Uploaded June 2021 | Updated September 2026, 2 weeks ago
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Thank you for your support!
Chapters:
0:00 Introduction
0:54 Performance (video)
2:17 Reasons for choosing this prelude
2:41 The two sources for Louis Couperin's music
3:34 Three modern editions
5:24 A salient discrepancy between the editions
10:12 Method and purpose of the presentation
11:19 Lines 1-3
13:59 Lines 2-4
15:21 Lines 3-5
16:12 Concluding remarks
17:05 Performance (audio with score)
18:27 Patreon information
Louis Couperin: Prelude in c minor.
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Chapters:
0:00 Introduction
0:54 Performance (video)
2:17 Reasons for choosing this prelude
2:41 The two sources for Louis Couperin's music
3:34 Three modern editions
5:24 A salient discrepancy between the editions
10:12 Method and purpose of the presentation
11:19 Lines 1-3
13:59 Lines 2-4
15:21 Lines 3-5
16:12 Concluding remarks
17:05 Performance (audio with score)
18:27 Patreon information
Louis Couperin: Prelude in c minor.
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz

![Lebègue: Suite en D la ré sol, part 1. John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
Thank you for your support!
Nicolas Lebègue: Suite en D la ré sol (from Les Pièces de Clavessin [1677]):
I. Prélude
II. Allemande
III. Courante grave
IV. Courante gaye – Double
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Lebègue: Suite en D la ré sol, part 1. John Moraitis, harpsichord.](https://i.ytimg.com/vi/WJVVTOnllnQ/mqdefault.jpg)








