University of Rochester | Love in a Village, Act II @UniversityRochester | Uploaded October 2021 | Updated October 2024, 3 hours ago.
In October 2018, thanks in large part to a generous grant from the Humanities Project, the University of Rochester was able to stage and professionally record a truly historic musical-theatrical event: the first modern production of the 18th-century comic opera Love in a Village, performed to its original score. This production took place in the University’s Strong Auditorium, complete with period instruments, historically based choreography, and professional musicians.
The opera follows a pair of genteel young lovers who disguise themselves as servants in order to avoid the marriages their parents have arranged for them. This work reflected many of the middle-class values slowly overtaking 18th-century British culture, and which were increasingly being reflected in the “new” genre of the novel. (Indeed, Jane Austen is known to have attended Love in a Village multiple times.) It is often seen as the sentimental counterpart to John Gay’s famous ballad-opera, The Beggar’s Opera (1728).
This video is the second of three parts. View the other parts:
Act I: youtu.be/FB0HfULuvsI
Act: III: youtu.be/vyKTfGv8iwY
Subscribe to the University of Rochester on YouTube: youtube.com/channel/UCZRLVZGCUZWYUEj2XQlFPyQ
Follow the University of Rochester on Twitter: twitter.com/UofR
Be sure to like the University of Rochester on our Facebook page: facebook.com/University.of.Rochester
In October 2018, thanks in large part to a generous grant from the Humanities Project, the University of Rochester was able to stage and professionally record a truly historic musical-theatrical event: the first modern production of the 18th-century comic opera Love in a Village, performed to its original score. This production took place in the University’s Strong Auditorium, complete with period instruments, historically based choreography, and professional musicians.
The opera follows a pair of genteel young lovers who disguise themselves as servants in order to avoid the marriages their parents have arranged for them. This work reflected many of the middle-class values slowly overtaking 18th-century British culture, and which were increasingly being reflected in the “new” genre of the novel. (Indeed, Jane Austen is known to have attended Love in a Village multiple times.) It is often seen as the sentimental counterpart to John Gay’s famous ballad-opera, The Beggar’s Opera (1728).
This video is the second of three parts. View the other parts:
Act I: youtu.be/FB0HfULuvsI
Act: III: youtu.be/vyKTfGv8iwY
Subscribe to the University of Rochester on YouTube: youtube.com/channel/UCZRLVZGCUZWYUEj2XQlFPyQ
Follow the University of Rochester on Twitter: twitter.com/UofR
Be sure to like the University of Rochester on our Facebook page: facebook.com/University.of.Rochester
