Uploaded August 2025 | Updated September 2026, 1 hour ago
Working with photographic media and their histories, Liz Deschenes reconfigures the various relationships among image, viewer, apparatus, and architecture, often inverting their respective positions.
Presented in conjunction with the George Eastman Museum’s 75th anniversary, Deschenes presents new works that draw connections among the museum’s collections of photography, film, and technology, testing the potential of these media to reproduce (and produce) perceptions of time and color.
Time is running out 👉 See "Liz Deschenes: Frames per Second (Silent)" on view through August 17.
Working with photographic media and their histories, Liz Deschenes reconfigures the various relationships among image, viewer, apparatus, and architecture, often inverting their respective positions.
Presented in conjunction with the George Eastman Museum’s 75th anniversary, Deschenes presents new works that draw connections among the museum’s collections of photography, film, and technology, testing the potential of these media to reproduce (and produce) perceptions of time and color.
Time is running out 👉 See "Liz Deschenes: Frames per Second (Silent)" on view through August 17.
