Uploaded March 2017 | Updated September 2026, 17 hours ago
Another in the series of videos presented by Tokyo-based woodblock printmaker David Bull, in which I talk about aspects of my work. This episode describes my experiences when making a reproduction of a Meiji-period 'kuchi-e' (frontispiece) print, back in the autumn of 2004.
An interesting aspect to the discussion is my 'best guess' as to how the kuchi-e were produced in such large quantities in short time periods, and an attempt to answer some interesting mysteries involved in their production.
The 'Beauties of Four Seasons' series mentioned in the video lives here: woodblock.com/shiki
Information on the 'Octopus' print is here:
theoctopusprint.com
Videos of the production process will be uploaded to this YouTube channel:
youtube.com/channel/UCwy04bG7Yjx4MvSD7wdt0ZQ
The previous (similar) YouTube video that I referenced - discussing my contact with the old carver Susumu Ito - is here:
youtube.com/watch?v=ij9KXgiyDAc
We now have a Patreon page for support of these videos:
patreon.com/mokuhankan
Another in the series of videos presented by Tokyo-based woodblock printmaker David Bull, in which I talk about aspects of my work. This episode describes my experiences when making a reproduction of a Meiji-period 'kuchi-e' (frontispiece) print, back in the autumn of 2004.
An interesting aspect to the discussion is my 'best guess' as to how the kuchi-e were produced in such large quantities in short time periods, and an attempt to answer some interesting mysteries involved in their production.
The 'Beauties of Four Seasons' series mentioned in the video lives here: woodblock.com/shiki
Information on the 'Octopus' print is here:
theoctopusprint.com
Videos of the production process will be uploaded to this YouTube channel:
youtube.com/channel/UCwy04bG7Yjx4MvSD7wdt0ZQ
The previous (similar) YouTube video that I referenced - discussing my contact with the old carver Susumu Ito - is here:
youtube.com/watch?v=ij9KXgiyDAc
We now have a Patreon page for support of these videos:
patreon.com/mokuhankan


![The Great Wave - Part 17
Seven years after beginning his Great Wave project, Tokyo-based woodblock printmaker Dave Bull brings the latest update ... episode 17.
This one deals with an issue upper-most in the mind of many of the fans and collectors - what is the condition of the set of woodblocks? After seven years in production, can more good prints really be made from them?
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[ Were already getting requests ... I should have foreseen this ... but no, Im sorry; the reject prints mentioned in the video are not for sale.]
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The closeup print comparison images referred to in the video can be found in this directory of the Mokuhankan website:
https://mokuhankan.com/hokusai/images/2021_comparison/
Information on the Mokuhankan edition of the Great Wave:
https://mokuhankan.com/hokusai/
Our Twitch stream:
https://www.twitch.tv/japaneseprintmaking/
Our Patreon page:
https://www.patreon/mokuhankan/
Our webshop:
https://mokuhankan.com/catalogue/thumbnails.php The Great Wave - Part 17](https://i.ytimg.com/vi/Rsw90veoyT8/mqdefault.jpg)







