Uploaded November 2025 | Updated September 2026, 2 weeks ago

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Want to become a documentary filmmaker? Join the 8000+ filmmakers achieving their filmmaking dreams in our academy. Enrollment opens for spring and fall semesters. Find out more theartofdocumentary.com

Graded with my PowerGrade: bit.ly/PowerGradeMBNP

Lighting Gear List
NANLUX 600C bhpho.to/4reuXS5
NANLUX 150C bhpho.to/4igj2yO
NANLUX Motorized Spot Fresnel: bhpho.to/44oR8uP
NANLITE Pavo Tube I| 30XR bhpho.to/3TAo1zh
NANLUX Evoke 1200 bhpho.to/4ety955
NANLITE Forza 60B bhpho.to/4daGsSj
NANLITE PavoSlim 60C bhpho.to/4dasxve
NANLITE PavoSlim 120C bhpho.to/4deUxhf

CAMERA GEAR:
DZO ARLES LENES: bhpho.to/3KDRZ49
My Main Camera (Fx6): amzn.to/4a9xfeP
My Second Camera (Fx3): amzn.to/4ioIrqo
My Main Documentary Lens (24-70): amzn.to/48cMd1c
My Vlog Lens (16-35): amzn.to/48dHTyH

The music from this video: fm.pxf.io/c/3541609/1347628/16252

CHAPTERS
0:00 - using color temperature to enhance your cinematography
1:04 - setting up our lights in this location
1:58 - such a wide color range
4:13 - lighting setup breakdown - basement
4:50 - replicating moonlight
5:11 - the special thing about this fresnel lens
5:40 - why is so good to rely on color temperature
7:09 - using two lights as Key lights
8:18 - practical difference between RGB mode and Color temperature
9:10 - I swear this wasn’t scripted
10:02 - waterproof lights!
10:34 - car scene breakdown
12:44 - color temperature differences in wide spaces
13:15 - this iPhone trick will blow your mind
14:30 - the new Nebula C8 chip these lights use
16:26 - final thoughts


CONTACT ME/SEE MY WORK: markbone.com
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