However, I don't think that's necessarily always the case, and rather, film and film music draw structure from each other in ways that often leave them on equal footing. This video essay discusses several examples meant to illuminate my point.
Nicholas Kmet
It is often assumed in discussions surrounding film and film music that film is always the dominant structural element—music is always subordinate.
However, I don't think that's necessarily always the case, and rather, film and film music draw structure from each other in ways that often leave them on equal footing. This video essay discusses several examples meant to illuminate my point.
However, I don't think that's necessarily always the case, and rather, film and film music draw structure from each other in ways that often leave them on equal footing. This video essay discusses several examples meant to illuminate my point.
updated 7 years ago
However, I don't think that's necessarily always the case, and rather, film and film music draw structure from each other in ways that often leave them on equal footing. This video essay discusses several examples meant to illuminate my point.
This is an audio/visual representation of the edits he made, using the versions of the cues available from the publicly released soundtrack album.
This was originally created as part of a video essay on film and film music structure, which you can find here: youtu.be/LJvaSUH4Usw
Let me be clear: Starcrash is a bad movie. So bad, that it was one of the films riffed on for the reboot of Mystery Science Theater 3000. I was watching the episode on Netflix, and thought I heard a familiar theme. That's right, Michael Giacchino's theme for Rogue One: A Star Wars Story (2016), sounds eerily like Barry's theme for Starcrash.
In other words, it sounds like a knockoff of the score to a film that was a knockoff of the originating film of the franchise. Now that's irony.
This compilation is extracted from my video essay on self-plagiarism in film music.
The Danger Theme: Self-Plagiarism in Film Music (Part 1): youtu.be/DfzqxCshIaY
The Danger Theme: Self-Plagiarism in Film Music (Part 2): youtu.be/tO1IzC99FxQ
Other Music Examples from the Essay:
The Danger Theme: youtu.be/V8KxvE6PLKs
Hollywood Self-Plagiarisms: youtu.be/paxfFVlXFoQ
The Curse of the Black Pearl and Remote Control Productions: youtu.be/0N5w8iSfqrs
This compilation is extracted from my video essay on self-plagiarism in film music.
The Danger Theme: Self-Plagiarism in Film Music (Part 1): youtu.be/DfzqxCshIaY
The Danger Theme: Self-Plagiarism in Film Music (Part 2): youtu.be/tO1IzC99FxQ
Other Music Examples from the Essay:
James Horner's Self-Plagiarisms: youtu.be/YAIIdW62Cjk
Hollywood Self-Plagiarisms: youtu.be/paxfFVlXFoQ
The Danger Theme: youtu.be/V8KxvE6PLKs
This compilation is extracted from my video essay on self-plagiarism in film music.
The Danger Theme: Self-Plagiarism in Film Music (Part 1): youtu.be/DfzqxCshIaY
The Danger Theme: Self-Plagiarism in Film Music (Part 2): youtu.be/tO1IzC99FxQ
Other Music Examples from the Essay:
James Horner's Self-Plagiarisms: youtu.be/YAIIdW62Cjk
The Danger Theme: youtu.be/V8KxvE6PLKs
The Curse of the Black Pearl and Remote Control Productions: youtu.be/0N5w8iSfqrs
This compilation is extracted from my video essay on self-plagiarism in film music.
The Danger Theme: Self-Plagiarism in Film Music (Part 1): youtu.be/DfzqxCshIaY
The Danger Theme: Self-Plagiarism in Film Music (Part 2): youtu.be/tO1IzC99FxQ
Other Music Examples from the Essay:
James Horner's Self-Plagiarisms: youtu.be/YAIIdW62Cjk
Hollywood Self-Plagiarisms: youtu.be/paxfFVlXFoQ
The Curse of the Black Pearl and Remote Control Productions: youtu.be/0N5w8iSfqrs
This is part one of a video essay analyzing and contextualizing this phenomenon in film music. This part defines self-plagiarism, and provides examples to both support that definition and display its universality among film composers.
For educational purposes only.
Part 2: youtu.be/tO1IzC99FxQ
Music Examples from the Essay:
The Danger Theme: youtu.be/V8KxvE6PLKs
James Horner's Self-Plagiarisms: youtu.be/YAIIdW62Cjk
Hollywood Self-Plagiarisms: youtu.be/paxfFVlXFoQ
The Curse of the Black Pearl and Remote Control Productions: youtu.be/0N5w8iSfqrs
Other Links:
J. Bryan Lowder's article "Is Hans Zimmer, Movie Composer Extraordinaire, Repeating Himself?" on Slate:
http://www.slate.com/blogs/browbeat/2013/11/05/hans_zimmer_scores_the_same_does_movie_composer_repeat_himself_audio.html
If you've heard it, you'll recognize it almost immediately. James Horner's danger theme is ubiquitous to film music, and helped earn Horner a reputation for reusing music between scores. Of course, Horner is not the only film composer to have reused music between scores.
This is part two of a video essay analyzing and contextualizing this phenomenon in film music. This part examines why self-plagiarism occurs in the industry, and discusses some of the ramifications of reusing music between film scores.
For educational purposes only.
Part 1: youtu.be/DfzqxCshIaY
Music Examples from the Essay:
The Danger Theme: youtu.be/V8KxvE6PLKs
James Horner's Self-Plagiarisms: youtu.be/YAIIdW62Cjk
Hollywood Self-Plagiarisms: youtu.be/paxfFVlXFoQ
The Curse of the Black Pearl and Remote Control Productions: youtu.be/0N5w8iSfqrs