cry whose echoes have continued to reverberate ever since. In the summer of 2001, Knut embarked on a three-week tour of the United States with Isis. In 2002, British top extreme magazine Terrorizer ranked Challenger 17th among the 40 best albums of the year, alongside Isis, Mastodon, Opeth, Napalm Death, Meshuggah, Queens of the Stone Age, High on Fire, Satyricon...
After a previous reissue in 2010 on Division Records, Challenger now comes in a Deluxe edition on double LP Gatefold 180 grams thanks to Humus Records. The tracks have been remastered by Serge Morattel himself. And there’s more: the fourth side features three tracks originally released in 1999 on a DIY CD, igniting a long-term collaboration between Serge Morattel and Knut. These three tracks, also remastered, showcase Knuts musical evolution towards Challenger. Hydra Head had previously assembled them on an Untitled CDEP in 2001, but this is the first time theyve been brought together on the same vinyl.
Artwork is adapted from Aaron Turners original work, with photos by Jason Hellmann.
Challenger 2024 is the opportunity to (re)discover this masterpiece and, above all, to celebrate the memory of Didier Séverin. His vibrant, thunderous presence will forever leave its mark.
-
FOLLOW HUMUS RECORDS
Website - http://www.humus-records.com
Bandcamp - https://bit.ly/2UvnIbV
Facebook - https://bit.ly/2ZfDbz2
Instagram - https://bit.ly/2ZcmVuI @humusrecords
Youtube - https://bit.ly/2TKaQLW
Soundcloud - https://bit.ly/31PxhCd")
