Uploaded October 2023 | Updated September 2026, 11 hours ago
LOOP 3.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
Website: palaeocast.com/life-on-our-planet
LOOP 3.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
Website: palaeocast.com/life-on-our-planet
![Episode 170 [audio]: Cariocecus bocagei](https://i.ytimg.com/vi/9f3qOZJp8l4/mqdefault.jpg "Episode 170 [audio]: Cariocecus bocagei
The iguanodontians were an incredibly successful group within the Cretaceous. They could reach incredible sizes, with the largest species even matching the proportions of some sauropods, and they also had an incredible palaeogeographic range, meaning that their remains are found all over the world today. In the late Jurassic, they were a lot less diverse and much smaller, so the late Jurassic and early Cretaceous are key times for understanding the evolution of this group.
Cariocecus bocagei is a newly described iguanodontian from the Early Cretaceous of Praia do Areia do Mastro, Portugal. Whilst it is only know from a partial skull, there are numerous useful characteristics that help identify it as a new species and fill in our understanding of iguanodontians in this important time in their evolution.
Joining us in this episode is Dr Filippo Bertozzo of the Royal Belgian Institute of Natural Sciences.
Website: https://www.palaeocast.com/cariocecus-bocagei/")
