Lorna Simpson  on Memory and Representation @NationalGalleryofArtTalks
Lorna Simpson  on Memory and Representation  @NationalGalleryofArtTalks
Uploaded March 2023 | Updated September 2026, 13 hours ago
Lorna Simpson, artist. Born in 1960 in Brooklyn, New York, Lorna Simpson earned her BFA in photography from the School of Visual Arts, New York, in 1983, and her MFA from the University of California, San Diego, in 1985. She first gained recognition in the mid-1980s for her large photograph-and-text works that confront and challenge, conventional views of gender, identity, culture, history, and memory. With unidentified figures as a visual point of departure, Simpson uses the human form to examine the ways in which gender and culture shape the interactions, relationships, and experiences of contemporary American lives. On September 10, 2016, Simpson delivers the inaugural presentation of the Arnold Newman Lecture Series on Photography held at the National Gallery of Art. Her work is represented in the Gallery’s collection by Two Pairs, a photogravure published by Graphicstudio, U. S. F., and Untitled (Two Necklines), two gelatin silver prints and 11 engraved plastic plaques. Untitled (Two Necklines) is on view in the exhibition Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art through January 2, 2017.
Lorna Simpson  on Memory and Representation“Blackness is not peripheral to the American project; it is the foundation”Philip Guston Now exhibition catalogueAlma Thomas’s Studio Practice and DC Cultural InstitutionsPatricia Marroquin Norby on Prioritizing Indigenous VoicesDavid Gariff on Pop Art, Part 12David Gariff on Abstraction and Purity, Part 8The Confounding Glance: Meraviglia, Attraction, and the Invention of Love at First SightIntroduction to the Show: James Van Der Zee’s PhotographsGordon Parks’s Legacy: Gordon Parks, the FSA, the OWI, and the Double V, Part 5Patricia Fortini Brown on Venetian Wellheads, Cisterns, and FountainsKirk Varnedoe on Abstract Art, 1950s–2000s, Part 2
National Gallery of Art Talks |

Lorna Simpson on Memory and Representation

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