Uploaded July 2026 | Updated September 2026, 2 weeks ago
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Ludwig Senfl (1486 - 1542) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well.
Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially Josquin des Prez. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century.
His sacred music includes masses, motets, vespers settings, and a Magnificat. Technically his music has many archaic features, such as the use of cantus firmus technique, which was more in vogue in the 15th century; he even occasionally employs isorhythm. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths).
Senfl also wrote numerous German lieder, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a cantus firmus to contrapuntal tours-de-force such as elaborate canons and quodlibets.
Performers: Sex Chordæ Consort of Viols
New videos and pieces everyday.
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Ludwig Senfl (1486 - 1542) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well.
Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially Josquin des Prez. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century.
His sacred music includes masses, motets, vespers settings, and a Magnificat. Technically his music has many archaic features, such as the use of cantus firmus technique, which was more in vogue in the 15th century; he even occasionally employs isorhythm. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths).
Senfl also wrote numerous German lieder, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a cantus firmus to contrapuntal tours-de-force such as elaborate canons and quodlibets.
Performers: Sex Chordæ Consort of Viols
