Uploaded June 2020 | Updated September 2026, 4 hours ago
Not going to lie! It’s odd not having my pocket anymore - I loved working with BRAW an amazing codec to work with and the workflow in resolve was soooooooooo simple. But my user experience was subpar. I made it work and rigged it how I wanted it but there were some key issues that didn’t make the pocket 4K or 6k future proof in my opinion.
1. Mounts/sensor - Owning two cameras with MFT (Gh5 and bmpcc4k) taught me a lot on a technical level - convergence with the crop heavy crop and exposure to name a few. Moving to a larger sensor is a welcomed change. MFT mount is flexible with the added speed booster but I personally didn’t like some of the characteristics that it introduces. The bmpcc6k mount had issues. There was to much play with any EF glass I put on it.
2. Build quality/durability - the bmpcc4k/6k needs a cage mainly for protection. The plastic body was always a concern - of course adding a cage opens more mount abilities which a given.
3. Future proof. The bmpcc4k/6k are excellent camera and will get the job done - but they are limiting in hardware - you get what you get.
I just wanted to share a few thoughts. Oh and yeah I’m getting a ZCAM E2- S6
images of a black man - a visual expression, pt. 1. youtu.be/CdrnoJKVJJQ
Check out all of my gear on Kit: kit.co/joshuamartinstudios
I’ve partnered with Epidemic Sound! Sign up for a 30-day free trial with the NEW commercial plan for freelancers and businesses: bit.ly/32tpmdQ
Interested in other filmmakers rigs?
rigculture.com
________________________
FOLLOW ME!
INSTAGRAM: instagram.com/joshuamartinstudios
TWITTER: twitter.com/JoshuaMStudios
WEBSITE: joshuamartinstudios.com
Make sure to subscribe to this channel more creative content!
youtube.com/joshuamartinstudios
This video contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission.
#zcam #bmpcc4k #bmpcc6k
Not going to lie! It’s odd not having my pocket anymore - I loved working with BRAW an amazing codec to work with and the workflow in resolve was soooooooooo simple. But my user experience was subpar. I made it work and rigged it how I wanted it but there were some key issues that didn’t make the pocket 4K or 6k future proof in my opinion.
1. Mounts/sensor - Owning two cameras with MFT (Gh5 and bmpcc4k) taught me a lot on a technical level - convergence with the crop heavy crop and exposure to name a few. Moving to a larger sensor is a welcomed change. MFT mount is flexible with the added speed booster but I personally didn’t like some of the characteristics that it introduces. The bmpcc6k mount had issues. There was to much play with any EF glass I put on it.
2. Build quality/durability - the bmpcc4k/6k needs a cage mainly for protection. The plastic body was always a concern - of course adding a cage opens more mount abilities which a given.
3. Future proof. The bmpcc4k/6k are excellent camera and will get the job done - but they are limiting in hardware - you get what you get.
I just wanted to share a few thoughts. Oh and yeah I’m getting a ZCAM E2- S6
images of a black man - a visual expression, pt. 1. youtu.be/CdrnoJKVJJQ
Check out all of my gear on Kit: kit.co/joshuamartinstudios
I’ve partnered with Epidemic Sound! Sign up for a 30-day free trial with the NEW commercial plan for freelancers and businesses: bit.ly/32tpmdQ
Interested in other filmmakers rigs?
rigculture.com
________________________
FOLLOW ME!
INSTAGRAM: instagram.com/joshuamartinstudios
TWITTER: twitter.com/JoshuaMStudios
WEBSITE: joshuamartinstudios.com
Make sure to subscribe to this channel more creative content!
youtube.com/joshuamartinstudios
This video contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission.
#zcam #bmpcc4k #bmpcc6k
